The Golden Dog [148]
willingly have gone on playing till the day of judgment without a change of partners if they could have trumped death and won the odd trick of him.
Pierre recollected having seen these same old friends seated at the same card-table during his earliest visits to the Manor House. He recalled the fact to the Lady de Tilly, who laughed and said her old friends had lived so long in the company of the kings and queens that formed the paste-board Court of the Kingdom of Cocagne that they could relish no meaner amusement than one which royalty, although mad, had the credit of introducing.
Amelie devoted herself to the task of cheering her somewhat moody brother. She sat beside him, resting her hand with sisterly affection upon his shoulder, while in a low, sweet voice she talked to him, adroitly touching those topics only which she knew awoke pleasurable associations in his mind. Her words were sweet as manna and full of womanly tenderness and sympathy, skilfully wrapped in a strain of gaiety like a bridal veil which covers the tears of the heart.
Pierre Philibert's eyes involuntarily turned towards her, and his ears caught much of what she said. He was astonished at the grace and perfection of her language; it seemed to him like a strain of music filled with every melody of earth and heaven, surpassing poets in beauty of diction, philosophers in truth,--and in purity of affection, all the saints and sweetest women of whom he had ever read.
Her beauty, her vivacity, her modest reticences, and her delicate tact in addressing the captious spirit of Le Gardeur, filled Pierre with admiration. He could at that moment have knelt at her feet and worshipped in her the realization of every image which his imagination had ever formed of a perfect woman.
Now and then she played on the harp for Le Gardeur the airs which she knew he liked best. His sombre mood yielded to her fond exertions, and she had the reward of drawing at last a smile from his eyes as well as from his lips. The last she knew might be simulated, the former she felt was real, for the smile of the eye is the flash of the joy kindled in the glad heart.
Le Gardeur was not dull nor ungrateful; he read clearly enough the loving purpose of his sister. His brow cleared up under her sunshine. He smiled, he laughed; and Amelie had the exquisite joy of believing she had gained a victory over the dark spirit that had taken possession of his soul, although the hollow laugh struck the ear of Pierre Philibert with a more uncertain sound than that which fluttered the fond hopes of Amelie.
Amelie looked towards Pierre, and saw his eyes fixed upon her with that look which fills every woman with an emotion almost painful in its excess of pleasure when first she meets it--that unmistakable glance from the eyes of a man who, she is proud to perceive, has singled her out from all other women for his love and homage.
Her face became of a deep glow in spite of her efforts to look calm and cold; she feared Pierre might have misinterpreted her vivacity of speech and manner. Sudden distrust of herself came over her in his presence,--the flow of her conversation was embarrassed, and almost ceased.
To extricate herself from her momentary confusion, which she was very conscious had not escaped the observation of Pierre,--and the thought of that confused her still more,--she rose and went to the harpsichord, to recover her composure by singing a sweet song of her own composition, written in the soft dialect of Provence, the Languedoc, full of the sweet sadness of a tender, impassioned love.
Her voice, tremulous in its power, flowed in a thousand harmonies on the enraptured ears of her listeners. Even the veteran card-players left a game of whist unfinished, to cluster round the angelic singer.
Pierre Philibert sat like one in a trance. He loved music, and understood it passing well. He had heard all the rare voices which Paris prided itself in the possession of, but he thought he had never known what music was till now. His heart throbbed in sympathy with
Pierre recollected having seen these same old friends seated at the same card-table during his earliest visits to the Manor House. He recalled the fact to the Lady de Tilly, who laughed and said her old friends had lived so long in the company of the kings and queens that formed the paste-board Court of the Kingdom of Cocagne that they could relish no meaner amusement than one which royalty, although mad, had the credit of introducing.
Amelie devoted herself to the task of cheering her somewhat moody brother. She sat beside him, resting her hand with sisterly affection upon his shoulder, while in a low, sweet voice she talked to him, adroitly touching those topics only which she knew awoke pleasurable associations in his mind. Her words were sweet as manna and full of womanly tenderness and sympathy, skilfully wrapped in a strain of gaiety like a bridal veil which covers the tears of the heart.
Pierre Philibert's eyes involuntarily turned towards her, and his ears caught much of what she said. He was astonished at the grace and perfection of her language; it seemed to him like a strain of music filled with every melody of earth and heaven, surpassing poets in beauty of diction, philosophers in truth,--and in purity of affection, all the saints and sweetest women of whom he had ever read.
Her beauty, her vivacity, her modest reticences, and her delicate tact in addressing the captious spirit of Le Gardeur, filled Pierre with admiration. He could at that moment have knelt at her feet and worshipped in her the realization of every image which his imagination had ever formed of a perfect woman.
Now and then she played on the harp for Le Gardeur the airs which she knew he liked best. His sombre mood yielded to her fond exertions, and she had the reward of drawing at last a smile from his eyes as well as from his lips. The last she knew might be simulated, the former she felt was real, for the smile of the eye is the flash of the joy kindled in the glad heart.
Le Gardeur was not dull nor ungrateful; he read clearly enough the loving purpose of his sister. His brow cleared up under her sunshine. He smiled, he laughed; and Amelie had the exquisite joy of believing she had gained a victory over the dark spirit that had taken possession of his soul, although the hollow laugh struck the ear of Pierre Philibert with a more uncertain sound than that which fluttered the fond hopes of Amelie.
Amelie looked towards Pierre, and saw his eyes fixed upon her with that look which fills every woman with an emotion almost painful in its excess of pleasure when first she meets it--that unmistakable glance from the eyes of a man who, she is proud to perceive, has singled her out from all other women for his love and homage.
Her face became of a deep glow in spite of her efforts to look calm and cold; she feared Pierre might have misinterpreted her vivacity of speech and manner. Sudden distrust of herself came over her in his presence,--the flow of her conversation was embarrassed, and almost ceased.
To extricate herself from her momentary confusion, which she was very conscious had not escaped the observation of Pierre,--and the thought of that confused her still more,--she rose and went to the harpsichord, to recover her composure by singing a sweet song of her own composition, written in the soft dialect of Provence, the Languedoc, full of the sweet sadness of a tender, impassioned love.
Her voice, tremulous in its power, flowed in a thousand harmonies on the enraptured ears of her listeners. Even the veteran card-players left a game of whist unfinished, to cluster round the angelic singer.
Pierre Philibert sat like one in a trance. He loved music, and understood it passing well. He had heard all the rare voices which Paris prided itself in the possession of, but he thought he had never known what music was till now. His heart throbbed in sympathy with