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The Golden Bowl - Henry James [221]

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hadn’t hitherto breathed together. The Princess, she noted, was completely dressed – that business was over; it added indeed to the effect of her importantly awaiting the assistance she had summoned, of her showing a deck cleared, so to speak, for action. Her maid had already left her, and she presented herself, in the large clear room, where everything was admirable, but where nothing was out of place, as for the first time in her life rather ‘bedizened’. Was it that she had put on too many things, overcharged herself with jewels, wore in particular more of them than usual, and bigger ones, in her hair? – a question her visitor presently answered by attributing this appearance largely to the bright red spot, red as some monstrous ruby, that burned in either of her cheeks. These two items of her aspect had promptly enough their own light for Mrs Assingham, who made out by it that nothing more pathetic could be imagined than the refuge and disguise her agitation had instinctively asked of the arts of dress, multiplied to extravagance, almost to incoherence. She had had visibly her idea – that of not betraying herself by inattentions into which she had never yet fallen, and she stood there circled about and furnished forth, as always, in a manner that testified to her perfect little personal processes. It had ever been her sign that she was for all occasions found ready, without loose ends or exposed accessories or unremoved superfluities; a suggestion of the swept and garnished, in her whole splendid yet thereby more or less encumbered and embroidered setting, that reflected her small still passion for order and symmetry, for objects with their backs to the walls, and spoke even of some probable reference in her American blood to dusting and polishing New England grandmothers. If her apartment was ‘princely’, in the clearness of the lingering day, she looked as if she had been carried there prepared, all attired and decorated, like some holy image in a procession, and left precisely to show what wonder she could work under pressure. Her friend felt – how could she not? – as the truly pious priest might feel when confronted, behind the altar, before the festa, with his miraculous Madonna. Such an occasion would be grave, in general, with all the gravity of what he might look for. But the gravity of to-night would be of the rarest; what he might look for would depend so on what he could give.

9

‘Something very strange has happened, and I think you ought to know it.’

Maggie spoke this indeed without extravagance, yet with the effect of making her guest measure anew the force of her appeal. It was their definite understanding: whatever Fanny knew Fanny’s faith would provide for. And she knew accordingly at the end of five minutes what the extraordinary in the late occurrence had consisted of, and how it had all come of Maggie’s achieved hour, under Mr Crichton’s protection, at the Museum. He had desired, Mr Crichton, with characteristic kindness, after the wonderful show, after offered luncheon at his contiguous lodge, a part of the place, to see her safely home; especially on his noting, in attending her to the great steps, that she had dismissed her carriage; which she had done really just for the harmless amusement of taking her way alone. She had known she should find herself, as the consequence of such an hour, in a sort of exalted state, under the influence of which a walk through the London streets would be exactly what would suit her best; an independent ramble, impressed excited contented, with nothing to mind and nobody to talk to and shop-windows in plenty to look at if she liked: a low taste, of the essence, it was to be supposed, of her nature, that she had of late for so many reasons been unable to gratify. She had taken her leave with her thanks – she knew her way quite enough; it being also sufficiently the case that she had even a shy hope of not going too straight. To wander a little wild was what would truly amuse her; so that, keeping clear of Oxford Street and cultivating an impression as of parts

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