The gunslinger - Stephen King [91]
“And then the fun begins! But, by then, I’ll be long gone. Goodbye, gunslinger. My part is done now. The chain is still in your hands. ’Ware it doesn’t wrap itself around your neck.”
Compelled by something outside him, Roland said, “You have one more thing to say, don’t you?”
“Yes,” the man in black said, and he smiled at the gunslinger with his depthless eyes and stretched one of his hands out toward him. “Let there be light.”
And there was light, and this time the light was good.
IX
Roland awoke by the ruins of the campfire to find himself ten years older. His black hair had thinned at the temples and there had gone the gray of cobwebs at the end of autumn. The lines in his face were deeper, his skin rougher.
The remains of the wood he had carried had turned to something like stone, and the man in black was a laughing skeleton in a rotting black robe, more bones in this place of bones, one more skull in this golgotha.
Or is it really you? he thought. I have my doubts, Walter o’ Dim . . . I have my doubts, Marten-that-was.
He stood up and looked around. Then, with a sudden quick gesture, he reached toward the remains of his companion of the night before (if it was indeed the remains of Walter), a night that had somehow lasted ten years. He broke off the grinning jawbone and jammed it carelessly into the left hip pocket of his jeans—a fitting enough replacement for the one lost under the mountains.
“How many lies did you tell me?” he asked. Many, he was sure, but what made them good lies was that they had been mixed with the truth.
The Tower. Somewhere ahead, it waited for him—the nexus of Time, the nexus of Size.
He began west again, his back set against the sunrise, heading toward the ocean, realizing that a great passage of his life had come and gone. “I loved you, Jake,” he said aloud.
The stiffness wore out of his body and he began to walk more rapidly. By that evening he had come to the end of the land. He sat on a beach which stretched left and right forever, deserted. The waves beat endlessly against the shore, pounding and pounding. The setting sun painted the water in a wide strip of fool’s gold.
There the gunslinger sat, his face turned up into the fading light. He dreamed his dreams and watched as the stars came out; his purpose did not flag, nor did his heart falter; his hair, finer now and gray at the temples, blew around his head, and the sandalwood-inlaid guns of his father lay smooth and deadly against his hips, and he was lonely but did not find loneliness in any way a bad or ignoble thing. The dark came down and the world moved on. The gunslinger waited for the time of the drawing and dreamed his long dreams of the Dark Tower, to which he would someday come at dusk and approach, winding his horn, to do some unimaginable final battle.
* For a fuller discussion of the Bullshit Factor, see On Writing, published by Scribner’s in 2000.
* Those bound by destiny.
* One example of this will probably serve for all. In the previously issued text of The Gunslinger, Farson is the name of a town. In later volumes, it somehow became the name of a man: the rebel John Farson, who engineers the fall of Gilead, the city-state where Roland spends his childhood.
Contents
ILLUSTRATIONS
INTRODUCTION On Being Nineteen (and a Few Other Things)
Foreword
The GUNSLINGER
CHAPTER ONE The Gunslinger
The WAY STATION
CHAPTER TWO The Way Station
The ORACLE AND THE MOUNTAINS
CHAPTER THREE The Oracle and the Mountains
The SLOW MUTANTS
CHAPTER FOUR The Slow Mutants
The GUNSLINGER AND THE MAN IN BLACK
CHAPTER FIVE The Gunslinger and the Man in Black
This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s Imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental.
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