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The Fountains of Youth - Brian Stableford [132]

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really did decide to put away for the general good was a device that really did turn human beings into robots, at least temporarily.”

“That’s not fair,” Tricia said, presumably echoing the views of Samuel Wheatstone. “If the so-called Medusa device hadn’t made its debut as a murder weapon, employed by the world’s last and most flamboyant serial killer, it wouldn’t have seemed anywhere near as demonic as it did. That whole line of technical enquiry was strangled at birth, without any regard to beneficial uses or useful applications. Like the IT versions of VE tech, it was labeled dangerous and shoved into SusAn with all the other criminals that the Hardinist Tyranny didn’t want to deal with. In a world that had an authentically democratic government instead of a gang of bureaucrats dancing to the tune of a gang of pirates who seized economic control of the ecosphere way back in the twenty-first century, that kind of thing couldn’t happen. The people in the outer system won’t tolerate that kind of intellectual repression, so why should we put up with it here on Earth?”

“IT isn’t the only acronym to have changed its meaning since the twenty-first century,” I pointed out. “You used VE just now to mean Virtual Experience, but it’s not so long ago that it was only used to mean Virtual Environment. We’d still be using it in the narrower way if the techniques hadn’t taken aboard certain features of the supposedly suppressed technologies you’re using as key examples. The harmless and beneficial applications of IT-based VE and the so-called Medusa device have been integrated into the way we live, having been redirected into orthodox channels. The idea that whole areas of research have been suspended and deep-frozen is nonsensical—it’s a myth.”

Tricia wouldn’t admit it, of course, but I felt that I could at least hold my own on that particular battleground—and I therefore assumed that Wheatstone would choose another. I knew that I had to expect the unexpected, but I tried as best I could to put myself in his shoes, hoping to anticipate his line of attack far more accurately than I had when we had crossed swords publicly before. It seemed to me, when I did this, that there was one line of Cyborganizer rhetoric to which I might be particularly vulnerable.

The Cyborganizers were skeptical of the claim that Zaman transformations guaranteed true emortality. Although the oldest true emortals had now beaten the previous records set by false emortals, and showed no obvious sign of being unable to extend their lives indefinitely, the Cyborganizers insisted that what was presently called “emortality” would eventually prove wanting. They conceded that Zaman transformations had dramatically increased the human life span but insisted that some kinds of aging processes—particularly those linked to DNA copying-errors—were still effective. Eventually, they claimed, people would again begin to die of “age-related causes.” Even if it took thousands of years, and even if they avoided the perils of robotization, true emortals would begin to fade away—and in the meantime, they would remain vulnerable to all manner of accidents.

In the great tradition of preachers, the Cyborganizers played upon emortal fears only to stoke up demand for a new kind of hope. They wanted to resurrect the term that emortality had made obsolete: immortality. In order to turn flawed emortality into authentic immortality, the Cyborganizers claimed, it would be necessary to look to a combination of organic and inorganic technologies. The deepest need of contemporary humankind, they said, was not more of the same precarious kind of life, but a guaranteed “afterlife.”

What they meant by “afterlife” was not, of course, what their religious predecessors had meant, but some kind of transcription of the personality into a new matrix that would combine the best features of inorganic and organic chemistry.

“All this is old stuff too,” I told Tricia, by way of practice. “It’s the old chestnut about uploading one’s mind to a computer, given a new lick of paint and a bit of fancy dress.

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