The Four Horsemen of the Apocalypse [15]
construing her stillness as assent. They had left the garden and she was looking around uneasily, terrified to find herself in the open street beside her lover, and seeking a hiding-place. Suddenly she saw before her the little red door of an automobile, opened by the hand of her adorer.
"Get in," ordered Julio.
And she climbed in hastily, anxious to hide herself as soon as possible. The vehicle started at great speed. Marguerite immediately pulled down the shade of the window on her side, but, before she had finished and could turn her head, she felt a hungry mouth kissing the nape of her neck.
"No, not here," she said in a pleading tone. "Let us be sensible!"
And while he, rebellious at these exhortations, persisted in his advances, the voice of Marguerite again sounded above the noise of the rattling machinery of the automobile as it bounded over the pavement.
"Do you really believe that there will be no war? Do you believe that we will be able to marry? . . . Tell me again. I want you to encourage me . . . I need to hear it from your lips."
CHAPTER II
MADARIAGA, THE CENTAUR
In 1870 Marcelo Desnoyers was nineteen years old. He was born in the suburbs of Paris, an only child; his father, interested in little building speculations, maintained his family in modest comfort. The mason wished to make an architect of his son, and Marcelo was in the midst of his preparatory studies when his father suddenly died, leaving his affairs greatly involved. In a few months, he and his mother descended the slopes of ruin, and were obliged to give up their snug, middle-class quarters and live like laborers.
When the fourteen-year-old boy had to choose a trade, he learned wood carving. This craft was an art related to the tastes awakened in Marcelo by his abandoned studies. His mother retired to the country, living with some relatives while the lad advanced rapidly in the shops, aiding his master in all the important orders which he received from the provinces. The first news of the war with Prussia surprised him in Marseilles, working on the decorations of a theatre.
Marcelo was opposed to the Empire like all the youths of his generation. He was also much influenced by the older workmen who had taken part in the Republic of '48, and who still retained vivid recollections of the Coup d'Etat of the second of December.
One day he saw in the streets of Marseilles a popular manifestation in favor of peace which was practically a protest against the government. The old republicans in their implacable struggle with the Emperor, the companies of the International which had just been organized, and a great number of Italians and Spaniards who had fled their countries on account of recent insurrections, composed the procession. A long-haired, consumptive student was carrying the flag. "It is peace that we want--a peace which may unite all mankind," chanted the paraders. But on this earth, the noblest propositions are seldom heard, since Destiny amuses herself in perverting them and turning them aside.
Scarcely had the friends of peace entered the rue Cannebiere with their hymn and standard, when war came to meet them, obliging them to resort to fist and club. The day before, some battalions of Zouaves from Algiers had disembarked in order to reinforce the army on the frontier, and these veterans, accustomed to colonial existence and undiscriminating as to the cause of disturbances, seized the opportunity to intervene in this manifestation, some with bayonets and others with ungirded belts. "Hurrah for War!" and a rain of lashes and blows fell upon the unarmed singers. Marcelo saw the innocent student, the standard-bearer of peace, knocked down wrapped in his flag, by the merry kicks of the Zouaves. Then he knew no more, since he had received various blows with a leather strap, and a knife thrust in his shoulder; he had to run the same as the others.
That day developed for the first time, his fiery, stubborn character, irritable before contradiction, even to the point of adopting
"Get in," ordered Julio.
And she climbed in hastily, anxious to hide herself as soon as possible. The vehicle started at great speed. Marguerite immediately pulled down the shade of the window on her side, but, before she had finished and could turn her head, she felt a hungry mouth kissing the nape of her neck.
"No, not here," she said in a pleading tone. "Let us be sensible!"
And while he, rebellious at these exhortations, persisted in his advances, the voice of Marguerite again sounded above the noise of the rattling machinery of the automobile as it bounded over the pavement.
"Do you really believe that there will be no war? Do you believe that we will be able to marry? . . . Tell me again. I want you to encourage me . . . I need to hear it from your lips."
CHAPTER II
MADARIAGA, THE CENTAUR
In 1870 Marcelo Desnoyers was nineteen years old. He was born in the suburbs of Paris, an only child; his father, interested in little building speculations, maintained his family in modest comfort. The mason wished to make an architect of his son, and Marcelo was in the midst of his preparatory studies when his father suddenly died, leaving his affairs greatly involved. In a few months, he and his mother descended the slopes of ruin, and were obliged to give up their snug, middle-class quarters and live like laborers.
When the fourteen-year-old boy had to choose a trade, he learned wood carving. This craft was an art related to the tastes awakened in Marcelo by his abandoned studies. His mother retired to the country, living with some relatives while the lad advanced rapidly in the shops, aiding his master in all the important orders which he received from the provinces. The first news of the war with Prussia surprised him in Marseilles, working on the decorations of a theatre.
Marcelo was opposed to the Empire like all the youths of his generation. He was also much influenced by the older workmen who had taken part in the Republic of '48, and who still retained vivid recollections of the Coup d'Etat of the second of December.
One day he saw in the streets of Marseilles a popular manifestation in favor of peace which was practically a protest against the government. The old republicans in their implacable struggle with the Emperor, the companies of the International which had just been organized, and a great number of Italians and Spaniards who had fled their countries on account of recent insurrections, composed the procession. A long-haired, consumptive student was carrying the flag. "It is peace that we want--a peace which may unite all mankind," chanted the paraders. But on this earth, the noblest propositions are seldom heard, since Destiny amuses herself in perverting them and turning them aside.
Scarcely had the friends of peace entered the rue Cannebiere with their hymn and standard, when war came to meet them, obliging them to resort to fist and club. The day before, some battalions of Zouaves from Algiers had disembarked in order to reinforce the army on the frontier, and these veterans, accustomed to colonial existence and undiscriminating as to the cause of disturbances, seized the opportunity to intervene in this manifestation, some with bayonets and others with ungirded belts. "Hurrah for War!" and a rain of lashes and blows fell upon the unarmed singers. Marcelo saw the innocent student, the standard-bearer of peace, knocked down wrapped in his flag, by the merry kicks of the Zouaves. Then he knew no more, since he had received various blows with a leather strap, and a knife thrust in his shoulder; he had to run the same as the others.
That day developed for the first time, his fiery, stubborn character, irritable before contradiction, even to the point of adopting