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The Golden One - Elizabeth Peters [130]

By Root 1963 0
everywhere. Every now and again an aircraft would drone overhead, and sometimes its passage was followed by an explosion and a cloud of dust. None of the bombs came close to us, but I was glad of the veil that covered my face. Since that air raid in London I had a tendency to flinch at explosions.

We did not want to spend another night on the road, so we started early and went on with scarcely a pause until late afternoon. As the sun blazoned the western sky with flaming color we came to the outskirts of Khan Yunus. An old city of the Philistines, like Gaza, it was a garden spot indeed, with flowers everywhere and fig and orange trees heavy with fruit. Selim propelled the motorcar skillfully through the narrow streets, and I realized that our arrival would not go unnoticed by the military. Since the enemy had withdrawn without a battle, the town had been spared destruction, and our brave fellows were enjoying the amenities of the suk and the picturesque winding lanes. In the center of the main square, a group of field engineers was at work improving the old well. According to Emerson, Mahmud’s house was on one side of this square.

Unlike the city mansions with which I was acquainted, this one did not face directly onto the street. Instead we saw a high, featureless wall of stone covered with crumbling plaster and a double-leaved door wide enough to be called a gate. Heavy and banded with iron, it stood ajar, and from the litter that had blown up against it I had the impression it had not been closed for quite a while.

Selim got out and shoved at it. Emerson maintained his stately persona, looking neither to right nor left. I leaned forward and spoke softly. “It is an unusual arrangement, Emerson. More like a khan or caravansary. And the gate is wide enough for—”

“Camels,” said Emerson, sotto voce and without turning his head. “Some of the old villain’s caravans carry merchandise that cannot be unloaded in the open street. Be quiet, Peabody, you have not been given permission to speak.”

After shoving with all his strength, Selim got the rusted hinges to move. When the gates creaked open we saw an unpaved courtyard and a group of men, women, naked babies, chickens, goats, and a sheep gathered in the courtyard. All, except for the chickens, stared in stupefaction. Obviously we had not been expected.

They were members of a family that had been charged by Mahmud to look after the place; they had taken advantage of his absence to move in and make themselves at home. Our appearance threw them into a total panic. Emerson’s curses soon sorted them out, and they scattered in all directions to carry out his orders. Once the babies, goats, and sheep had been removed, Selim drove the car into the courtyard and closed the gates. I did not doubt the military authorities would soon be informed of our arrival, and could only hope that Emerson’s forged papers would convince them of our bona fides. There was no use worrying about it. We would deal with unexpected setbacks in our usual efficient fashion.

Straight ahead, forming one side of the courtyard, was the house itself. The living quarters were on the first floor, with storage and work areas underneath. The barred and closely screened windows on one side of the facade must be those of the haremlik; on the other side, stone steps led up to the carved arches of the mak’ad, a reception room that was open to the court so that the owner of the house could see approaching visitors—male visitors. The mak’ad was not used by the women of the household.

Obeying a brusque gesture from Emerson, who was reveling in his role, Nefret and I gathered up our voluminous skirts and went through a side door and up a flight of narrow stairs to the haremlik.

We were followed by several women, squawking like the chickens as they made excuses and offered assistance. I could see I had a long job ahead of me getting the place in proper order. The basic plan was comfortable if somewhat old-fashioned, with a bath chamber and a number of small cubicles surrounding a handsome saloon, or ka’ah, a lofty chamber

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