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The Forger's Spell - Edward Dolnick [157]

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Galerie.” Kunst-Chronik 18 (1883), pp. 67–71.

———. “An Unknown Rembrandt Portrait.” The Burlington Magazine 48, 1926, p. 205.

———. “An Unpublished Vermeer.” The Burlington Magazine, Oct. 1932, p. 145.

Broos, Ben. “Un celebre Peijntre nommé Vermeer.” In Johannes Vermeer, ed. Arthur Wheelock, National Gallery of Art, 1995.

———. “Vermeer: Malice and Misconception.” In Vermeer Studies, ed. Ivan Gaskell and Michiel Jonker, National Gallery, 1998.

Browning, Christopher R. The Origins of the Final Solution. Lincoln: University of Nebraska Press, 2004.

Bullock, Alan. Hitler: A Study in Tyranny. New York: Harper, 1964.

Buvelot, Quentin. “On Des Tombe, Donor of Vermeer’s Girl with a Pearl Earring.” Mauritshuis in Focus, Jan. 2004.

Cabanne, Pierre. The Great Collectors. New York: Farrar, Straus, 1961.

Cannadine, David. Mellon. New York: Knopf, 2006.

Carr, E. H. What Is History? New York: Penguin, 1964.

Clark, Kenneth. Looking at Pictures. London: John Murray, 1960.

Coremans, P. B., Van Meegeren’s Faked Vermeers and De Hooghs. Amsterdam: Meulenhoff, 1949.

De Boer, Marjolein. “Bredius Museum Reborn” (online at http://www.art.nl/journal/article.aspx?ID=8).

Decoen, Jean. Back to the Truth: Two Genuine Vermeers. Rotterdam: Donker, 1951.

———. “Shorter Notices: The New Museum at Rotterdam.” The Burlington Magazine 67, July/December 1935, pp. 131–32.

De Jong, Louis. “Life in Occupied Holland.” Proceedings of the Anglo-Netherlands Society 1944–45, pp. 27–31.

———. The Netherlands and Nazi Germany. Cambridge, Mass.: Harvard University Press, 1990.

De Ricci, Seymour. “Le quarante-et-unième Vermeer.” Gazette des Beaux-Arts 16, 1927, pp. 305–10.

Doudart de la Grée, Marie. Geen standbeeld voor Han van Meegeren. Amsterdam: Nederlandsche Keurboekerij, 1966.

Dutton, Denis, ed. The Forger’s Art: Forgery and the Philosophy of Art. Berkeley: University of California Press, 1983.

Duveen Archives (on microfilm in the Watson Library of the Metropolitan Museum of Art).

Edsel, Robert M. Rescuing da Vinci. Dallas: Laurel Publishing, 2006.

Esterow, Milton. The Art Stealers. New York: Macmillan, 1966.

———. “Fakes, Frauds, and Fake Fakers.” Art News, June 2005, p. 100.

Feliciano, Hector. The Lost Museum. New York: Basic Books, 1997.

Fest, Joachim. The Face of the Third Reich. New York: Da Capo, 1999.

Flanner, Janet. Men and Monuments. New York: Harper, 1957.

Frank, Anne. The Diary of a Young Girl. New York: Doubleday, 2001.

Friedländer, Max, “Artistic Quality: Original and Copy.” The Burlington Magazine 78, May 1941.

———. “On Forgeries.” In The Expert versus The Object. ed. Ronald D. Spencer, New York: Oxford University Press.

Gaskell, Ivan. Vermeer’s Wager. London: Reaktion Books, 2000.

Gaskell, Ivan, and Jonker Michiel, eds. Vermeer Studies. Washington, D.C.: National Gallery, 1998.

Gilbert, Daniel. Stumbling on Happiness. New York: Knopf, 2006.

Gilbert, G. M. “Hermann Goering: Amiable Psychopath.” Journal of Abnormal and Social Psychology 43, no. 2 (April 1948): 221.

———. Nuremberg Diary. New York: Farrar, Straus, 1947.

Gimpel, René. Diary of an Art Dealer, 1918–1939. New York: Universe Books, 1963.

Gladwell, Malcolm. Blink. New York: Little, Brown, 2005.

———. “The Picture Problem.” The New Yorker, Dec. 13, 2004.

Goldensohn, Leon. The Nuremberg Interviews. New York: Knopf, 2004.

Gombrich, E. H. Art and Illusion. London: Phaidon Press, 1960.

———. Meditations on a Hobby Horse. London: Phaidon Press, 1963.

———. The Story of Art. London: Phaidon Press, 1972.

Grafton, Anthony. Forgers and Critics. Princeton, N.J.: Princeton University Press, 1990.

Halpern, Sue. “The Moment of Truth?” New York Review of Books, April 28, 2005.

Hanson, N. R. Patterns of Discovery. New York: Cambridge University Press, 1965.

Harr, Jonathan. The Lost Painting. New York: Random House, 2005.

Harris, Richard. “The Forgery of Art,” The New Yorker, Sept. 16, 1961.

Harris, Robert. Selling Hitler. New York: Pantheon, 1986.

Hebborn, Eric. The Art Forger’s Handbook. Woodstock, N.Y.: Overlook Press, 2004.

———. Drawn to Trouble. New York: Random

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