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The Forger's Spell - Edward Dolnick [176]

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reputation (and was an authority on forgeries), but in 1941, when he made this observation about the “unmistakable accent” of authenticity, Emmaus was the world’s most cherished Vermeer.

* The pianist Lorin Hollander recalls that one day, when he was three and a half, a car horn sounded outside. For the fun of it, Hollander’s father (a musician himself ) asked his son what note the sound was. “F sharp,” the toddler announced. The father clinked a glass with a spoon. “B flat.”

* And genuine experts may have blind spots. Hannema had a “two-track mind,” says Albert Blankert: nearly all his judgments were acute, but he made bewildering mistakes when it came to certain masters, notably Vermeer.

* No help was forthcoming. Soon after, Bunjes killed his wife and child and then shot himself.

* The altarpiece included twelve panels in all. Posey would discover three more panels in another chamber of the salt mine. The twelfth and last panel had been stolen in 1934 and has never been seen since. More accurately, the painting on one side of it has not been seen since 1934. The missing panel is one of eight that was painted on both sides. Immediately after the 1934 robbery, the thief sent the bishop of Ghent a note demanding a ransom of 1 million francs. Along with his ransom note he sent a ticket to a railway station locker. In the locker the police found one side of the missing panel, depicting John the Baptist, but then negotiations fell through. The case, one of the most important in the annals of stolen art, is still open.

Table of Contents

Cover

Title Page

Dedication

Epigraph

Contents

Preface

Part One

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Part Two

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Part Three

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Photographic Insert

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Part Four

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Part Five

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Epilogue

Notes

Bibiliography

Acknowledgments

Searchable Terms

About the Author

Other Books by Edward Dolnick

Copyright

About the Publisher

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