The Goodness of St. Rocque and Other Stories [9]
and bridgeless gulf stretched between her and the fisherman.
But when the demoiselle forgot the gulf and the fisherman refused to recognise it, why, it was time to take matters in hand.
To all of Aunt Nina's remonstrances, Philip's growlings, and the averted glances of her companions, Annette was deaf. "You are narrow-minded," she said laughingly. "I am interested in Monsieur LeConte simply as a study. He is entertaining; he talks well of his travels, and as for refusing to recognise the difference between us, why, he never dreamed of such a thing."
Suddenly a peremptory summons home from Annette's father put an end to the fears of Philip. Annette pouted, but papa must be obeyed. She blamed Philip and Aunt Nina for telling tales, but Aunt Nina was uncommunicative, and Philip too obviously cheerful to derive much satisfaction from.
That night she walked with the fisherman hand in hand on the sands. The wind from the pines bore the scarcely recognisable, subtle freshness of early autumn, and the waters had a hint of dying summer in their sob on the beach.
"You will remember," said the fisherman, "that I have told you nothing about myself."
"Yes," murmured Annette.
"And you will keep your promises to me?"
"Yes."
"Let me hear you repeat them again."
"I promise you that I will not forget you. I promise you that I will never speak of you to anyone until I see you again. I promise that I will then clasp your hand wherever you may be."
"And mademoiselle will not be discouraged, but will continue her studies?"
"Yes."
It was all very romantic, by the waves of the Sound, under a harvest moon, that seemed all sympathy for these two, despite the fact that it was probably looking down upon hundreds of other equally romantic couples. Annette went to bed with glowing cheeks, and a heart whose pulsations would have caused a physician to prescribe unlimited digitalis.
It was still hot in New Orleans when she returned home, and it seemed hard to go immediately to work. But if one is going to be an opera-singer some day and capture the world with one's voice, there is nothing to do but to study, study, sing, practise, even though one's throat be parched, one's head a great ache, and one's heart a nest of discouragement and sadness at what seems the uselessness of it all. Annette had now a new incentive to work; the fisherman had once praised her voice when she hummed a barcarole on the sands, and he had insisted that there was power in its rich notes. Though the fisherman had showed no cause why he should be accepted as a musical critic, Annette had somehow respected his judgment and been accordingly elated.
It was the night of the opening of the opera. There was the usual crush, the glitter and confusing radiance of the brilliant audience. Annette, with papa, Aunt Nina, and Philip, was late reaching her box. The curtain was up, and "La Juive" was pouring forth defiance at her angry persecutors. Annette listened breathlessly. In fancy, she too was ringing her voice out to an applauding house. Her head unconsciously beat time to the music, and one hand half held her cloak from her bare shoulders.
Then Eleazar appeared, and the house rose at the end of his song. Encores it gave, and bravos and cheers. He bowed calmly, swept his eyes over the tiers until they found Annette, where they rested in a half-smile of recognition.
"Philip," gasped Annette, nervously raising her glasses, "my fisherman!"
"Yes, an opera-singer is better than a marchand," drawled Philip.
The curtain fell on the first act. The house was won by the new tenor; it called and recalled him before the curtain. Clearly he had sung his way into the hearts of his audience at once.
"Papa, Aunt Nina," said Annette, "you must come behind the scenes with me. I want you to meet him. He is delightful. You must come."
Philip was bending ostentatiously over the girl in the next box. Papa and Aunt Nina consented to be dragged behind the scenes. Annette was well known, for, in hopes of some day being an occupant
But when the demoiselle forgot the gulf and the fisherman refused to recognise it, why, it was time to take matters in hand.
To all of Aunt Nina's remonstrances, Philip's growlings, and the averted glances of her companions, Annette was deaf. "You are narrow-minded," she said laughingly. "I am interested in Monsieur LeConte simply as a study. He is entertaining; he talks well of his travels, and as for refusing to recognise the difference between us, why, he never dreamed of such a thing."
Suddenly a peremptory summons home from Annette's father put an end to the fears of Philip. Annette pouted, but papa must be obeyed. She blamed Philip and Aunt Nina for telling tales, but Aunt Nina was uncommunicative, and Philip too obviously cheerful to derive much satisfaction from.
That night she walked with the fisherman hand in hand on the sands. The wind from the pines bore the scarcely recognisable, subtle freshness of early autumn, and the waters had a hint of dying summer in their sob on the beach.
"You will remember," said the fisherman, "that I have told you nothing about myself."
"Yes," murmured Annette.
"And you will keep your promises to me?"
"Yes."
"Let me hear you repeat them again."
"I promise you that I will not forget you. I promise you that I will never speak of you to anyone until I see you again. I promise that I will then clasp your hand wherever you may be."
"And mademoiselle will not be discouraged, but will continue her studies?"
"Yes."
It was all very romantic, by the waves of the Sound, under a harvest moon, that seemed all sympathy for these two, despite the fact that it was probably looking down upon hundreds of other equally romantic couples. Annette went to bed with glowing cheeks, and a heart whose pulsations would have caused a physician to prescribe unlimited digitalis.
It was still hot in New Orleans when she returned home, and it seemed hard to go immediately to work. But if one is going to be an opera-singer some day and capture the world with one's voice, there is nothing to do but to study, study, sing, practise, even though one's throat be parched, one's head a great ache, and one's heart a nest of discouragement and sadness at what seems the uselessness of it all. Annette had now a new incentive to work; the fisherman had once praised her voice when she hummed a barcarole on the sands, and he had insisted that there was power in its rich notes. Though the fisherman had showed no cause why he should be accepted as a musical critic, Annette had somehow respected his judgment and been accordingly elated.
It was the night of the opening of the opera. There was the usual crush, the glitter and confusing radiance of the brilliant audience. Annette, with papa, Aunt Nina, and Philip, was late reaching her box. The curtain was up, and "La Juive" was pouring forth defiance at her angry persecutors. Annette listened breathlessly. In fancy, she too was ringing her voice out to an applauding house. Her head unconsciously beat time to the music, and one hand half held her cloak from her bare shoulders.
Then Eleazar appeared, and the house rose at the end of his song. Encores it gave, and bravos and cheers. He bowed calmly, swept his eyes over the tiers until they found Annette, where they rested in a half-smile of recognition.
"Philip," gasped Annette, nervously raising her glasses, "my fisherman!"
"Yes, an opera-singer is better than a marchand," drawled Philip.
The curtain fell on the first act. The house was won by the new tenor; it called and recalled him before the curtain. Clearly he had sung his way into the hearts of his audience at once.
"Papa, Aunt Nina," said Annette, "you must come behind the scenes with me. I want you to meet him. He is delightful. You must come."
Philip was bending ostentatiously over the girl in the next box. Papa and Aunt Nina consented to be dragged behind the scenes. Annette was well known, for, in hopes of some day being an occupant