The Fifth Witness - Michael Connelly [48]
As decided during our prep sessions in my room at Holy Cross, Aronson presented no witnesses or any affirmative defense. We chose to reserve any indication of our hypothesis of innocence for trial, when the threshold of guilt beyond a reasonable doubt raised the game to almost an even match. Aronson used cross-examination of the state’s witnesses sparingly. These were all seasoned veterans of courtroom testimony—Kurlen, a forensic expert and the medical examiner among them. Freeman chose not to put Margo Schafer on the stand, using Kurlen to recount his interview with the eyewitness who placed Lisa Trammel a block from the murder. There wasn’t much to get from the state’s lineup and so our strategy was to observe and wait. To bide our time. We would simply go at them at trial where we stood the best chance.
At the end of the hearing Lisa was ordered to stand trial before Judge Coleman Perry on the sixth floor of the courthouse. Perry was yet another judge I had never stood before. But since I knew his courtroom was one of four possible destinations for my client, I had done some checking with other members of the defense bar. The overall report I got was that Perry was a straight shooter with a short temper. He was fair until you crossed him and then he was prone to hold a grudge that might last an entire trial. It was good knowledge to have as the case progressed to its final stage.
Two days later, I finally felt ready to return to the fray. My broken fingers were bound tightly in a form-fitted plaster cast and my bruised torso was losing the shadings of deep blue and purple for a sickly tone of yellow. My scalp stitches had been removed and I was able to delicately comb my hair back over the shaved wound as if I was hiding a bald spot. Best of all, my formerly twisted testicle, which the doctor had ultimately chosen not to remove, was improving a little bit every day, according to the doctor and his powers of observation and palpation. It was left to see whether it would resume normal activity and function, or die on the vine like an unpicked Roma tomato.
By previous arrangement, Rojas had the Lincoln at the bottom of the front steps at eleven o’clock sharp. I slowly made my way down, walking cane firmly in hand. Rojas was there to help me get into the back of the car. We moved carefully and soon I was in my usual place, ready to roll. Rojas jumped behind the wheel and we jerked forward and down the hill.
“Easy, Rojas. It hurts too much for me to wear a seat belt. So don’t send me into the front seat.”
“Sorry, Boss. I’ll do better. Where are we going today? The office?”
He had gotten that Boss stuff from Cisco. I hated being called a boss, even though I knew that was what I was.
“The office is later. First we go to Archway Pictures on Melrose.”
“You got it.”
Archway was a second-tier studio across Melrose from one of the behemoths, Paramount Pictures. Started as a studio lot to handle the overflow demand for soundstages and equipment, it grew into a self-sustaining studio under the guidance of the late Walter Elliot. It now made its own slate of films each year and created its own overflow demand. Coincidentally, Elliot happened to be a client of mine at one time.
It took Rojas twenty minutes to get from my house above Laurel Canyon to the studio. He pulled up to the security booth at the signature arch that spanned the studio’s entrance. I lowered the window and told the security man who approached me that I was there to see Clegg McReynolds. He asked for my name and ID and I gave him my driver’s license. He retreated