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The Girls' Guide to Hunting and Fishing - Melissa Bank [1]

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around with our Airedale, Atlas, while his girlfriend and mother shook hands. They were clasping fingertips, ladylike, smiling as though they were already fond of each other and just waiting for details to fill in why.

Julia turned to me and said, "You must be Janie."

"Most people call me Jane now," I said, making myself sound even younger.

"Jane," she said, possibly in the manner of an adult trying to take a child seriously.

Henry unpacked the car and loaded himself up with everything they'd brought, little bags and big ones, a string tote, and a knapsack.

As he started up the driveway, his girlfriend said, "Do you have the wine, Hank?"

Whoever Hank was, he had it.

Except for bedrooms and the screened-in porch, our house was just one big all-purpose room, and Henry was giving her a jokey tour of it: "This is the living room," he said, gesturing to the sofa; he paused, gestured to it again and said, "This is the den."

Out on the porch, she stretched her legs in front of her—Audrey Hepburn relaxing after dance class. She wore navy espadrilles. I noticed that Henry had on penny Loafers without socks, and he'd inserted a subway token in the slot where the penny belonged.

Julia sipped her iced tea and asked how Loveladies got its name. We didn't know, but Henry said, "It was derived from the Indian name of the founder."

Julia smiled, and asked my mother how long we'd been coming here.

"This is our first year," my mother said.

My father was out playing tennis, and without him present, I felt free to add a subversive, "We used to go to Nan tucket."

"Nantucket is lovely," Julia said.

"It is lovely," my mother conceded, but went on to cite drab points in New Jersey's favor, based on its proximity to our house in Philadelphia.

In the last of our New Jersey versus Nantucket debates, I'd argued, forcefully I'd thought, that Camden was even closer. I'd almost added that the trash dump was practically in walking distance, but my father had interrupted.

I could tell he was angry, but he kept his voice even: we could go to the shore all year round, he said, and that would help us to be a closer family.

"Not so far," I said, meaning to add levity.

But my father looked at me with his eyes narrowed, like he wasn't sure I was his daughter after all.

My mother smiled at me and said that the house was right on the water! I'd be able to walk right out the door and go swimming!

Only then did I understand that they'd already chosen a house; they'd put a bid on it.

"It's on the ocean?" I asked.

"Close," she said, trying to maintain her enthusiasm.

"The bay," I said to myself.

"It does have a spectacular view of the bay," she said, but, no, our house was on a lagoon, a canal. "Like Venice," she'd said, as though this would mean something to me.

Now Julia asked if we swam in there, and my mother said, "Absolutely."

I didn't want to acid rain on my mother's parade, but the lagoon had oil floating on the surface and the bottom was sewagey soft.

I was surprised how long Henry sat with us on the porch, as my mother turned the topic to summer, touching upon such controversial issues as corn on the cob (Silver Queen was best), mosquitoes (pesky), and tennis (good exercise).

Finally, Henry did get up. He went outside as though on a mission. He might be going to check my crab traps or to see if we'd brought the bikes; he could do whatever he wanted. My father was the same way: a houseful of guests, and my mother's duty was to provide food, drink, fun, and conversation, while my father's was to nap or read.

While Mother hostessed and Girlfriend guested, Younger Sister stood up. When there was a pause in their nicing, I made my mouth move smileward: I'd love to stay and talk, but I have to go shoot some heroin now.

—•—

For dinner, we had crabs I'd caught off the dock. My mother covered the table with newspaper, and we all got print on our arms. As a surprise, she served preseason Silver Queen, little nuggets of mush. My brother ate his like a normal person, instead of typewriter-style; usually, he'd tap the cob at the end of a

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