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The Gordian Knot - Bernhard Schlink [90]

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’t have it.” Georg laughed. “Whenever I bring up the subject she dismisses it as water under the bridge, and says she doesn’t want me to spend weeks on end at my desk mulling over the past.”

Georg poured more wine, Alvarinho from Monçäo, light on the palate but it goes straight to your head. He leaned back. By now he was almost entirely bald; the wrinkles on his forehead and around his mouth had turned into deep furrows, and the groove in his chin had become more pronounced. But he had a healthy complexion, and seemed relaxed and content.

“You know,” he said, “I’ve come to realize that Fran is right. When I read your manuscript, everything was so distant, a faraway echo; you don’t know whether it was your voice or someone else’s. It’s like when someone finds an old photograph of his father, who died young, and knows perfectly well that it’s his father, even though he barely remembers him. When I told you about my final weeks in New York and San Francisco and you came up with the idea of turning it into a book, I was pleased. I thought that if I read what you had written I’d see things more clearly, that I’d see a structure and a pattern where I could … oh, I don’t know. I was a real mess back then. But I guess it’s true that we can never see clearly what we are doing or what happens to us, we can’t even hold on to it. Sooner or later it ends up as water under the bridge—so I guess the sooner that happens, the better.”


The summer after Georg’s return from America, I was sitting at my desk in my apartment in the Amselgasse one evening when the downstairs bell rang. I wasn’t expecting anybody, but buzzed whoever it was in. In our age of telephones, unexpected guests are rare. I looked down the stairwell, but recognized neither the hand that was groping its way up the banister nor the sound of his tread. When he came into sight on the landing below, I was quite relieved: after my visit to Cucuron in September I hadn’t heard from Georg, except for a brief phone call from New York asking me urgently to send him some money. Not to mention that Jürgen had opened the sealed envelope Georg had sent him and had read to me Georg’s predicament in New York, and I was afraid for his safety. His parents had no information about his whereabouts, he hadn’t contacted the Epps again, nor had he been in touch with Larry or Helen, whose addresses the Epps had given me.

Georg and I hugged. I went to get some wine, and he told me all about New York and San Francisco, and about Fran, who was waiting for him in Lisbon. He talked all night. The sun came up, and I prepared a bed for him. He was in the shower, and I stood by the window smoking a final cigarette. Was I just tired? I couldn’t believe his luck. Or was I jealous? He was doing great, he said, and Fran was perfect, Jill a treasure, and the money a blessing. He had fidgeted all night with his sunglasses, turning them about in his hands, putting them on, sliding them down to the edge of his nose, taking them off again, chewing on them, folding and unfolding them.

He had only come to Heidelberg for a short time. He was going to see his parents the following day and fly back to Portugal the day after. He had to be careful: not enough water had flowed beneath the bridge; they might still be after him. It was at breakfast that I told him I wanted to turn his story into a book. He liked the idea. But I should take my time, he said, it would be best for the book not to appear too soon; not to mention that names and places had to be changed. He again put on his sunglasses.

Some years passed. He called me from time to time, and once we met at the airport in Frankfurt. For a long time the notes I had made for the book lay tucked away in my drawer. I completed the manuscript a year ago, but couldn’t send it to him, since he had never given me his address; then I recently got a call from him inviting me to Lisbon.

Fran picked me up at the airport. I didn’t recognize her, but she recognized me. I had only met her once, briefly—in Cucuron, at Georg’s party—and I’m bad at matching faces to photographs.

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