The Glass Castle_ A Memoir - Jeannette Walls [44]
When the glasses were ready, we all went down to the optometrist. The lenses were so thick they made Lori’s eyes look big and bugged out, like fish eyes. She kept swiveling her head around and up and down.
“What’s the matter?” I asked. Instead of answering, Lori ran outside. I followed her. She was standing in the parking lot, gazing in awe at the trees, the houses, and the office buildings behind them.
“You see that tree over there?” she said, pointing at a sycamore about a hundred feet away. I nodded.
“I can not only see that tree, I can see the individual leaves on it.” She looked at me triumphantly. “Can you see them?”
I nodded.
She didn’t seem to believe me. “The individual leaves? I mean, not just the branches but each little leaf?”
I nodded. Lori looked at me and then burst into tears.
On the way home, she kept seeing for the first time all these things that most everyone else had stopped noticing because they’d seen them every day. She read street signs and billboards aloud. She pointed out starlings perched on the telephone wires. We went into a bank and she stared up at the vaulted ceiling and described the octagonal patterns.
At home, Lori insisted that I try on her glasses. They would blur my vision as much as they corrected hers, she said, so I’d be able to see things as she always had. I put on the glasses, and the world dissolved into fuzzy, blotchy shapes. I took a few steps and banged my shin on the coffee table, and then I realized why Lori didn’t like to go exploring as much as Brian and I did. She couldn’t see.
Lori wanted Mom to try on the glasses, too. Mom slipped them on and, blinking, looked around the room. She studied one of her own paintings quietly, then handed the glasses back to Lori.
“Did you see better?” I asked.
“I wouldn’t say better,” Mom answered. “I’d say different.”
“Maybe you should get a pair, Mom.”
“I like the world just fine the way I see it,” she said.
But Lori loved seeing the world clearly. She started compulsively drawing and painting all the wondrous things she was discovering, like the way each curved tile on Emerson’s roof cast its own curved shadow on the tile below, and the way the setting sun painted the underbellies of the clouds pink but left the piled-up tops purple.
Not long after Lori got her glasses, she decided she wanted to be an artist, like Mom.
As soon as we’d settled into the house, Mom threw herself into her art career. She erected a big white sign in the front yard on which she had carefully painted, in black letters with gold outlines, R. M. WALLS ART STUDIO. She turned the two front rooms of the house into a studio and gallery, and she used two bedrooms in the back to warehouse her collected works. An art supplies store was three blocks away, on North First Street, and thanks to Mom’s inheritance, we were able to make regular shopping expeditions to the store, bringing home rolls of canvas that Dad stretched and stapled onto wooden frames. We also brought back oil paints, watercolors, acrylics, gesso, a silk-screening frame, india ink, paintbrushes and pen nibs, charcoal pencils, pastels, fancy rag paper for pastel drawings, and even a wooden mannequin with movable joints whom we named Edward and who, Mom said, would pose for her when we kids were off at school.
Mom decided that before she could get down to any serious painting, she needed to compile a thorough art reference library. She bought dozens of big loose-leaf binders and lots of packs of lined paper. Every subject was given its own binder: dogs, cats, horses, farm animals, woodland animals, flowers, fruits and vegetables, rural landscapes, urban landscapes, men’s faces, women’s faces, men’s bodies, women’s bodies, and hands-feet-bottoms-and-other-miscellaneous body parts.