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The Floating Admiral - Agatha Christie [4]

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and plausibly; and to make sure that he was playing fair in this respect, each writer was bound to deliver, together with the manuscript of his own chapter, his own proposed solution of the mystery. These solutions are printed at the end of the book for the benefit of the curious reader.

Secondly, each writer was bound to deal faithfully with all the difficulties left for his consideration by his predecessors. If Elma’s attitude towards love and marriage appeared to fluctuate strangely, or if the boat was put into the boat-house wrong end first, those facts must form part of his solution. He must not dismiss them as caprice or accident, or present an explanation inconsistent with them. Naturally, as the clues became in process of time more numerous, the suggested solutions grew more complicated and precise, while the general outlines of the plot gradually hardened and fixed themselves. But it is entertaining and instructive to note the surprising number of different interpretations which may be devised to account for the simplest actions. Where one writer may have laid down a clue, thinking that it could point only in one obvious direction, succeeding writers have managed to make it point in a direction exactly opposite. And it is here, perhaps, that the game approximates most closely to real life. We judge one another by our outward actions, but in the motive underlying those actions our judgment may be widely at fault. Preoccupied by our own private interpretation of the matter, we can see only the one possible motive behind the action, so that our solution may be quite plausible, quite coherent, and quite wrong. And here, possibly, we detective-writers may have succeeded in wholesomely surprising and confounding ourselves and one another. We are only too much accustomed to let the great detective say airily: “Cannot you see, my dear Watson, that these facts admit of only one interpretation?” After our experience in the matter of The Floating Admiral, our great detectives may have to learn to express themselves more guardedly.

Whether the game thus played for our own amusement will succeed in amusing other people also is for the reader to judge. We can only assure him that the game was played honestly according to the rules, and with all the energy and enthusiasm which the players knew how to put into it. Speaking for myself, I may say that the helpless bewilderment into which I was plunged on receipt of Mr. Milward Kennedy’s little bunch of brain-teasers was, apparently, fully equalled by the hideous sensation of bafflement which overcame Father Ronald Knox when, having, as I fondly imagined, cleared up much that was obscure, I handed the problem on to him. That Mr. Anthony Berkeley should so cheerfully have confounded our politics and frustrated our knavish tricks in the final solution, I must attribute partly to his native ingenuity and partly to the energetic interference of the other three intervening solvers, who discovered so many facts and motives that we earlier gropers in the dark knew nothing about. But none of us, I think, will bear any malice against our fellow-authors, any more than against the vagaries of the River Whyn, which, powerfully guided by Mr. Henry Wade and Mr. John Rhode, twin luminaries of its tidal waters, bore so peacefully between its flowery banks the body of the Floating Admiral.

PROLOGUE


By G. K. Chesterton

“THE THREE PIPE DREAMS”

THREE glimpses through the rolling smoke of opium, three stories that still hover about a squalid opium joint in Hong Kong, might very well at this distance of time be dismissed as pipe dreams. Yet they really happened; they were stages in the great misfortune of a man’s life; although many who played their parts in the drama would have forgotten it by the morning. A large paper-lantern coarsely scrawled with a glaring crimson dragon hung over the black and almost subterranean entrance of the den; the moon was up and the little street was almost deserted.

We all talk of the mystery of Asia; and there is a sense in which we are all wrong. Asia

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