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The Four Loves - C. S. Lewis [7]

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It is the "moods" or the "spirit" that matter. Nature-lovers want to receive as fully as possible whatever nature, at each particular time and place, is, so to speak, saying. The obvious richness, grace, and harmony of some scenes are no more precious to them than the grim-ness, bleakness, terror, monotony, or "visionary dreariness" of others. The featureless itself gets from them a willing response. It is one more word uttered by nature. They lay themselves bare to the sheer quality of every countryside, every hour of the day. They want to absorb it into themselves, to be coloured through and' through by it.

This experience, like so many others, after being lauded to the skies in the nineteenth century, has been debunked by the moderns. And one must certainly concede to the debunkers that Wordsworth, not when he was communicating it as a poet, but when he was merely talking about it as a philosopher (or philosophaster), said some very silly things. It is silly, unless you have found any evidence, to believe that flowers enjoy the air they breathe, and sillier not to add that, if this were true, flowers would undoubtedly have pains as well as pleasures. Nor have many people been taught moral philosophy by an "impulse from a vernal wood."

If they were, it would not necessarily be the sort of moral philosophy Wordsworth would have approved. It might be that of ruthless competition. For some moderns I think it is. They love nature in so far as, for them, she calls to "the dark gods in the blood"; not although, but because, sex and hunger and sheer power there operate without pity or shame.

If you take nature as a teacher she will teach you exactly the lessons you had already decided to learn; this is only another way of saying that nature does not teach. The tendency to take her as a teacher is obviously very easily grafted on to the experience we call "love of nature. " But it is only a graft. While we are actually subjected to them, the "moods" and "spirits" of nature point no morals. Overwhelming gaiety, insupportable grandeur, sombre desolation are flung at you. Make what you can of them, if you must make at all. The only imperative that nature utters is, "Look. Listen. Attend."

The fact that this imperative is so often misinterpreted and sets people making theologies and pantheologies and antitheologies-all of which can be debunked-does not really touch the central experience itself. What nature-lovers-whether they are Wordsworthians or people with "dark gods in their blood"-get from nature is an iconography, a language of images. I do not mean simply visual images; it is the "moods" or "spirits" themselves-the powerful expositions of terror, gloom, jocundity, cruelty, lust, innocence, purity-that are the images. In them each man can clothe his own belief. We must learn our theology or philosophy elsewhere (not surprisingly, we often learn them from theologians and philosophers).

But when I speak of "clothing" our belief in such images I do not mean anything like using nature for similes or metaphors in the manner of the poets. Indeed I might have said "filling" or "incarnating" rather than clothing. Many people-I am one myself-would never, but for what nature does to us, have had any content to put into the words we must use in confessing our faith. Nature never taught me that there exists a God of glory and of infinite majesty. I had to learn that in other ways. But nature gave the word glory a meaning for me. I still do not know where else I could have found one. I do not see how the "fear" of God could have ever meant to me anything but the lowest prudential efforts to be safe, if I had never seen certain ominous ravines and unapproachable crags. And if nature had never awakened certain longings in me, huge areas of what I can now mean by the "love" of God would never, so far as I can see, have existed.

Of course the fact that a Christian can so use nature is not even the beginning of a proof that Christianity is true. Those suffering from Dark Gods can equally use her (I suppose) for their creed. That is precisely

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