The Four Horsemen of the Apocalypse [187]
open spaces. They had to go stumbling from light to darkness, and from darkness to light with a visual suddenness very fatiguing to the eyes. The ground was higher in the open spaces. There were wooden benches placed against the sides so that the observers could put out the head or examine the landscape by means of the periscope. The enclosed space answered both for batteries and sleeping quarters.
As the enemy had been repelled and more ground had been gained, the combatants who had been living all winter in these first quarters, had tried to make themselves more comfortable. Over the trenches in the open air, they had laid beams from the ruined houses; over the beams, planks, doors and windows, and on top of the wood, layers of sacks of earth. These sacks were covered by a top of fertile soil from which sprouted grass and herbs, giving the roofs of the trenches, an appearance of pastoral placidity. The temporary arches could thus resist the shock of the obuses which went ploughing into the earth without causing any special damage. When an explosion was pounding too noisily and weakening the structure, the troglodytes would swarm out in the night like watchful ants, and skilfully readjust the roof of their primitive dwellings.
Everything appeared clean with that simple and rather clumsy cleanliness exercised by men living far from women and thrown upon their own resources. The galleries were something like the cloisters of a monastery, the corridors of a prison, and the middle sections of a ship. Their floors were a half yard lower than that of the open spaces which joined the trenches together. In order that the officers might avoid so many ups and downs, some planks had been laid, forming a sort of scaffolding from doorway to doorway.
Upon the approach of their Chief, the soldiers formed themselves in line, their heads being on a level with the waist of those passing over the planks. Desnoyers ran his eye hungrily over the file of men. Where could Julio be? . . .
He noticed the individual contour of the different redoubts. They all seemed to have been constructed in about the same way, but their occupants had modified them with their special personal decorations. The exteriors were always cut with loopholes in which there were guns pointed toward the enemy, and windows for the mitrailleuses. The watchers near these openings were looking over the lonely landscape like quartermasters surveying the sea from the bridge. Within were the armories and the sleeping rooms--three rows of berths made with planks like the beds of seamen. The desire for artistic ornamentation which even the simplest souls always feel, had led to the embellishment of the underground dwellings. Each soldier had a private museum made with prints from the papers and colored postcards. Photographs of soubrettes and dancers with their painted mouths smiled from the shiny cardboard, enlivening the chaste aspect of the redoubt.
Don Marcelo was growing more and more impatient at seeing so many hundreds of men, but no Julio. The senator, complying with his imploring glance, spoke a few words to the chief preceding him with an aspect of great deference. The official had at first to think very hard to recall Julio to mind, but he soon remembered the exploits of Sergeant Desnoyers. "An excellent soldier," he said. "He will be sent for immediately, Senator Lacour. . . . He is on duty now with his section in the first line trenches."
The father, in his anxiety to see him, proposed that they betake themselves to that advanced site, but his petition made the Chief and the others smile. Those open trenches within a hundred or fifty yards from the enemy, with no other defence but barbed wire and sacks of earth, were not for the visits of civilians. They were always filled with mud; the visitors would have to crawl around exposed to bullets and under the dropping chunks of earth loosened by the shells. None but the combatants could get around in these outposts.
"It is always dangerous there," said the Chief. "There is always
As the enemy had been repelled and more ground had been gained, the combatants who had been living all winter in these first quarters, had tried to make themselves more comfortable. Over the trenches in the open air, they had laid beams from the ruined houses; over the beams, planks, doors and windows, and on top of the wood, layers of sacks of earth. These sacks were covered by a top of fertile soil from which sprouted grass and herbs, giving the roofs of the trenches, an appearance of pastoral placidity. The temporary arches could thus resist the shock of the obuses which went ploughing into the earth without causing any special damage. When an explosion was pounding too noisily and weakening the structure, the troglodytes would swarm out in the night like watchful ants, and skilfully readjust the roof of their primitive dwellings.
Everything appeared clean with that simple and rather clumsy cleanliness exercised by men living far from women and thrown upon their own resources. The galleries were something like the cloisters of a monastery, the corridors of a prison, and the middle sections of a ship. Their floors were a half yard lower than that of the open spaces which joined the trenches together. In order that the officers might avoid so many ups and downs, some planks had been laid, forming a sort of scaffolding from doorway to doorway.
Upon the approach of their Chief, the soldiers formed themselves in line, their heads being on a level with the waist of those passing over the planks. Desnoyers ran his eye hungrily over the file of men. Where could Julio be? . . .
He noticed the individual contour of the different redoubts. They all seemed to have been constructed in about the same way, but their occupants had modified them with their special personal decorations. The exteriors were always cut with loopholes in which there were guns pointed toward the enemy, and windows for the mitrailleuses. The watchers near these openings were looking over the lonely landscape like quartermasters surveying the sea from the bridge. Within were the armories and the sleeping rooms--three rows of berths made with planks like the beds of seamen. The desire for artistic ornamentation which even the simplest souls always feel, had led to the embellishment of the underground dwellings. Each soldier had a private museum made with prints from the papers and colored postcards. Photographs of soubrettes and dancers with their painted mouths smiled from the shiny cardboard, enlivening the chaste aspect of the redoubt.
Don Marcelo was growing more and more impatient at seeing so many hundreds of men, but no Julio. The senator, complying with his imploring glance, spoke a few words to the chief preceding him with an aspect of great deference. The official had at first to think very hard to recall Julio to mind, but he soon remembered the exploits of Sergeant Desnoyers. "An excellent soldier," he said. "He will be sent for immediately, Senator Lacour. . . . He is on duty now with his section in the first line trenches."
The father, in his anxiety to see him, proposed that they betake themselves to that advanced site, but his petition made the Chief and the others smile. Those open trenches within a hundred or fifty yards from the enemy, with no other defence but barbed wire and sacks of earth, were not for the visits of civilians. They were always filled with mud; the visitors would have to crawl around exposed to bullets and under the dropping chunks of earth loosened by the shells. None but the combatants could get around in these outposts.
"It is always dangerous there," said the Chief. "There is always