The Fortunes of Oliver Horn [140]
a fakir peddling cheap jewelry," said Stedman, in a low voice, sending a cloud of smoke to the ceiling.
"Or a bunco-man trading watches with a farmer," remarked Jack Bedford. "What do you say, My Lord Tom-Noddy"--and he slapped Oliver on the back. The sobriquet was one of Jack's pet names for Oliver--all the Kennedy Square people were more or less aristocrats to Jack Bedford, the sign-painter-- all except Oliver.
"I think Waller's about half-right, Jack. As far as Ridgway's work goes, you know and I know that there isn't one man or woman out of a hundred among his brother-in-law's friends who knows whether it's good or bad--that's the pity of it. If it's bad and they buy it, that's their fault for not knowing any better, not Ridgway's fault for doing the best he knows how. By silk stockings and pumps I suppose Waller means that Ridgway dressed himself like a gentleman, had his hair cut, and paid some attention to his finger-nails. That's why they were glad to see him. The day has gone by when a painter must affect a bob-tailed velveteen jacket, long hair, and a slouch hat to help him paint, just as the day has gone by when an artist is not an honored guest in any gentleman's house in town."
"Bravo, Tom-Noddy!" shouted Jack and Fred in a breath. "Drink, you dear old pressed brick. Put your nose into this!" and Fred held a mug of beer to Oliver's lips.
Oliver laid down his sheaf of brushes--buried his nose in the cool rim of the stone mug, the only beverage the club permitted, and was about to continue his talk, when his eye rested on Bianchi, who was standing in the open door, his hand upraised so as to bespeak silence.
"Here--you beautiful, bald-headed old burgomaster!" shouted Oliver. "Get into your ruff right away. Been waiting half an hour for you and--"
Bianchi put his fingers to his lips with a whispered hush, knit his brow, and pointed significantly behind him. Every eye turned, and a breathless silence fell upon the group, followed by a scraping of chairs on the floor as each man sprang to his feet.
Bianchi's surprise had arrived!
CHAPTER XXI
"THE WOMAN IN BLACK"
In the doorway, immediately behind Bianchi and looking over the little man's head, stood a woman of perhaps forty years of age in full evening toilet. About her head was wound a black lace scarf, and hanging from her beautiful shoulders, half-concealing a figure of marvellous symmetry, was a long black cloak, open at the throat, trimmed with fur, and lined with watermelon pink silk. Tucked in her hair was a red japonica. She was courtesying to the room with all the poise and graciousness of a prima donna saluting an audience.
Oliver sprang for his coat and was about to cram his arms into the sleeves, when she cried:
"Oh, please don't! I wish I could wear a coat myself, so that I could take it off and paint. Oh! the smell of the lovely pipes! It's heavenly, and it's so like home. Really," and she looked about her, "this is the only place I have seen in America that I can breathe in. I've heard of you all winter and I so wanted to come. I would not give dear Bianchi any rest till he brought me. Oh! I'm so glad to be here."
Oliver and the others were still standing, looking in amazement at the new-corner. One of the unwritten laws of the club was that no woman should ever enter its doors, a law that until this moment had never been broken.
While she was speaking Bianchi stepped back, and took the tips of the woman's fingers within his own. When she had finished he thrust out one foot and, with the bow of an impresario introducing a new songstress, said:
"Gentlemen of the Stone Mugs, I have the honor of presenting you to the Countess Kovalski."
Again the woman courtesied, sweeping the floor with her black velvet skirt, broke out into a laugh, handed her cloak and scarf to Bianchi, who threw them over the shoulders of the lay figure, and moved toward the table, Fred, as host, drawing out a chair for her.
"Oh!--what lovely beginnings--" she continued, examining the sketches with her lorgnette, after
"Or a bunco-man trading watches with a farmer," remarked Jack Bedford. "What do you say, My Lord Tom-Noddy"--and he slapped Oliver on the back. The sobriquet was one of Jack's pet names for Oliver--all the Kennedy Square people were more or less aristocrats to Jack Bedford, the sign-painter-- all except Oliver.
"I think Waller's about half-right, Jack. As far as Ridgway's work goes, you know and I know that there isn't one man or woman out of a hundred among his brother-in-law's friends who knows whether it's good or bad--that's the pity of it. If it's bad and they buy it, that's their fault for not knowing any better, not Ridgway's fault for doing the best he knows how. By silk stockings and pumps I suppose Waller means that Ridgway dressed himself like a gentleman, had his hair cut, and paid some attention to his finger-nails. That's why they were glad to see him. The day has gone by when a painter must affect a bob-tailed velveteen jacket, long hair, and a slouch hat to help him paint, just as the day has gone by when an artist is not an honored guest in any gentleman's house in town."
"Bravo, Tom-Noddy!" shouted Jack and Fred in a breath. "Drink, you dear old pressed brick. Put your nose into this!" and Fred held a mug of beer to Oliver's lips.
Oliver laid down his sheaf of brushes--buried his nose in the cool rim of the stone mug, the only beverage the club permitted, and was about to continue his talk, when his eye rested on Bianchi, who was standing in the open door, his hand upraised so as to bespeak silence.
"Here--you beautiful, bald-headed old burgomaster!" shouted Oliver. "Get into your ruff right away. Been waiting half an hour for you and--"
Bianchi put his fingers to his lips with a whispered hush, knit his brow, and pointed significantly behind him. Every eye turned, and a breathless silence fell upon the group, followed by a scraping of chairs on the floor as each man sprang to his feet.
Bianchi's surprise had arrived!
CHAPTER XXI
"THE WOMAN IN BLACK"
In the doorway, immediately behind Bianchi and looking over the little man's head, stood a woman of perhaps forty years of age in full evening toilet. About her head was wound a black lace scarf, and hanging from her beautiful shoulders, half-concealing a figure of marvellous symmetry, was a long black cloak, open at the throat, trimmed with fur, and lined with watermelon pink silk. Tucked in her hair was a red japonica. She was courtesying to the room with all the poise and graciousness of a prima donna saluting an audience.
Oliver sprang for his coat and was about to cram his arms into the sleeves, when she cried:
"Oh, please don't! I wish I could wear a coat myself, so that I could take it off and paint. Oh! the smell of the lovely pipes! It's heavenly, and it's so like home. Really," and she looked about her, "this is the only place I have seen in America that I can breathe in. I've heard of you all winter and I so wanted to come. I would not give dear Bianchi any rest till he brought me. Oh! I'm so glad to be here."
Oliver and the others were still standing, looking in amazement at the new-corner. One of the unwritten laws of the club was that no woman should ever enter its doors, a law that until this moment had never been broken.
While she was speaking Bianchi stepped back, and took the tips of the woman's fingers within his own. When she had finished he thrust out one foot and, with the bow of an impresario introducing a new songstress, said:
"Gentlemen of the Stone Mugs, I have the honor of presenting you to the Countess Kovalski."
Again the woman courtesied, sweeping the floor with her black velvet skirt, broke out into a laugh, handed her cloak and scarf to Bianchi, who threw them over the shoulders of the lay figure, and moved toward the table, Fred, as host, drawing out a chair for her.
"Oh!--what lovely beginnings--" she continued, examining the sketches with her lorgnette, after