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The Guilty - Jason Pinter [13]

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flying around in his belfry."

"That might work better than a 'no comment,'" Jack said.

"Now get a move on," Wallace continued. "I have no doubt

there'll be some fireworks at this conference. You won't want

to watch from the back row."

6

Paulina Cole sat at her desk, holding a warm cup in her

hands. She took a sip. Coffee and Xanax. Better than toast and

a runny omelet. She'd squeezed Dr. Shepberg's name into an

article naming the best psychiatrists in NYC and ever since

then the prescriptions arrived in her mailbox once a month.

Behind Paulina's desk were half a dozen picture frames

containing front pages pulled from the New York Dispatch.

Stories she'd broken, papers so hot they'd sold out their print

runs and been dissected on blogs around the world. Since

she'd joined the Dispatch, the paper's circulation had grown

1.5 percent, a number many tried to attribute to a new marketing campaign, but those in the know knew it was solely

because of her. Ted Allen, the Dispatch' s publisher, had said

as much during the last shareholders meeting, and promptly

given her a ten percent raise. He said Paulina Cole represented

the bold new direction the Dispatch would be taking into the

twenty-first century, that despite all the perils facing the print

industry, technology simply couldn't compete with an oldfashioned nose for news. According to Allen, the Dispatch

was tired of being the number two newspaper in New York.

And come hell or high water (possibly both) they would even- The Guilty

47

tually best their number one enemy. Even if it meant simply

hiring away their top reporters.

That's how he phrased it. Their enemy. This wasn't business, this was war. The longer you stayed satisfied being

number two the more likely you'd fall out of the race completely. Nobody remembered the guy who lost the election,

the ex before meeting your soul mate. The second-best were

forgotten, pulped. If you weren't willing to kill to grab the

lead, you deserved to get trampled.

That was Paulina's job; to do the trampling, to sell newspapers.

And for all the battles waged between the two newspapers,

the coverage of Athena Paradis's murder could be the Dis-

patch' s Gettysburg. Athena was the most recognizable

woman in the world, more than the president's wife, more

than Princess Diana (hell, most of Athena's fans were too

young to have even heard of Lady Di), even more than that

lucky gal who scribbled the words Harry Potter on a notepad.

The battles lines had been drawn. More newspapers were

going to be moved during the Paradis investigation than any

event save a terrorist attack. Of course Paulina could argue

that more people had seen Athena's reality show than had

voted in the last election, so by sheer volume alone this was

the biggest news story of the decade. Besides, the Lindbergh

baby had never posed on the cover of her self-titled album

wearing stockings and wrapped in a fire hose.

Until three o'clock this morning, Paulina had been digging

into the personal life of David Loverne, congressional candidate, philanthropist, father of Henry Parker's ex-girlfriend

Mya, and alleged keeper of somewhere in the vicinity of four

mistresses. It was a cover story in the making. David was

beloved. Tall, handsome, the kind of man other men looked

48

Jason Pinter

up to and women wanted to look down upon. She was going

to blow the whole thing wide open, expose the creep for who

he really was. His fans and supporters would be demoralized.

His detractors (yes, there were some) would eat it for breakfast. And every one of them would fork over their fifty cents

to read it.

Over the past week, Paulina had interviewed two women

who claimed to have slept with Loverne, both within the past

year. One dalliance occurred in a limousine after a stump

speech, the other in an airplane flying to Dubai. Taking

Loverne down would sell papers. Getting in another dig at

someone close to Henry Parker was just icing on the cake.

There was a knock on her door.

"Come in," she said. In walked Terrence Bynes, the

Dispatch'

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