The Godfather - Mario Puzo [177]
Beyond the orange grove lay the green ribboned fields of a baronial estate. Down the road from the grove was a villa so Roman it looked as if it had been dug up from the ruins of Pompeii. It was a little palace with a huge marble portico and fluted Grecian columns and through those columns came a bevy of village girls flanked by two stout matrons clad in black. They were from the village and had obviously fulfilled their ancient duty to the local baron by cleaning his villa and otherwise preparing it for his winter sojourn. Now they were going into the fields to pick the flowers with which they would fill the rooms. They were gathering the pink sulla, purple wisteria, mixing them with orange and lemon blossoms. The girls, not seeing the men resting in the orange grove, came closer and closer.
They were dressed in cheap gaily printed frocks that clung to their bodies. They were still in their teens but with the full womanliness sun-drenched flesh ripened into so quickly. Three or four of them started chasing one girl, chasing her toward the grove. The girl being chased held a bunch of huge purple grapes in her left hand and with her right hand was picking grapes off the cluster and throwing them at her pursuers. She had a crown of ringleted hair as purple-black as the grapes and her body seemed to be bursting out of its skin.
Just short of the grove she paused, startled, her eyes having caught the alien color of the men’s shirts. She stood there up on her toes, poised like a deer to run. She was very close now, close enough for the men to see every feature of her face.
She was all ovals—oval-shaped eyes, the bones of her face, the contour of her brow. Her skin was an exquisite dark creaminess and her eyes enormous, dark violet or brown but dark with long heavy lashes shadowing her lovely face. Her mouth was rich without being gross, sweet without being weak and dyed dark red with the juice of the grapes. She was so incredibly lovely that Fabrizzio murmured, “Jesus Christ, take my soul, I’m dying,” as a joke, but the words came out a little too hoarsely. As if she had heard him, the girl came down off her toes and whirled away from them and fled back to her pursuers. Her haunches moved like an animal’s beneath the tight print of her dress; as pagan and as innocently lustful. When she reached her friends she whirled around again and her face was like a dark hollow against the field of bright flowers. She extended an arm, the hand full of grapes pointed toward the grove. The girls fled laughing, with the black-clad, stout matrons scolding them on.
As for Michael Corleone, he found himself standing, his heart pounding in his chest; he felt a little dizzy. The blood was surging through his body, through all its extremities and pounding against the tips of his fingers, the tips of his toes. All the perfumes of the island came rushing in on the wind, orange, lemon blossoms, grapes, flowers. It seemed as if his body had sprung away from him out of himself. And then he heard the two shepherds laughing.
“You got hit by the thunderbolt, eh?” Fabrizzio said, clapping him on the shoulder. Even Calo became friendly, patting him on the arm and saying, “Easy, man, easy,” but with affection. As if Michael had been hit by a car. Fabrizzio handed him a wine bottle and Michael took a long slug. It cleared his head.
“What the hell are you damn sheep lovers talking about?” he said.
Both men laughed. Calo, his honest face filled with the utmost seriousness, said, “You can’t hide the thunderbolt. When it hits you, everybody can see it. Christ, man, don’t be ashamed of it, some men pray for the thunderbolt. You’re a lucky fellow.”
Michael wasn’t too pleased about his emotions being so easily read. But this was the first time in his life such a thing had happened to him. It was nothing like his adolescent crushes, it was nothing like the love he’d had for Kay, a love based as much on her sweetness, her intelligence and the polarity of the fair and dark. This was an overwhelming desire for possession, this was an unerasable printing of the