The Golden Fleece [16]
transfer herself and her fears to Miriam's chamber, which occupied the same position in the right wing that hers did in the left.
The night, as is customary in that climate, where the atmosphere is pure and evaporation rapid, was cool and still. By ten o'clock there was no sound to indicate that any person was awake; though, to an acute ear, the rise and fall of regular breathing, or even an occasional snore, might have given evidence of slumber. At the back of the house, the Indian retainers were lapped in silence. They were a harmless people,-- somewhat disposed, perhaps, to small pilferings, in an amiable and loyal way, but incapable of anything seriously criminal. There were no locks on the doors, and most of them stood ajar. Tramps and burglars were unknown.
Miriam, having put on her night-dress, stood a few minutes at her window, gazing out on the soft darkness of the garden. All there was peacefulness and fragrance. The leaves of the plants hung motionless; the blossoms seemed to hush themselves to the enjoyment of their own sweetness. The sky was clear, but there was no moon. A beautiful planet, however, bright enough to cast a shadow, hung in the southwestern sky, and its mysterious light touched Miriam's face, and cast a dim rectangle of radiance on the white matting that carpeted the floor of her room. It was the planet Venus,--the star of love. Miriam thought it would be a pleasant place to live in. But one need not journey to Venus to find a world where love is the ruling passion. Circumstances over which she has no control may cause such a world to come into existence in a girl's heart.
She left the window at last, and got into bed, where she soon presented an image of perfect repose. Meanwhile, in a dark corner of the court-yard at the rear, a dark, pyramidal object abode without motion. It might have been taken for a heap of blankets piled up there. But if you examined it more narrowly you would have detected in it the vague outlines of a human figure, squatting on its haunches, with its head resting on its knees, and its arms clasped round them,--somewhat as figures sit in Egyptian hieroglyphics, or like Aztecan mummies in the tomb. So still was it, it might itself have been a mummy. But ever and anon a blinking of the narrow eyes in the bronze countenance told that it was no mummy, but a living creature. In fact, it was none other than the aged and austere Kamaiakan, who, for reasons best known to himself, chose to spend the hours usually devoted to rest in an attitude that no European or white American could have maintained with comfort longer than five minutes.
An hour--two hours--passed away. Then Kamaiakan noiselessly arose, peered about him cautiously for a few moments, and passed out of the court-yard through the open gate. He turned to the left, and, stealing beneath Miriam's windows, paused there for an instant and made certain gestures with his arms. Anon he continued his way to the garden, and was soon concealed by the thick shrubbery.
History requires us to follow him. The garden extended westward, and was quite a spacious enclosure: one not familiar with its winding paths might easily lose himself there on a dark night. But Kamaiakan knew where he was going, and the way thither. He now stalked along more swiftly, taking one turn after another, brushing aside the low-hanging boughs, and passing the loveliest flowers without a glance. He was as one preoccupied with momentous business. Presently he arrived at a small open space, remote and secluded. It was completely surrounded by tall shrubbery. In the centre was a basin of stone, evidently very ancient, filled to the brim with the clear water of a spring, which bubbled up from the bottom, and, overflowing by way of a gap in the edge, became a small rivulet, which stole away in the direction of the sea. Across the slightly undulating surface of the basin trembled the radiance of the star.
Kamaiakan knelt down beside it, and, bending over, gazed intently into the water. Presently he dipped his hands
The night, as is customary in that climate, where the atmosphere is pure and evaporation rapid, was cool and still. By ten o'clock there was no sound to indicate that any person was awake; though, to an acute ear, the rise and fall of regular breathing, or even an occasional snore, might have given evidence of slumber. At the back of the house, the Indian retainers were lapped in silence. They were a harmless people,-- somewhat disposed, perhaps, to small pilferings, in an amiable and loyal way, but incapable of anything seriously criminal. There were no locks on the doors, and most of them stood ajar. Tramps and burglars were unknown.
Miriam, having put on her night-dress, stood a few minutes at her window, gazing out on the soft darkness of the garden. All there was peacefulness and fragrance. The leaves of the plants hung motionless; the blossoms seemed to hush themselves to the enjoyment of their own sweetness. The sky was clear, but there was no moon. A beautiful planet, however, bright enough to cast a shadow, hung in the southwestern sky, and its mysterious light touched Miriam's face, and cast a dim rectangle of radiance on the white matting that carpeted the floor of her room. It was the planet Venus,--the star of love. Miriam thought it would be a pleasant place to live in. But one need not journey to Venus to find a world where love is the ruling passion. Circumstances over which she has no control may cause such a world to come into existence in a girl's heart.
She left the window at last, and got into bed, where she soon presented an image of perfect repose. Meanwhile, in a dark corner of the court-yard at the rear, a dark, pyramidal object abode without motion. It might have been taken for a heap of blankets piled up there. But if you examined it more narrowly you would have detected in it the vague outlines of a human figure, squatting on its haunches, with its head resting on its knees, and its arms clasped round them,--somewhat as figures sit in Egyptian hieroglyphics, or like Aztecan mummies in the tomb. So still was it, it might itself have been a mummy. But ever and anon a blinking of the narrow eyes in the bronze countenance told that it was no mummy, but a living creature. In fact, it was none other than the aged and austere Kamaiakan, who, for reasons best known to himself, chose to spend the hours usually devoted to rest in an attitude that no European or white American could have maintained with comfort longer than five minutes.
An hour--two hours--passed away. Then Kamaiakan noiselessly arose, peered about him cautiously for a few moments, and passed out of the court-yard through the open gate. He turned to the left, and, stealing beneath Miriam's windows, paused there for an instant and made certain gestures with his arms. Anon he continued his way to the garden, and was soon concealed by the thick shrubbery.
History requires us to follow him. The garden extended westward, and was quite a spacious enclosure: one not familiar with its winding paths might easily lose himself there on a dark night. But Kamaiakan knew where he was going, and the way thither. He now stalked along more swiftly, taking one turn after another, brushing aside the low-hanging boughs, and passing the loveliest flowers without a glance. He was as one preoccupied with momentous business. Presently he arrived at a small open space, remote and secluded. It was completely surrounded by tall shrubbery. In the centre was a basin of stone, evidently very ancient, filled to the brim with the clear water of a spring, which bubbled up from the bottom, and, overflowing by way of a gap in the edge, became a small rivulet, which stole away in the direction of the sea. Across the slightly undulating surface of the basin trembled the radiance of the star.
Kamaiakan knelt down beside it, and, bending over, gazed intently into the water. Presently he dipped his hands