The Golden Dog [146]
hastily across it to look at a picture upon the wall which he recognized again with a flush of pleasure.
It was the portrait of Amelie painted by himself during his last visit to Tilly. The young artist, full of enthusiasm, had put his whole soul into the work, until he was himself startled at the vivid likeness which almost unconsciously flowed from his pencil. He had caught the divine upward expression of her eyes, as she turned her head to listen to him, and left upon the canvas the very smile he had seen upon her lips. Those dark eyes of hers had haunted his memory forever after. To his imagination that picture had become almost a living thing. It was as a voice of his own that returned to his ear as the voice of Amelie. In the painting of that portrait Pierre had the first revelation of a consciousness of his deep love which became in the end the master passion of his life.
He stood for some minutes contemplating this portrait, so different from her in age now, yet so like in look and expression. He turned suddenly and saw Amelie; she had silently stepped up behind him, and her features in a glow of pleasure took on the very look of the picture.
Pierre started. He looked again, and saw every feature of the girl of twelve looking through the transparent countenance of the perfect woman of twenty. It was a moment of blissful revelation, for he felt an assurance at that moment that Amelie was the same to him now as in their days of youthful companionship. "How like it is to you yet, Amelie!" said he; "it is more true than I knew how to make it!"
"That sounds like a paradox, Pierre Philibert!" replied she, with a smile. "But it means, I suppose, that you painted a universal portrait of me which will be like through all my seven ages. Such a picture might be true of the soul, Pierre, had you painted that, but I have outgrown the picture of my person."
"I could imagine nothing fairer than that portrait! In soul and body it is all true, Amelie."
"Flatterer that you are!" said she, laughing. "I could almost wish that portrait would walk out of its frame to thank you for the care you bestowed upon its foolish little original."
"My care was more than rewarded! I find in that picture my beau- ideal of the beauty of life, which, belonging to the soul, is true to all ages."
"The girl of twelve would have thanked you more enthusiastically for that remark, Pierre, than I dare do," replied she.
"The thanks are due from me, not from you, Amelie! I became your debtor for a life-long obligation when without genius I could do impossibilities. You taught me that paradox when you let me paint that picture."
Amelie glanced quickly up at him. A slight color came and went on her cheek. "Would that I could do impossibilities," said she, "to thank you sufficiently for your kindness to Le Gardeur and all of us in coming to Tilly at this time.
"It would be a novelty, almost a relief, to put Pierre Philibert under some obligation to us for we all owe him, would it not, Le Gardeur?" continued she, clasping the arm of her brother, who just now came into the room. "We will discharge a portion of our debt to Pierre for this welcome visit by a day on the lake,--we will make up a water-party. What say you, brother? The gentlemen shall light fires, the ladies shall make tea, and we will have guitars and songs, and maybe a dance, brother! and then a glorious return home by moonlight! What say you to my programme, Le Gardeur de Repentigny? What say you, Pierre Philibert?"
"It is a good programme, sister, but leave me out of it. I shall only mar the pleasure of the rest; I will not go to the lake. I have been trying ever since my return home to recognize Tilly; everything looks to me in an eclipse, and nothing bright as it once was, not even you, Amelie. Your smile has a curious touch of sadness in it which does not escape my eyes; accursed as they have been of late, seeing things they ought not to see, yet I can see that, and I know it, too; I have given you cause to be sad, sister."
"Hush,
It was the portrait of Amelie painted by himself during his last visit to Tilly. The young artist, full of enthusiasm, had put his whole soul into the work, until he was himself startled at the vivid likeness which almost unconsciously flowed from his pencil. He had caught the divine upward expression of her eyes, as she turned her head to listen to him, and left upon the canvas the very smile he had seen upon her lips. Those dark eyes of hers had haunted his memory forever after. To his imagination that picture had become almost a living thing. It was as a voice of his own that returned to his ear as the voice of Amelie. In the painting of that portrait Pierre had the first revelation of a consciousness of his deep love which became in the end the master passion of his life.
He stood for some minutes contemplating this portrait, so different from her in age now, yet so like in look and expression. He turned suddenly and saw Amelie; she had silently stepped up behind him, and her features in a glow of pleasure took on the very look of the picture.
Pierre started. He looked again, and saw every feature of the girl of twelve looking through the transparent countenance of the perfect woman of twenty. It was a moment of blissful revelation, for he felt an assurance at that moment that Amelie was the same to him now as in their days of youthful companionship. "How like it is to you yet, Amelie!" said he; "it is more true than I knew how to make it!"
"That sounds like a paradox, Pierre Philibert!" replied she, with a smile. "But it means, I suppose, that you painted a universal portrait of me which will be like through all my seven ages. Such a picture might be true of the soul, Pierre, had you painted that, but I have outgrown the picture of my person."
"I could imagine nothing fairer than that portrait! In soul and body it is all true, Amelie."
"Flatterer that you are!" said she, laughing. "I could almost wish that portrait would walk out of its frame to thank you for the care you bestowed upon its foolish little original."
"My care was more than rewarded! I find in that picture my beau- ideal of the beauty of life, which, belonging to the soul, is true to all ages."
"The girl of twelve would have thanked you more enthusiastically for that remark, Pierre, than I dare do," replied she.
"The thanks are due from me, not from you, Amelie! I became your debtor for a life-long obligation when without genius I could do impossibilities. You taught me that paradox when you let me paint that picture."
Amelie glanced quickly up at him. A slight color came and went on her cheek. "Would that I could do impossibilities," said she, "to thank you sufficiently for your kindness to Le Gardeur and all of us in coming to Tilly at this time.
"It would be a novelty, almost a relief, to put Pierre Philibert under some obligation to us for we all owe him, would it not, Le Gardeur?" continued she, clasping the arm of her brother, who just now came into the room. "We will discharge a portion of our debt to Pierre for this welcome visit by a day on the lake,--we will make up a water-party. What say you, brother? The gentlemen shall light fires, the ladies shall make tea, and we will have guitars and songs, and maybe a dance, brother! and then a glorious return home by moonlight! What say you to my programme, Le Gardeur de Repentigny? What say you, Pierre Philibert?"
"It is a good programme, sister, but leave me out of it. I shall only mar the pleasure of the rest; I will not go to the lake. I have been trying ever since my return home to recognize Tilly; everything looks to me in an eclipse, and nothing bright as it once was, not even you, Amelie. Your smile has a curious touch of sadness in it which does not escape my eyes; accursed as they have been of late, seeing things they ought not to see, yet I can see that, and I know it, too; I have given you cause to be sad, sister."
"Hush,