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The Grand Canyon of Arizona [18]

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carving in the known world. It is seven thousand five hundred and thirty-seven feet above sea level, and over five thousand feet above the Colorado River, which practically laves its base.

In front of Wotan's Throne, and a trifle nearer the river, is the Angel Gate, described in the chapter on Indian Legends.

Indian Garden. Now let the eye fall upon the Bright Angel Plateau. The tents at Indian Garden are clearly to be seen as well as any trail party that may happen to be crossing the plateau. The insignificant size of the horses and mules and their riders can scarcely be believed. On the rim the elevation is seven thousand and eighty-one feet. At the Garden the elevation is three thousand eight hundred and seventy-six feet, so we are looking down four thousand two hundred and five feet, over three-fourths of a mile.

Immediately below us, to the right, we see the rugged gorge of gneiss in which flows Pipe Creek. The left fork of this (to the west) is Garden Creek. A small break from Angel Plateau will be observed, where Garden Creek curves to enter Pipe Creek. Here is a beautiful mass of green, and not far away the trail that leads from the plateau to the river is in sight.

El Tovar Point. A quarter of a mile west from Yavapai Point is El Tovar Point (formerly called Grandeur Point), so named because it is the end of the right arm of the amphitheatre in which El Tovar is located. Its elevation is seven thousand feet.

Coconino Forest and Angel Plateau. To the west and south is the Coconino Forest; beyond is seen the dry bed of the ancient Eocene lake, and the blue ridge, where the lava-flows from Mount Floyd shut in the view. It is a glorious expanse of over a hundred miles, and on a clear day every object is plainly discerned. Here even better views of the Angel Plateau may be obtained than from Yavapai Point, and an excellent outlook over the narrow break in the great wall, where the shattering of the strata and the deposition of talus and vegetable matter made possible the building of the zigzag portion of the trail near the top. The faulting of the strata is clearly seen, and the observer will not fail to note that the strata of the left arm of El Tovar Amphitheatre are thrust up some one hundred to two hundred feet above the level of the same strata upon which El Tovar itself stands. This is one line of the Bright Angel fault, which extends across the river, and accounts for the carving out of the Bright Angel Gorge as described in the chapter "How the Canyon was Formed."

How exquisite is the rich beauty of the greens of the Douglas spruces, and the vegetation on the upper part of the trail, contrasted with the reds and grays and creams and buffs of the rocks around!

The round trip from El Tovar to Yavapai Point is about six miles. A foot-path has been cut from El Tovar to El Tovar Point, so that visitors may walk to and fro between these so diverse and yet equally attractive outlooks over the Canyon.

Many visitors, however, after the drive to Yavapai Point, go to Hopi Point. And, while this point is passed on the Rim Road drive, it is also very popular as a morning drive.

Drive to Hopi Point. This point is three miles to the west, and is just beyond Maricopa Point, which is practically the left arm of El Tovar Amphitheatre. The round trip is about six miles, taking in both points, and occupies from an hour and a half to two hours. Those who go in private conveyances generally stay longer, and make a three-hour trip of it.

Leaving El Tovar, the road turns southwest for a short distance, and then enters the forest to the north. It is a restful drive over a section of the well-made Hermit Rim Road.

View at Hopi Point. The first impression when one arrives at Hopi Point is of the nearness of the buttes, and the sheer precipitousness of the place upon which he stands. Both are owing to the fact that Hopi Point is thrust far into the heart of the Canyon. Its elevation is seven thousand and forty-nine feet.

Dana Butte. Immediately facing the visitor, a continuation of Hopi Point at the five
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