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The Habitation of the Blessed - Catherynne M. Valente [117]

By Root 1252 0
up again. This repeats, over and over, forever. All my life I was warned not to eat the flowers, that they are fey and unwholesome. Thus, I have always wanted to eat one. I don’t need to eat flowers or fruits, but I can, and I am sometimes curious—what is it like to swallow something that way? To feel it’s weight inside you? But I am more or less at peace, having not done so.

Nevertheless, once in a long while, when the children had some pressing lesson or were away visiting relatives, writing back to me about the color of plantain soup, and how the cameleopards are very difficult to ride, even for Houd, who could ride anything, I would walk out from Nural and not stop until I had reached the black field. I would watch the flowers come up and down in their mystifying cycle, and I would eat the sound of them falling. I would watch the flowers and think that this is the time I will be brave enough to pull off one of the thick glassy petals and taste it. But then I would recall how some cousin or aunt said that the addiction could never be broken, and no wine could compete for the dizzying of the head. Sometimes I wondered how they could know.

One day, a day of my own, a day to myself, I watched the sun setting behind the drooping blossoms, their leaves grazing the black powder. And on that day a woman sat down next to me, quiet and beautiful, without a word. Did I know she followed me? Of course. I hear everything. But a queen ought to believe she can prowl so silently—it was not for me to belie her.

Abir’s gargantuan hands closed gently over her bent knees as she settled into the greyish grass that bordered the field. They covered her body entirely, a shield of fingers.

Abir, Who Was Older Than She Seems: I am grateful for what you have done for my children, Imtithal. They will be grown soon, and better for you, I think. Even Houd.

I, Who Hurt With Love of Them: Do not think so badly of him. He cannot bear it, not really.

Abir, Who Knew: I wanted to speak with you, far from the al-Qasr and the Nursery. I promised to tell you my story, and I believe the time has come—I am certain, for in a few weeks I will not be able to tell it any longer.

I, Who Had Been Paid Enough: I wait. I am good at waiting.

Abir, Whose Hair Was So Black, Whose Eyes Were the Color of Rich Gourds, Who Wore a Dress of a Black Deerskin and Three Jewels: Come, Imtithal. Sit in my lap as you did that day in Nimat. Let me be wrapped in your ears again.

And I settled into her, and I wrapped her in the pale shroud of my body. I looked into her wide, exquisite face, her full lips and her savage eyes, and I tried to remember this moment forever. The flowers shrank down behind us, and she began to speak.

Abir, Who Would Change the World: I was born in Nural. You have never seen the cametenna birth-hall—I know you have not, for we keep it to ourselves. The males are fragile when they are in heat. Their skin goes clear and delicate, like thin glass, and on the surface of that skin they project—oh, it is beyond beauty—a play of color and light, shapes like frost shivering over their elbows, their chests, but the frost glimmers like prisms, and the chosen greatmother must breathe deeply to control her desire. But in such a state, if a male were even to trip and fall, he would shatter. So when the time comes, they cloister, under rosy domes and draped tents, a luxurious place where the males eat and drink and play upon small jade flutes—for when the heat comes upon them they go mute, all their energy going to their skin, their seed.

I suppose one day Houd will turn to glass, and go into the hall. I cannot begin to imagine him mute.

It takes twelve males to impregnate a greatmother—the process is gentle, and complex, and takes a full year, after which we emerge gravid and birth follows some time later. We do not speak of it to outsiders. But I will tell you, Imtithal—the children call you Butterfly, don’t they? I will tell you, the pleasure of it is profound, and so too the great flooding of the heart.

My mother was prolific—she produced six

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