The Fortunes of Oliver Horn [60]
with which she fastened her crocheted collar. She was a thin, faded, funereal-looking person, her body encased in a black silk dress, which looked as if it had been pressed and ironed over night, and her hands in black silk mitts which reached to her knuckles.
On Mrs. Boggs's right sat Bates--a rising young lawyer with political tendencies--one of the first men to cut his hair so "Zou-Zou" that it stood straight up from his forehead; and next to him Morgan, the editor, who pored over manuscript while his coffee got cold; and then Nelson, and Webster, and Cummings all graded in Miss Ann's mind as being eight, or ten, or twelve-dollar-a-week men, depending on the rooms that they occupied, and farther along, toward Miss Sarah, Cranch and Cockburn--five-dollar boys these (Fred was another), with the privilege of lighting their own coke fires, and of trimming the wicks and filling the bulbs of their own burning-fluid lamps. And away down in the far corner, crumpled up in his chair, crouched the cheery little hunchback, Mr. Crumbs, who kept a book-stall on Astor Place, where Bayard Taylor, Irving, Halleck, Bryant, and many another member of the Century Club used to spend their late afternoons delving among the old volumes on his shelves.
All these regular boarders, including Fog-horn Cranch and Fred, breakfasted at eight o'clock. Waller, the painter, and Tomlins, the swell, breakfasted at nine. As to that descendant of the Irish kings, Mr. Cornelius McFudd, he rose at ten, or twelve, or two, just as the spirit (and its dilutions of the night before) moved or retarded him, and breakfasted whenever Miss Ann or Miss Sarah, who had presided continuously at the coffee-urn from eight to ten, could spare one of her two servants to carry a tray to his room.
Last and by no means least, with her eyes devouring every expression that flitted across the new arrival's face, there beamed out beside Miss Ann, a tail, willowy young person, whom Fred, in answer to an inquiring lifting of Oliver's eyebrows, designated as the belle of the house. This engaging young woman really lived with her mother, in the next street, but flitted in and out, dining, or breakfasting, or spending a week at a time with her aunts, the Misses Teetum, whenever an opportunity offered--the opportunity being a vacant and non- paying room, one of which she was at the time enjoying.
This fair damsel, who was known to the boarders on the top floor as "our Phemy," and to the world at large as Miss Euphemia Teetum--the real jewel in her name was Phoebe, but she had reset it--had been especially beloved, so Fred informed Oliver, by every member of the club except Waller, who, having lived in boarding-houses all his life, understood her thoroughly. Her last flame--the fire was still smouldering --had been the immaculate Tomlins, who had won her heart by going into raptures, in one of his stage whispers, over the classic outlines of her face. This outburst resulted in Miss Euphemia appearing the following week in a silk gown, a Greek fillet and no hoops--a costume which Waller faithfully portrayed on the side-wall of the attic the night of her appearance--the fillet being reproduced by a strip of brass which the artist had torn from his easel and nailed to the plaster, and the classic curves of her hair by a ripple of brown paint.
This caricature nearly provoked a riot before the night was over, the whole club, including even the fun-loving McFudd, denouncing. Waller's act as an outrage. In fact, the Hibernian himself had once been so completely taken off his feet--it was the first week of his stay--by the winning ways of the young lady, that Miss Ann had begun to have high hopes of Euphemia's being finally installed mistress in one of those shadowy estates which the distinguished Hibernian described with such eloquence. That these hopes did not materialize was entirely due to Cockburn, who took pains to enlighten the good woman upon the intangible character of the Hibernian's possessions, thus saving the innocent maiden from the clutches of the bold,
On Mrs. Boggs's right sat Bates--a rising young lawyer with political tendencies--one of the first men to cut his hair so "Zou-Zou" that it stood straight up from his forehead; and next to him Morgan, the editor, who pored over manuscript while his coffee got cold; and then Nelson, and Webster, and Cummings all graded in Miss Ann's mind as being eight, or ten, or twelve-dollar-a-week men, depending on the rooms that they occupied, and farther along, toward Miss Sarah, Cranch and Cockburn--five-dollar boys these (Fred was another), with the privilege of lighting their own coke fires, and of trimming the wicks and filling the bulbs of their own burning-fluid lamps. And away down in the far corner, crumpled up in his chair, crouched the cheery little hunchback, Mr. Crumbs, who kept a book-stall on Astor Place, where Bayard Taylor, Irving, Halleck, Bryant, and many another member of the Century Club used to spend their late afternoons delving among the old volumes on his shelves.
All these regular boarders, including Fog-horn Cranch and Fred, breakfasted at eight o'clock. Waller, the painter, and Tomlins, the swell, breakfasted at nine. As to that descendant of the Irish kings, Mr. Cornelius McFudd, he rose at ten, or twelve, or two, just as the spirit (and its dilutions of the night before) moved or retarded him, and breakfasted whenever Miss Ann or Miss Sarah, who had presided continuously at the coffee-urn from eight to ten, could spare one of her two servants to carry a tray to his room.
Last and by no means least, with her eyes devouring every expression that flitted across the new arrival's face, there beamed out beside Miss Ann, a tail, willowy young person, whom Fred, in answer to an inquiring lifting of Oliver's eyebrows, designated as the belle of the house. This engaging young woman really lived with her mother, in the next street, but flitted in and out, dining, or breakfasting, or spending a week at a time with her aunts, the Misses Teetum, whenever an opportunity offered--the opportunity being a vacant and non- paying room, one of which she was at the time enjoying.
This fair damsel, who was known to the boarders on the top floor as "our Phemy," and to the world at large as Miss Euphemia Teetum--the real jewel in her name was Phoebe, but she had reset it--had been especially beloved, so Fred informed Oliver, by every member of the club except Waller, who, having lived in boarding-houses all his life, understood her thoroughly. Her last flame--the fire was still smouldering --had been the immaculate Tomlins, who had won her heart by going into raptures, in one of his stage whispers, over the classic outlines of her face. This outburst resulted in Miss Euphemia appearing the following week in a silk gown, a Greek fillet and no hoops--a costume which Waller faithfully portrayed on the side-wall of the attic the night of her appearance--the fillet being reproduced by a strip of brass which the artist had torn from his easel and nailed to the plaster, and the classic curves of her hair by a ripple of brown paint.
This caricature nearly provoked a riot before the night was over, the whole club, including even the fun-loving McFudd, denouncing. Waller's act as an outrage. In fact, the Hibernian himself had once been so completely taken off his feet--it was the first week of his stay--by the winning ways of the young lady, that Miss Ann had begun to have high hopes of Euphemia's being finally installed mistress in one of those shadowy estates which the distinguished Hibernian described with such eloquence. That these hopes did not materialize was entirely due to Cockburn, who took pains to enlighten the good woman upon the intangible character of the Hibernian's possessions, thus saving the innocent maiden from the clutches of the bold,