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The Golden Bowl - Henry James [12]

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more congruous material form, of stored-up braveries of type and margin and ample page, of general dignity and attitude, than had mostly waited on their respective casual cradles – as a descent of awkward infants from the nursery to the drawing-room under the kind appeal of enquiring, of possibly interested, visitors. I had accordingly taken for granted the common decencies of such a case – the responsible glance of some power above from one nursling to another, the rapid flash of an anxious needle, the not imperceptible effect of a certain audible splash of soap-and-water; all in consideration of the searching radiance of drawing-room lamps as compared with nursery candles. But it had been all the while present to me that from the moment a stitch should be taken or a hair-brush applied the principle of my making my brood more presentable under the nobler illumination would be accepted and established, and it was there complications might await me. I am afraid I had at stray moments wasted time in wondering what discrimination against the freedom of the needle and the sponge would be able to describe itself as not arbitrary. For it to confess to that taint would be of course to write itself detestable.

‘Hands off altogether on the nurse’s part!’ was, as a merely barbarous injunction, strictly conceivable; but only in the light of the truth that it had never taken effect in any fair and stately, in any not vulgarly irresponsible re-issue of anything. Therefore it was easy to see that any such apologetic suppression as that of the ‘altogether’, any such admission as that of a single dab of the soap, left the door very much ajar. Any request that an indulgent objector to drawing-room discipline, to the purification, in other words, of innocent childhood, should kindly measure out then the appropriate amount of ablutional fluid for the whole case, would, on twenty grounds, indubitably leave that invoked judge gaping. I had none the less, I repeat, at muddled moments, seemed to see myself confusedly invoke him; thanks to my but too naturally not being able to forecast the perfect grace with which an answer to all my questions was meanwhile awaiting me. To expose the case frankly to a test – in other words to begin to re-read – was at once to get nearer all its elements and so, as by the next felicity, feel it purged of every doubt. It was the nervous postponement of that respectful approach that I spoke of just now as, in the connexion, my waste of time. This felt awkwardness sprang, as I was at a given moment to perceive, from my too abject acceptance of the grand air with which the term Revision had somehow, to my imagination, carried itself – and from my frivolous failure to analyse the content of the word. To revise is to see, or to look over, again – which means in the case of a written thing neither more nor less than to re-read it. I had attached to it, in a brooding spirit, the idea of re-writing – with which it was to have in the event, for my conscious play of mind, almost nothing in common. I had thought of re-writing as so difficult, and even so absurd, as to be impossible – having also indeed, for that matter, thought of re-reading in the same light. But the felicity under the test was that where I had thus ruefully prefigured two efforts there proved to be but one – and this an effort but at the first blush. What re-writing might be was to remain – it has remained for me to this hour – a mystery. On the other hand the act of revision, the act of seeing it again, caused whatever I looked at on any page to flower before me as into the only terms that honourably expressed it; and the ‘revised’ element in the present Edition is accordingly these terms, these rigid conditions of re-perusal, registered; so many close notes, as who should say, on the particular vision of the matter itself that experience had at last made the only possible one.

What it would be really interesting, and I dare say admirably difficult, to go into would be the very history of this effect of experience; the history, in other words, of the

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