The Fortunes of Oliver Horn [47]
no matter what happens. You ought to be ashamed of yourself to see him hurt, and not want to protect him. You're a pretty kind of an officer."
A crowd began to gather.
Oliver was standing with the dog under one arm, holding the little fellow close to his breast, the other bent with fist tight shut as if to defend himself.
"I am, am I? yer moon-faced spad! I'll show ye," and he sprang toward Oliver.
"Here now, Tim Murphy," came a sharp voice, "kape yer hands off the young gintleman. He ain't a-doin' nothin', and he ain't done nothin'. Thim divils hit the dog, I seen 'em myself."
The officer turned quickly and faced a big, broad- shouldered Irish woman, bare-headed, her sleeves rolled up to her elbows, every line in her kindly face replete with indignation.
"Don't put yer hands on him, or I'll go to the lock-up an' tell McManus."
"Oh, it's you, is it, Mrs. Mulligan?" said the officer, in a conciliatory tone.
"Yes, it's me. The young gintleman's right. It's the b'ys ye oughter club into shape, not be foolin' yer time over the dog."
"Well, ye know it's agin the rules to let dogs inside the gates," he retorted as he continued his stroll along the walk, swinging his club as he went, puffing out his chest and cheeks with his old air as he moved toward the gate.
"Yes, an' so it's agin the rules," she called after him, "to have them rapscallions yellin' like mad an' howlin' bloody murder when a body comes up here to git a breath o' air."
"Is the dog hurt, sir?" and she stepped close to Oliver and laid her big hand on the dog's head, as it lay nestling close to Oliver's side.
"No, I don't think so--he would have been if I had not got him."
The dog, under the caress, raised his head, and a slight movement of his tail expressed his pleasure. Then his ears shot forward. A young man about Oliver's own age was rapidly walking up the path, with a quick, springy step, whistling as he came. The dog, with a sudden movement, squirmed himself from under Oliver's arm and sprang toward him.
"Oh, it's you, Mr. Fred, is it?" broke out the woman, "and it's Miss Margaret's dog, too. Of course it's her dog, an' I was that dumb I didn't know it. But it's not me ye can thank for savin' its skin --it's the young gintleman here. Them divils would have killed it but for him."
"Is the dog yours, sir?" asked Oliver, raising his hat with that peculiar manner of his which always won him friends at first sight.
"No, I wish it were. It's Miss Margaret Grant's dog--one of our students. I am taking care of it while she is away. The little rascal ran out and got into the Square before I knew it. I live right across the street--you can see my house from here. Miss Grant will be ever so much obliged to you for protecting him."
"Oh, don't mention it. I got hold of him just in time, or these ruffians would have hurt him. I think the old lady here, however, is most to be thanked. We might both have been locked up," he added, smiling, "if she had not interfered. You know her, it seems."
"Yes, she's Mother Mulligan, as we call her. She's janitress of the Academy of Design, where I draw at night. My name's Fred Stone. Come over to where I live--it's only a step," and he looked straight into Oliver's face, his big blue eyes never wavering.
"Well, I will if you don't think it's too late," and the two young fellows, with a wave of their hands to the old woman, left the Square, the dog bounding before them.
Within the hour--in less time indeed, for the friendly light in the eyes of his new-found friend had shone straight into our boy's soul, warming and cheering him to his finger-tips, opening his heart, and bringing out all his secrets--Oliver had told Fred the story of his fruitless tramps for work; of his mother's hopes and fears; of his own ambitions and his aims. And Fred, his own heart wide open, had told Oliver with equal frankness the story of his own struggles; of his leaving his father's farm in the western part of the State, and of his giving up everything to come to New York to study art.
It was
A crowd began to gather.
Oliver was standing with the dog under one arm, holding the little fellow close to his breast, the other bent with fist tight shut as if to defend himself.
"I am, am I? yer moon-faced spad! I'll show ye," and he sprang toward Oliver.
"Here now, Tim Murphy," came a sharp voice, "kape yer hands off the young gintleman. He ain't a-doin' nothin', and he ain't done nothin'. Thim divils hit the dog, I seen 'em myself."
The officer turned quickly and faced a big, broad- shouldered Irish woman, bare-headed, her sleeves rolled up to her elbows, every line in her kindly face replete with indignation.
"Don't put yer hands on him, or I'll go to the lock-up an' tell McManus."
"Oh, it's you, is it, Mrs. Mulligan?" said the officer, in a conciliatory tone.
"Yes, it's me. The young gintleman's right. It's the b'ys ye oughter club into shape, not be foolin' yer time over the dog."
"Well, ye know it's agin the rules to let dogs inside the gates," he retorted as he continued his stroll along the walk, swinging his club as he went, puffing out his chest and cheeks with his old air as he moved toward the gate.
"Yes, an' so it's agin the rules," she called after him, "to have them rapscallions yellin' like mad an' howlin' bloody murder when a body comes up here to git a breath o' air."
"Is the dog hurt, sir?" and she stepped close to Oliver and laid her big hand on the dog's head, as it lay nestling close to Oliver's side.
"No, I don't think so--he would have been if I had not got him."
The dog, under the caress, raised his head, and a slight movement of his tail expressed his pleasure. Then his ears shot forward. A young man about Oliver's own age was rapidly walking up the path, with a quick, springy step, whistling as he came. The dog, with a sudden movement, squirmed himself from under Oliver's arm and sprang toward him.
"Oh, it's you, Mr. Fred, is it?" broke out the woman, "and it's Miss Margaret's dog, too. Of course it's her dog, an' I was that dumb I didn't know it. But it's not me ye can thank for savin' its skin --it's the young gintleman here. Them divils would have killed it but for him."
"Is the dog yours, sir?" asked Oliver, raising his hat with that peculiar manner of his which always won him friends at first sight.
"No, I wish it were. It's Miss Margaret Grant's dog--one of our students. I am taking care of it while she is away. The little rascal ran out and got into the Square before I knew it. I live right across the street--you can see my house from here. Miss Grant will be ever so much obliged to you for protecting him."
"Oh, don't mention it. I got hold of him just in time, or these ruffians would have hurt him. I think the old lady here, however, is most to be thanked. We might both have been locked up," he added, smiling, "if she had not interfered. You know her, it seems."
"Yes, she's Mother Mulligan, as we call her. She's janitress of the Academy of Design, where I draw at night. My name's Fred Stone. Come over to where I live--it's only a step," and he looked straight into Oliver's face, his big blue eyes never wavering.
"Well, I will if you don't think it's too late," and the two young fellows, with a wave of their hands to the old woman, left the Square, the dog bounding before them.
Within the hour--in less time indeed, for the friendly light in the eyes of his new-found friend had shone straight into our boy's soul, warming and cheering him to his finger-tips, opening his heart, and bringing out all his secrets--Oliver had told Fred the story of his fruitless tramps for work; of his mother's hopes and fears; of his own ambitions and his aims. And Fred, his own heart wide open, had told Oliver with equal frankness the story of his own struggles; of his leaving his father's farm in the western part of the State, and of his giving up everything to come to New York to study art.
It was