The Fortunes of Oliver Horn [134]
trills.
"How's that affair coming on?" came a voice out of the tobacco-smoke.
"Same old way," answered someone at the lower end of the table--"still waiting for the spondulix."
"Seen her last picture?" remarked Watson, knocking the ashes from his pipe. "The one she scooped the medal with?"
"Yes. Rouser, isn't it?" called out Waller. "Best thing she has done yet. She's a great woman. Hello! there he is! This is a pretty time for him to put in an appearance!"
The door opened and Oliver walked in, a wet umbrella in one hand, his coat-collar turned up, his mustache beaded with melted snow-drops.
"What's it doing outside, Ollie, raining cats and dogs?" Jack called out.
"No, going to clear up. It's stopped snowing and getting colder. Oh, what a night! I love a storm like this, it sets my blood tingling. Sorry to keep you waiting, gentlemen, but I couldn't help it. It won't make any difference; I can't begin, anyway. Bianchi won't be here for an hour. Just met him on the street --he's going to bring a guest, he says."
"Who's he going to bring?" shouted Simmons, who had risen from his seat at the piano, and was now sorting out some sheets of music that Fred had just laid on its top.
"He won't tell; says it's a surprise," answered Oliver, slipping off his coat.
"A surprise, is it?" grumbled Waller. "I'll bet it's some greasy foreigner." He had left Simmons's side and was now standing by the mantel, filling a pipe from the bowl. "Bianchi has always got a lot of cranks about him."
Oliver hung his wet coat among the row of garments lining the wall--he had come twice as far as the others--crowded his dripping umbrella into a broken Chinese jar that did duty as a rack, and, catching sight of the canvas, walked toward the easel holding the thirty by forty.
"Where did you get it, Freddie?" he said, putting his arms around the shoulders of his old chum and dragging him toward the easel for a closer inspection of the grain of the canvas.
"Snedecor's"
"Just right, old man. Much obliged," and he felt the grain of the cloth with his thumb. "Got a ruff?" and he glanced about him. "Oh, yes; I see. Thanks."
The men, now that Oliver had arrived, drew up around the long table. Some began setting their palettes; others picked out, from the common stock before them, the panels, canvases, china plates, or sheets of paper, which, under their deft touches, were so soon to be covered with dainty bits of color.
It was in many ways a remarkable club. Most of its members had already achieved the highest rank in their several professions and outside the walls of this eyrie were known as earnest, thoughtful men, envied and sought after by those who respected their aims and successes.
Inside these cosey rooms all restraint was laid aside and each man's personality and temperament expressed itself without reserve. Harry Stedman, who, perhaps, had been teaching a class of students all the morning in the new building of the National Academy of Design, each one of whom hung upon his words as if he had been inspired, could be found here a few hours later joining in a chorus with a voice loud enough to rattle every mug on the table.
Waller, who doubtless that same night, had been the bright particular star at some smart dinner uptown, and whose red ribbon had added such eclat to the occasion, and whose low voice and quiet manners and correct, conventional speeches had so charmed and captivated the lady on his right, would, when once in this room, sit astride some chair, a pipe in one hand, a mug of beer in the other. Here he would discuss with Simmons or Jack or Oliver his preference of Chopin over Beethoven, or the difference between Parepa-Rosa and Jenny Lind, or any topic which had risen out of the common talk, and all too with a grotesqueness of speech and manner that would have frozen his hostess of the dinner-table dumb with astonishment could she have seen him.
And so with the others. Each man was frankly himself and in undress uniform when under Fred's skylight, or when the club was enjoying
"How's that affair coming on?" came a voice out of the tobacco-smoke.
"Same old way," answered someone at the lower end of the table--"still waiting for the spondulix."
"Seen her last picture?" remarked Watson, knocking the ashes from his pipe. "The one she scooped the medal with?"
"Yes. Rouser, isn't it?" called out Waller. "Best thing she has done yet. She's a great woman. Hello! there he is! This is a pretty time for him to put in an appearance!"
The door opened and Oliver walked in, a wet umbrella in one hand, his coat-collar turned up, his mustache beaded with melted snow-drops.
"What's it doing outside, Ollie, raining cats and dogs?" Jack called out.
"No, going to clear up. It's stopped snowing and getting colder. Oh, what a night! I love a storm like this, it sets my blood tingling. Sorry to keep you waiting, gentlemen, but I couldn't help it. It won't make any difference; I can't begin, anyway. Bianchi won't be here for an hour. Just met him on the street --he's going to bring a guest, he says."
"Who's he going to bring?" shouted Simmons, who had risen from his seat at the piano, and was now sorting out some sheets of music that Fred had just laid on its top.
"He won't tell; says it's a surprise," answered Oliver, slipping off his coat.
"A surprise, is it?" grumbled Waller. "I'll bet it's some greasy foreigner." He had left Simmons's side and was now standing by the mantel, filling a pipe from the bowl. "Bianchi has always got a lot of cranks about him."
Oliver hung his wet coat among the row of garments lining the wall--he had come twice as far as the others--crowded his dripping umbrella into a broken Chinese jar that did duty as a rack, and, catching sight of the canvas, walked toward the easel holding the thirty by forty.
"Where did you get it, Freddie?" he said, putting his arms around the shoulders of his old chum and dragging him toward the easel for a closer inspection of the grain of the canvas.
"Snedecor's"
"Just right, old man. Much obliged," and he felt the grain of the cloth with his thumb. "Got a ruff?" and he glanced about him. "Oh, yes; I see. Thanks."
The men, now that Oliver had arrived, drew up around the long table. Some began setting their palettes; others picked out, from the common stock before them, the panels, canvases, china plates, or sheets of paper, which, under their deft touches, were so soon to be covered with dainty bits of color.
It was in many ways a remarkable club. Most of its members had already achieved the highest rank in their several professions and outside the walls of this eyrie were known as earnest, thoughtful men, envied and sought after by those who respected their aims and successes.
Inside these cosey rooms all restraint was laid aside and each man's personality and temperament expressed itself without reserve. Harry Stedman, who, perhaps, had been teaching a class of students all the morning in the new building of the National Academy of Design, each one of whom hung upon his words as if he had been inspired, could be found here a few hours later joining in a chorus with a voice loud enough to rattle every mug on the table.
Waller, who doubtless that same night, had been the bright particular star at some smart dinner uptown, and whose red ribbon had added such eclat to the occasion, and whose low voice and quiet manners and correct, conventional speeches had so charmed and captivated the lady on his right, would, when once in this room, sit astride some chair, a pipe in one hand, a mug of beer in the other. Here he would discuss with Simmons or Jack or Oliver his preference of Chopin over Beethoven, or the difference between Parepa-Rosa and Jenny Lind, or any topic which had risen out of the common talk, and all too with a grotesqueness of speech and manner that would have frozen his hostess of the dinner-table dumb with astonishment could she have seen him.
And so with the others. Each man was frankly himself and in undress uniform when under Fred's skylight, or when the club was enjoying