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The Golden Bowl - Henry James [14]

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on any terms; but for the rest the sense of receiving has borne me company without a break; a luxury making for its sole condition that I should intelligently attend. The blest good stuff, sitting up, in its myriad forms, so touchingly responsive to new care of any sort whatever, seemed to pass with me a delightful bargain, and in the fewest possible words. ‘Actively believe in us and then you’ll see!’ – it wasn’t more complicated than that, and yet was to become as thrilling as if conditioned on depth within depth. I saw therefore what I saw, and what these numerous pages record, I trust, with clearness; though one element of fascination tended all the while to rule the business – a fascination, at each stage of my journey, on the noted score of that so shifting and uneven character of the tracks of my original passage. This by itself introduced the charm of suspense: what would the operative terms, in the given case, prove, under criticism, to have been – a series of waiting satisfactions or an array of waiting misfits? The misfits had but to be positive and concordant, in the special intenser light, to represent together (as the two sides of a coin show different legends) just so many effective felicities and substitutes. But I couldn’t at all, in general, forecast these chances and changes and proportions; they could but show for what they were as I went; criticism after the fact was to find in them arrests and surprises, emotions alike of disappointment and of elation: all of which means, obviously, that the whole thing was a living affair.

The rate at which new readings, new conductors of sense interposed, to make any total sense at all right, became, to this wonderful tune, the very record and mirror of the general adventure of one’s intelligence; so that one at all times quite marvelled at the fair reach, the very length of arm, of such a developed difference of measure as to what might and what mightn’t constitute, all round, a due decency of ‘rendering’. What I have been most aware of asking myself, however, is how writers, on such occasions of ‘revision’, arrive at that successful resistance to the confident assault of the new reading which appears in the great majority of examples to have marked their course. The term that superlatively, that finally ‘renders’, is a flower that blooms by a beautiful law of its own (the fiftieth part of a second often so sufficing it) in the very heart of the gathered sheaf; it is there already, at any moment, almost before one can either miss or suspect it – so that in short we shall never guess, I think, the working secret of the revisionist for whom its colour and scent stir the air but as immediately to be assimilated. Failing our divination, too, we shall apparently not otherwise learn, for the simple reason that no revisionist I can recall has ever been communicative. ‘People don’t do such things,’ we remember to have heard it, in this connexion, declared; in other words they don’t really re-read – no, not really; at least they do so to the effect either of seeing the buried, the latent life of a past composition vibrate, at renewal of touch, into no activity and break through its settled and ‘sunk’ surface at no point whatever – on which conclusion, I hasten to add, the situation remains simple and their responsibility may lie down beside their work even as the lion beside the lamb; or else they have in advance and on system stopped their ears, their eyes and even their very noses. This latter heroic policy I find myself glancing at, however, to wonder in what particular cases – failing, as I say, all the really confessed – it can have been applied. The actual non-revisionists (on any terms) are of course numerous enough, and with plenty to say for themselves; their faith, clearly, is great, their lot serene and their peace, above all, equally protected and undisturbed. But the tantalising image of the revisionist who isn’t one, the partial, the piecemeal revisionist, inconsequent and insincere, this obscure and decidedly louche2 personage hovers before me mainly, I think,

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