The Grand Canyon of Arizona [12]
in half an hour: Keeping on the rim, he passes the old Bright Angel Hotel, and all the buildings, about as far past the log house as, that is from El Tovar. There, in a slight depression, he will see the foot-trail leading down from the rim to the Grotto. It is a place about forty to fifty feet long, and with an overhanging wall of from five to fifteen feet high, and ten to twenty feet broad. The shelf upon which one walks is narrow, but I have slept there many a time in cold and rainy weather.
The pictographs are mainly in a rich brownish-red, and are of deer, mountain-sheep, men and women, serpentine lines suggesting the course of rivers, rain-clouds, lightning, and many-legged reptiles,--or what seem to represent these things. They were here, exactly as one now sees them, when I first camped here with some friendly Havasupais, nearly twenty years ago, and I was then informed that some of the designs represent great hunts, in which their ancestors had been successful.
Of the genuineness of the pictographs no one need have the slightest question. They afford a good opportunity to those who have never before seen such specimens of aboriginal art, to examine a fairly representative lot of them.
CHAPTER IV. The Grand Canyon At El Tovar
If guests at the Canyon will take this book in hand and, line by line, read this chapter, just as they would listen to the talk of a friend in whose knowledge they confide, they will leave the Canyon with fewer erroneous conceptions than are quite common now.
El Tovar Amphitheatre. The first thing to be observed is that El Tovar rests in the centre of the curve of a wide crescent, named El Tovar amphitheatre, the arms of which extend out into the heart of the Canyon, and shut in the scenery from the east and west, concentrating the view. These arms afford an excellent opportunity for seeing the various carboniferous deposits. The topmost is the cherty limestone, the layers of which lead the eye to the crossbedded sandstone, a creamy buff in color, and composed of a soft, sugary sand. Each of these walls is from five hundred to six hundred feet high, though in some parts of the Canyon they are reduced to not more than four hundred feet.
Maricopa and El Tovar Points. El Tovar is six thousand eight hundred and sixty-six feet above sea level; the highest part of the point on the left is seven thousand and fifty feet, and on the right seven thousand feet. The point to the left, Maricopa Point, is a portion of the great promontory known as Hopi Point, to which all Canyon visitors should go. That to the right is El Tovar Point.
Heights and Depths. The height of the lime and sandstone walls can readily be measured by looking down upon the rudely carved mass of red sandstone slightly to the left, which has been called the "Battleship." The top of this is five thousand, eight hundred and sixty-seven feet above sea level. Now look up to the Maricopa Point above, seven thousand and fifty feet. The difference is one thousand, one hundred and eighty-three feet, which is practically the height of these two strata.
Bright Angel Creek. Almost at the first glance, the attention is arrested by the break in the north wall, slightly to the right of where we stand, which makes a wide lateral gorge running at right angles to the main course of the river. This is Bright Angel Gorge, showing the course of Bright Angel Creek, which flows between its lower walls. It received its name from Major Powell, when he and his party descended the river. Earlier in their explorations they had ascended a side stream, and one of the men had declared it to be a dirty devil of a river; and for many years it bore the name "Dirty Devil River," until Powell changed it on the map to Fremont River. When, later, this exquisitely pure and beautiful side stream was reached, the great explorer determined that as one stream had been named after the prince of the powers of darkness, he would name this after the bright and beautiful powers,--hence the name "Bright Angel."
A reference to the chapter "How the Canyon
The pictographs are mainly in a rich brownish-red, and are of deer, mountain-sheep, men and women, serpentine lines suggesting the course of rivers, rain-clouds, lightning, and many-legged reptiles,--or what seem to represent these things. They were here, exactly as one now sees them, when I first camped here with some friendly Havasupais, nearly twenty years ago, and I was then informed that some of the designs represent great hunts, in which their ancestors had been successful.
Of the genuineness of the pictographs no one need have the slightest question. They afford a good opportunity to those who have never before seen such specimens of aboriginal art, to examine a fairly representative lot of them.
CHAPTER IV. The Grand Canyon At El Tovar
If guests at the Canyon will take this book in hand and, line by line, read this chapter, just as they would listen to the talk of a friend in whose knowledge they confide, they will leave the Canyon with fewer erroneous conceptions than are quite common now.
El Tovar Amphitheatre. The first thing to be observed is that El Tovar rests in the centre of the curve of a wide crescent, named El Tovar amphitheatre, the arms of which extend out into the heart of the Canyon, and shut in the scenery from the east and west, concentrating the view. These arms afford an excellent opportunity for seeing the various carboniferous deposits. The topmost is the cherty limestone, the layers of which lead the eye to the crossbedded sandstone, a creamy buff in color, and composed of a soft, sugary sand. Each of these walls is from five hundred to six hundred feet high, though in some parts of the Canyon they are reduced to not more than four hundred feet.
Maricopa and El Tovar Points. El Tovar is six thousand eight hundred and sixty-six feet above sea level; the highest part of the point on the left is seven thousand and fifty feet, and on the right seven thousand feet. The point to the left, Maricopa Point, is a portion of the great promontory known as Hopi Point, to which all Canyon visitors should go. That to the right is El Tovar Point.
Heights and Depths. The height of the lime and sandstone walls can readily be measured by looking down upon the rudely carved mass of red sandstone slightly to the left, which has been called the "Battleship." The top of this is five thousand, eight hundred and sixty-seven feet above sea level. Now look up to the Maricopa Point above, seven thousand and fifty feet. The difference is one thousand, one hundred and eighty-three feet, which is practically the height of these two strata.
Bright Angel Creek. Almost at the first glance, the attention is arrested by the break in the north wall, slightly to the right of where we stand, which makes a wide lateral gorge running at right angles to the main course of the river. This is Bright Angel Gorge, showing the course of Bright Angel Creek, which flows between its lower walls. It received its name from Major Powell, when he and his party descended the river. Earlier in their explorations they had ascended a side stream, and one of the men had declared it to be a dirty devil of a river; and for many years it bore the name "Dirty Devil River," until Powell changed it on the map to Fremont River. When, later, this exquisitely pure and beautiful side stream was reached, the great explorer determined that as one stream had been named after the prince of the powers of darkness, he would name this after the bright and beautiful powers,--hence the name "Bright Angel."
A reference to the chapter "How the Canyon