The Forger's Spell - Edward Dolnick [165]
Vermeer’s Art of Painting and, 60–61, 255, 301n
Vermeer’s The Astronomer and, 64–65
Hitler Nobody Knows, The (Hoffman), 57
Hofer, Walter, 11, 78, 82, 84, 160, 260–61
Hoffman, Heinrich, 57, 61
Holbein, Hans, 25
Holland (Netherlands)
anti-pogrom strike in, 31–32
arrest and imprisonment of van Meegeren in, 3–5, 206, 263, 265–73
black market in Occupied, 40, 42
devastation of land during war, 219
Dutch army, 11
Dutch bureaucracy under the Nazis, 29
Dutch Nazi Party, 6
Dutch resistance, 4, 28, 40
escape from Nazis, problems of, 27–28
fate of Nazi collaborators in, 262–63, 270, 283
hiding of art masterpieces and attempts to keep from Nazis, 42–43, 219
history of art in, 95–96
Holland mania (desire for things Dutch), 89, 218
hunger winter (1944–1945), 7–9, 40–41
hunt for stolen art, post-war, 6–8, 262–63
invasion of (1940), 9–13
Jews in, 4, 28, 29, 30–32, 40
language, use of ij, 44n
Lentz’s registration system, 29
liberation, 262–63
Nazi collection of art treasures in, 41–43, 51
Nazi confiscation of bicycles, 40, 40n
Nazi Reich Commissar for, 27
Nazi reprisals, 40
Occupied, 6, 26–29, 40–43, 85–86
post-war provisional government, 6, 263
public opinion of van Meegeren, 288–89
seventeenth century (time of Vermeer), 86–87
Spanish occupation of, 86–87
timing of Van Meegeren’s forgeries and, 218–22
trial of Van Meegeren, 161, 162, 280–87, 321n
Vermeer popularity in, 85–86, 91–92
Hollander, Lorin, 241n
Hondius, Abraham, 278, 278
Hoogendijk, D. A., 198, 199, 200, 217, 283–84, 321n
Horace, 66n, 302n
Hoving, Thomas, 19, 20, 23–24, 66n, 229, 241, 302n, 309n, 316n, 318n
“fakebusting” by, 242
spots fake kouros, 240–41, 244
Howe, Thomas Carr, 303n
Hughes, Howard, 244–45
Huizinga, J. H., 95, 196n
Hunting Scene (Hondius), 278, 278
Huntington, Collis P., 90
Huntington, H. E., 188–89
I
I.G. Farben, 79
Illustrated London News, The, 275 “I’m OK, You’re Biased” (Gilbert), 316n
Impressionism, 36n
Ingres, Jean Auguste, Rothschild collection of, 64
Institute of Contemporary Arts, London, 72
Irving, Clifford, 244–45
Irving, David, 295n
Isaac Blessing Jacob (van Meegeren forgery), 161, 214, 217, 281, 284
Italy, art treasures taken by the Nazis, 7, 51, 255
J
Jan Vermeer of Delft (de Vries), 209
Jesus Teaching in the Temple (van Meegeren), 161, 272–75
Jeu de Paume, 63
Jews
art collection of Goudstikker, confiscation by Nazis, 12–13
art treasures of, confiscated, 61, 63
Dachau and Holocaust, 258, 295n
Dutch, fate in Occupied Holland, 4, 28, 30–32, 40
Dutch, highest proportion killed in
Europe, 30
Dutch, Lentz’s registration system and, 29
Joop Piller as, 4, 266
satiric comment on “master race” by, 52n
Johnson, Paul, 97
Juynboll, W. R., 310n
K
Kaiser Friedrich Museum, Berlin, 78, 118, 119
Keating, Tom, 23, 24
Keck, Sheldon, 38, 315n
Keegen, John, 295n
Kilbracken, Lord (John Godley), 194–95, 296n
Kirstein, Lincoln, 252, 253–54
Klaes, Pieter, 137
Kleinberger gallery, Paris, 142, 309n
Knoedler art dealers, 89
Koestler, Arthur, 322n
Kok, Jan, 284–85
Koomen, Pieter, 164, 165
Kosinski, Jerzy, 224n
Kraaijpoel, Diederik, 37, 47, 171, 175, 220, 238, 278, 295n, 317n
Kreuger, Frederik, 297n, 304n
Kronig, Joseph, 123, 181–82, 183–84, 312n
Küffner, Abraham, 115–16, 116n, 306n
Kunst dem Volk magazine, 61
Kunsthal, Rotterdam, 223
Kunsthistorisches Museum, Vienna, 60, 310n
Kurz, Otto, 221
L
Lacemaker (van Wijngaarden fake), 105–8, 109–11, 110n, 111n, 118, 119, 306n
Lacemaker, The (Vermeer), 83, 96, 97n, 106n, 168
bought by the Louvre, 187–88
Ladies Home Journal, 91
Lady and Gentleman at the Harpsichord (Van Meegeren fake Vermeer), 139–44, 149, 150, 179, 184, 186, 187, 190, 309n
Lady Professor of Bologna, A (attributed to Giorgione), 119n
Lady Seated at a Virginal (Vermeer), 171, 311n
Lady Writing (Vermeer), 90–91
Lady Writing a Letter with Her Maid, A (Vermeer), 97n, 134
Last Supper (Van Meegeren forgery), 214, 216, 281, 284, 286, 321n
attempts to argue for authenticity