The Golden Road [65]
"If the service was outside we'd have to sit in the graveyard and that wouldn't be very cheerful," said Felix.
"Besides, the music isn't shut out," added Felicity. "The choir is inside."
"'Music has charms to soothe a savage breast,'" quoted Peter, who was getting into the habit of adorning his conversation with similar gems. "That's in one of Shakespeare's plays. I'm reading them now, since I got through with the Bible. They're great."
"I don't see when you get time to read them," said Felicity.
"Oh, I read them Sunday afternoons when I'm home."
"I don't believe they're fit to read on Sundays," exclaimed Felicity. "Mother says Valeria Montague's stories ain't."
"But Shakespeare's different from Valeria," protested Peter.
"I don't see in what way. He wrote a lot of things that weren't true, just like Valeria, and he wrote swear words too. Valeria never does that. Her characters all talk in a very refined fashion."
"Well, I always skip the swear words," said Peter. "And Mr. Marwood said once that the Bible and Shakespeare would furnish any library well. So you see he put them together, but I'm sure that he would never say that the Bible and Valeria would make a library."
"Well, all I know is, I shall never read Shakespeare on Sunday," said Felicity loftily.
"I wonder what kind of a preacher young Mr. Davidson is," speculated Cecily.
"Well, we'll know when we hear him tonight," said the Story Girl. "He ought to be good, for his uncle before him was a fine preacher, though a very absent-minded man. But Uncle Roger says the supply in Mr. Marwood's vacation never amounts to much. I know an awfully funny story about old Mr. Davidson. He used to be the minister in Baywater, you know, and he had a large family and his children were very mischievous. One day his wife was ironing and she ironed a great big nightcap with a frill round it. One of the children took it when she wasn't looking and hid it in his father's best beaver hat--the one he wore on Sundays. When Mr. Davidson went to church next Sunday he put the hat on without ever looking into the crown. He walked to church in a brown study and at the door he took off his hat. The nightcap just slipped down on his head, as if it had been put on, and the frill stood out around his face and the string hung down his back. But he never noticed it, because his thoughts were far away, and he walked up the church aisle and into the pulpit, like that. One of his elders had to tiptoe up and tell him what he had on his head. He plucked it off in a dazed fashion, held it up, and looked at it. 'Bless me, it is Sally's nightcap!' he exclaimed mildly. 'I do not know how I could have got it on.' Then he just stuffed it into his pocket calmly and went on with the service, and the long strings of the nightcap hung down out of his pocket all the time."
"It seems to me," said Peter, amid the laughter with which we greeted the tale, "that a funny story is funnier when it is about a minister than it is about any other man. I wonder why."
"Sometimes I don't think it is right to tell funny stories about ministers," said Felicity. "It certainly isn't respectful."
"A good story is a good story--no matter who it's about," said the Story Girl with ungrammatical relish.
There was as yet no one in the church when we reached it, so we took our accustomed ramble through the graveyard surrounding it. The Story Girl had brought flowers for her mother's grave as usual, and while she arranged them on it the rest of us read for the hundredth time the epitaph on Great-Grandfather King's tombstone, which had been composed by Great-Grandmother King. That epitaph was quite famous among the little family traditions that entwine every household with mingled mirth and sorrow, smiles and tears. It had a perennial fascination for us and we read it over every Sunday. Cut deeply in the upright slab of red Island sandstone, the epitaph ran as follows:--
SWEET DEPARTED SPIRIT
Do receive the vows a grateful widow pays, Each future day and night shall hear