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The Feminine Mystique - Betty Friedan [67]

By Root 1924 0
Freudian concepts in the light of their growing cultural awareness. But, curiously, this did not prevent their literal application of Freud’s theory of femininity to American women.

The fact is that to Freud, even more than to the magazine editor on Madison Avenue today, women were a strange, inferior, less-than-human species. He saw them as childlike dolls, who existed in terms only of man’s love, to love man and serve his needs. It was the same kind of unconscious solipsism that made man for many centuries see the sun only as a bright object that revolved around the earth. Freud grew up with this attitude built in by his culture—not only the culture of Victorian Europe, but that Jewish culture in which men said the daily prayer: “I thank Thee, Lord, that Thou hast not created me a woman,” and women prayed in submission: “I thank Thee, Lord, that Thou has created me according to Thy will.”

Freud’s mother was the pretty, docile bride of a man twice her age; his father ruled the family with an autocratic authority traditional in Jewish families during those centuries of persecution when the fathers were seldom able to establish authority in the outside world. His mother adored the young Sigmund, her first son, and thought him mystically destined for greatness; she seemed to exist only to gratify his every wish. His own memories of the sexual jealousy he felt for his father, whose wishes she also gratified, were the basis of his theory of the Oedipus complex. With his wife, as with his mother and sisters, his needs, his desires, his wishes, were the sun around which the household revolved. When the noise of his sisters’ practicing the piano interrupted his studies, “the piano disappeared,” Anna Freud recalled years later, “and with it all opportunities for his sisters to become musicians.”

Freud did not see this attitude as a problem, or cause for any problem, in women. It was woman’s nature to be ruled by man, and her sickness to envy him. Freud’s letters to Martha, his future wife, written during the four years of their engagement (1882–1886) have the fond, patronizing sound of Torvald in A Doll’s House, scolding Nora for her pretenses at being human. Freud was beginning to probe the secrets of the human brain in the laboratory at Vienna; Martha was to wait, his “sweet child,” in her mother’s custody for four years, until he could come and fetch her. From these letters one can see that to him her identity was defined as child-housewife, even when she was no longer a child and not yet a housewife.

Tables and chairs, beds, mirrors, a clock to remind the happy couple of the passage of time, an armchair for an hour’s pleasant daydreaming, carpets to help the housewife keep the floors clean, linen tied with pretty ribbons in the cupboard and dresses of the latest fashion and hats with artificial flowers, pictures on the wall, glasses for everyday and others for wine and festive occasions, plates and dishes…and the sewing table and the cozy lamp, and everything must be kept in good order or else the housewife who has divided her heart into little bits, one for each piece of furniture, will begin to fret. And this object must bear witness to the serious work that holds the household together, and that object, to a feeling for beauty, to dear friends one likes to remember, to cities one has visited, to hours one wants to recall…. Are we to hang our hearts on such little things? Yes, and without hesitation….

I know, after all, how sweet you are, how you can turn a house into a paradise, how you will share in my interests, how gay yet painstaking you will be. I will let you rule the house as much as you wish, and you will reward me with your sweet love and by rising above all those weaknesses for which women are so often despised. As far as my activities allow, we shall read together what we want to learn, and I will initiate you into things which could not interest a girl as long as she is unfamiliar with her future companion and his occupation…7

On July 5, 1885, he scolds her for continuing to visit Elise, a friend

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