The Golden One - Elizabeth Peters [224]
Epilogue. I wish I could describe in detail just how enjoyable this trip was for me. I’ve never met a nicer group of people — unfailingly courteous, thoughtful, intelligent, interested, and full of gusto. I hope to keep in touch with all of them.
— Elizabeth Peters
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A Nice, Practical Career for a Woman: Some Questions for Elizabeth Peters, et al.
Editor’s note: Barbara Mertz has written nonfiction Egyptology books under her own name. As Elizabeth Peters, she is the author of many mysteries, including series starring Amelia Peabody, Vicky Bliss, and Jacqueline Kirby. As Barbara Michaels she has written gothic suspense novels. She is often addressed in correspondence and known to her in-the-know fans as “MPM” (for Michaels-Peters-Mertz). In total, MPM has published over sixty books — view the whole list here. MPM answers some frequently asked questions below.
What made you want to be a writer?
I didn’t want to be a writer. I wanted to be an archaeologist. My parents wanted me to be a teacher — a nice, practical career for a woman. When they discovered, somewhat belatedly (I had been at the Oriental Institute for six months by then), that I had changed my major, they were bewildered. But, bless them, they didn’t try to make me change my mind. I still believe, with all my heart, that young people should be allowed to follow their own aspirations and inclinations, however impractical these may seem. If they don’t try, they will never know whether or not they might have succeeded.
And who’s to say what is practical? Egyptology was an impractical career, especially for a young married woman forty years ago. Writing was, and still is, an impractical career, because so few people succeed in earning a living that way. I was one of the lucky ones; and if I hadn’t been so obsessed with ancient Egypt — as I still am — I might not have noticed that I did enjoy writing, and that some people thought I was pretty good at it. But I’ve never regretted studying Egyptology, even though I was unable to make it my career.
So how did you become a writer?
Luck, accident, or Fate! I had always been a compulsive reader. Sooner or later every compulsive reader finds herself thinking, T“his isn’t a very good book. I’ll bet I could do better.” So I tried. My first book, an espionage thriller, was written in collaboration with my then-husband. He provided the plot outline, I wrote the book. It was awful, partly because I was just learning how to write and partly because it wasn’t my kind of book. I wrote two more novels, solo, before I began to get a sense of what I wanted to write. Unfortunately, nobody wanted to publish that kind of book. It wasn’t until Mary Stewart and Victoria Holt hit the bestseller lists that publishers realized mysteries written by women, about women protagonists, could make money. (This despite the fact that authors like Phyllis Whitney had been doing it for years!) I finally sold my first mystery during this period. I’m not particularly proud of The Master of Blacktower [by Barbara Michaels], but I was able to sell it because it was what publishers were looking for just then. By that time I had learned that I loved to write, and I kept at it, learning with every book, and finally developing what I like to think of as my own style. Or is it styles?
So was The Master of Blacktower the first book you sold?
The first book I sold wasn’t a mystery. I had despatched my early unappreciated mss. to every publisher in New York, every one of whom promptly returned them. When the third ms. made the rounds an editor at one of the publishing houses liked it. She couldn’t persuade her boss to buy it, but she recommended an agent. He couldn’t sell that book either, but without him I probably could not have sold the next, which was a nonfiction book on Egyptology. These days it is much more difficult to sell a book without an agent, and much more difficult to get a good agent.