The Golden Dog [184]
in the way of his ecclesiastical preferment, or to whom he had to pay pensions in his quality of Archbishop of Narbonne. The Duchesse de Bouillon and the Countess of Soissons, mother of the famous Prince Eugene, were also accused of trafficking with that terrible woman, and were banished from the kingdom in consequence, while a royal duke, Francois de Montmorency, was also suspected of dealings with La Voisin.
The Chambre Ardente struck right and left. Desgrais, chief of the police, by a crafty ruse, penetrated into the secret circle of La Voisin, and she, with a crowd of associates, perished in the fires of the Place de Greve. She left an ill-starred daughter, Marie Exili, to the blank charity of the streets of Paris, and the possession of many of the frightful secrets of her mother and of her terrible father.
Marie Exili clung to Paris. She grew up beautiful and profligate; she coined her rare Italian charms, first into gold and velvet, then into silver and brocade, and at last into copper and rags. When her charms faded entirely, she began to practise the forbidden arts of her mother and father, but without their boldness or long impunity.
She was soon suspected, but receiving timely warning of her danger, from a high patroness at Court, Marie fled to New France in the disguise of a paysanne, one of a cargo of unmarried women sent out to the colony on matrimonial venture, as the custom then was, to furnish wives for the colonists. Her sole possession was an antique cabinet with its contents, the only remnant saved from the fortune of her father, Exili.
Marie Exili landed in New France, cursing the Old World which she had left behind, and bringing as bitter a hatred of the New, which received her without a shadow of suspicion that under her modest peasant's garb was concealed the daughter and inheritrix of the black arts of Antonio Exili and of the sorceress La Voisin.
Marie Exili kept her secret well. She played the ingenue to perfection. Her straight figure and black eyes having drawn a second glance from the Sieur Corriveau, a rich habitan of St. Valier, who was looking for a servant among the crowd of paysannes who had just arrived from France, he could not escape from the power of their fascination.
He took Marie Exili home with him, and installed her in his household, where his wife soon died of some inexplicable disease which baffled the knowledge of both the doctor and the curate, the two wisest men in the parish. The Sieur Corriveau ended his widowhood by marrying Marie Exili, and soon died himself, leaving his whole fortune and one daughter, the image of her mother, to Marie.
Marie Exili, ever in dread of the perquisitions of Desgrais, kept very quiet in her secluded home on the St. Lawrence, guarding her secret with a life-long apprehension, and but occasionally and in the darkest ways practising her deadly skill. She found some compensation and relief for her suppressed passions in the clinging sympathy of her daughter, Marie Josephte dit La Corriveau, who worshipped all that was evil in her mother, and in spite of an occasional reluctance, springing from some maternal instinct, drew from her every secret of her life. She made herself mistress of the whole formula of poisoning as taught by her grandfather Exili, and of the arts of sorcery practised by her wicked grandmother, La Voisin.
As La Corriveau listened to the tale of the burning of her grandmother on the Place de Greve, her own soul seemed bathed in the flames which rose from the faggots, and which to her perverted reason appeared as the fires of cruel injustice, calling for revenge upon the whole race of the oppressors of her family, as she regarded the punishers of their crimes.
With such a parentage, and such dark secrets brooding in her bosom, Marie Josephte, or, as she was commonly called, La Corriveau, had nothing in common with the simple peasantry among whom she lived.
Years passed over her, youth fled, and La Corriveau still sat in her house, eating her heart out, silent and solitary. After the death
The Chambre Ardente struck right and left. Desgrais, chief of the police, by a crafty ruse, penetrated into the secret circle of La Voisin, and she, with a crowd of associates, perished in the fires of the Place de Greve. She left an ill-starred daughter, Marie Exili, to the blank charity of the streets of Paris, and the possession of many of the frightful secrets of her mother and of her terrible father.
Marie Exili clung to Paris. She grew up beautiful and profligate; she coined her rare Italian charms, first into gold and velvet, then into silver and brocade, and at last into copper and rags. When her charms faded entirely, she began to practise the forbidden arts of her mother and father, but without their boldness or long impunity.
She was soon suspected, but receiving timely warning of her danger, from a high patroness at Court, Marie fled to New France in the disguise of a paysanne, one of a cargo of unmarried women sent out to the colony on matrimonial venture, as the custom then was, to furnish wives for the colonists. Her sole possession was an antique cabinet with its contents, the only remnant saved from the fortune of her father, Exili.
Marie Exili landed in New France, cursing the Old World which she had left behind, and bringing as bitter a hatred of the New, which received her without a shadow of suspicion that under her modest peasant's garb was concealed the daughter and inheritrix of the black arts of Antonio Exili and of the sorceress La Voisin.
Marie Exili kept her secret well. She played the ingenue to perfection. Her straight figure and black eyes having drawn a second glance from the Sieur Corriveau, a rich habitan of St. Valier, who was looking for a servant among the crowd of paysannes who had just arrived from France, he could not escape from the power of their fascination.
He took Marie Exili home with him, and installed her in his household, where his wife soon died of some inexplicable disease which baffled the knowledge of both the doctor and the curate, the two wisest men in the parish. The Sieur Corriveau ended his widowhood by marrying Marie Exili, and soon died himself, leaving his whole fortune and one daughter, the image of her mother, to Marie.
Marie Exili, ever in dread of the perquisitions of Desgrais, kept very quiet in her secluded home on the St. Lawrence, guarding her secret with a life-long apprehension, and but occasionally and in the darkest ways practising her deadly skill. She found some compensation and relief for her suppressed passions in the clinging sympathy of her daughter, Marie Josephte dit La Corriveau, who worshipped all that was evil in her mother, and in spite of an occasional reluctance, springing from some maternal instinct, drew from her every secret of her life. She made herself mistress of the whole formula of poisoning as taught by her grandfather Exili, and of the arts of sorcery practised by her wicked grandmother, La Voisin.
As La Corriveau listened to the tale of the burning of her grandmother on the Place de Greve, her own soul seemed bathed in the flames which rose from the faggots, and which to her perverted reason appeared as the fires of cruel injustice, calling for revenge upon the whole race of the oppressors of her family, as she regarded the punishers of their crimes.
With such a parentage, and such dark secrets brooding in her bosom, Marie Josephte, or, as she was commonly called, La Corriveau, had nothing in common with the simple peasantry among whom she lived.
Years passed over her, youth fled, and La Corriveau still sat in her house, eating her heart out, silent and solitary. After the death