The Good Soldier_ A Tale of Passion - Ford Madox Ford [70]
You have no idea how quite extraordinarily for me that was the end of Florence. From that day to this I have never given her another thought; I have not bestowed upon her so much as a sigh. Of course, when it has been necessary to talk about her to Leonora, or when for the purpose of these writings I have tried to figure her out, I have thought about her as I might do about a problem in algebra. But it has always been as a matter for study, not for remembrance. She just went completely out of existence, like yesterday’s paper.
I was so deadly tired. And I dare say that my week or ten days of affaisement116 – of what was practically catalepsy – was just the repose that my exhausted nature claimed after twelve years of the repression of my instincts, after twelve years of playing the trained poodle. For that was all that I had been. I suppose that it was the shock that did it – the several shocks. But I am unwilling to attribute my feelings at that time to anything so concrete as a shock. It was a feeling so tranquil. It was as if an immensely heavy – an unbearably heavy knapsack, supported upon my shoulders by straps, had fallen off and left my shoulders themselves that the straps had cut into, numb and without sensation of life. I tell you, I had no regret. What had I to regret? I suppose that my inner soul – my dual personality – had realized long before that Florence was a personality of paper – that she represented a real human being with a heart, with feelings, with sympathies and with emotions only as a banknote represents a certain quantity of gold. I know that sort of feeling came to the surface in me the moment the man Bagshawe told me that he had seen her coming out of that fellow’s bedroom. I thought suddenly that she wasn’t real; she was just a mass of talk out of guidebooks, of drawings out of fashion-plates. It is even possible that, if that feeling had not possessed me, I should have run up sooner to her room and might have prevented her drinking the prussic acid. But I just couldn’t do it; it would have been like chasing a scrap of paper – an occupation ignoble for a grown man.
And, as it began, so that matter has remained. I didn’t care whether she had come out of that bedroom or whether she hadn’t. It simply didn’t interest me. Florence didn’t matter.
I suppose you will retort that I was in love with Nancy Rufford and that my indifference was therefore discreditable. Well, I am not seeking to avoid discredit. I