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The Hadrian Memorandum - Allan Folsom [186]

By Root 777 0
themselves in it—still seemed best. Even as the rain toyed with them, this was still the tourist season and crowds were everywhere, most especially where they were headed: Rossio Square, where Ryder and Agent Birns had stopped earlier that morning to change cabs. It was a place, Ryder was certain, that would be filled not only with tourists but also with readily available taxis.

So Rossio was the site where they would make their move. Grant would ask Barbosa to pull over and stop, saying that Ryder wasn’t feeling well and needed some air. Barbosa would be reluctant but have no choice except to do as he had been asked. At that point they would simply open the doors and get out, with Ryder saying he needed a few minutes to walk the sensation off and Grant reassuring Barbosa that he was armed and that the congressman was perfectly safe. Seconds later they would be in the crowd and quickly disappear into it, splitting up as they went—Grant staying with Ryder to guard him, Anne and Marten going off in a different direction altogether. After that each group would find a taxi, take it to the civil aviation terminal at Portela Airport, then go to directly Ryder’s plane, where the pilots would be waiting and the aircraft cleared for takeoff.

Not a word was said as they reached the bottom of the hill and Eduardo turned the Land Cruiser onto Praça Dom Pedro IV, following the one-way streets around Rossio Square in a line of traffic. At that point the rain came down in earnest.

118

Irish Jack changed the speed of the Mercedes’s windshield wipers to keep up with the downpour and at the same time kept them a neat three vehicles behind the Ford tail car. Directly behind them was a silver Opel and then Branco and his men in the Alfa. He glanced at Patrice in the shotgun seat, then in the mirror at Conor White. Both men had their automatic weapons out and ready. His own M-4 Colt Commando rested in his lap. He looked back at the road in front of him just as the Toyota and Ford reached the far end of the square and began the run along its far side heading toward Avenida da Liberdade.

______

Ryder glanced at Grant, then turned to look over his shoulder at Marten. “Now what?” he said quietly. Because of the rain, the crowds they were counting on for cover were gone. The big plaza was void of anything but pigeons.

Anne turned to look behind them. “Nicholas,” she warned. “Gray Alfa Romeo, several cars back.”

Marten looked. He saw the Alfa and the black Mercedes in front of it. “The Mercedes is Conor White’s car.” He turned back to Ryder and Grant. “They’re right on our tail,” he said sotto voce. “All due respect to the GOEs, we’re not going to get anywhere near the embassy.”

Immediately he looked at the barren square on his left, trying to decide what to do, find any avenue of escape. There was nothing but the open, rain-soaked plaza. He looked right, along the facade of shops and cafés they were passing, but nothing jumped out at him. If they told Barbosa and they sped off, White would realize they had been seen, drop back, change cars, and wait for later. The same would happen if they called in more police, because he was certain White or his people would be monitoring the GOE radio frequencies. Then, in the distance, he saw it. A big red M marking the entrance to a Metro station. He looked to Anne, then leaned forward to Ryder and Grant. “We’re going underground,” he said quietly, “now.”

Conor White sat forward, his black balaclava and MP5 submachine gun in his lap, preparing himself for the action that was to come in less than two minutes as they left the Rossio and started up Avenida da Liberdade toward the strike point at Rua Barata Salgueiro.

Suddenly he felt a dark shadow descend from the car’s ceiling and settle around him like some precursor of doom. What the hell is this? he said to himself. Never in his life had he experienced anything like it. He tried to shake it off, but the shadow remained. In the next instant he had a soul-chilling premonition that he was right, that things were about to go horribly wrong.

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