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The Haj - Leon Uris [1]

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and stabbed them in a line into the planking, then pulled back his robes, revealing the jeweled dagger.

‘I believe,’ he said, ‘it is time that we hold an election for the new muktar. If anyone disagrees with the continuity of the Soukori rule ...’ He left the sentence unfinished and waved an open hand at the array of knives. Ordinarily the election of a new muktar would take a thousand hours of haggling before coming to the conclusion that Ibrahim had now presented to them. This election was over within a minute, with each of the eight adversaries stopping before him one at a time, bowing, kissing his hand, and declaring his loyalty.

Ibrahim al Soukori was in his mid twenties and Muktar of Tabah, and he knew the power of the dagger in Arab life.

Part One


The Valley of Ayalon

1


1944

I AM ISHMAEL. I WAS born in Palestine during the riots of 1936. Since many things written here took place before my birth, you ask, ‘How could Ishmael know of them?’ Take the case of my father, Ibrahim, becoming the Muktar of Tabah. In our world the repetition of stories is a way of life. Everyone eventually knows all of the tales of the past.

Other events happened here when I was not present. Aha! How could I know of these? Do not forget, my esteemed reader, that we Arabs are unusually gifted in matters of fantasy and magic. Did we not give the world A Thousand and One Nights?

There are times I will speak to you in my own voice. Others will speak in theirs. Our tale comes from a million suns and moons and comets and all that I cannot possibly know will reach these pages with the help of Allah and our special magic.

As a male child I was entitled to my mother’s breasts for as long as I demanded them and was not weaned until my fifth birthday. Usually this signaled the boy was coming out of the kitchen, but I was small and still able to hide among the women. My mother, Hagar, was a large woman with great breasts. Not only were they filled with milk, but they gave me a place where I could nestle and feel an enormous comfort. I managed to hide from the world of men until 1944, when I was eight years of age. One day my father, Ibrahim, sent my mother away to her own village many miles to the south. She was rarely given time off, so her sudden departure was both traumatic and ominous for me. As an infant and a young child, I lived with women who sheltered and protected me. My grandmother had raised me part of the time because my mother not only had the duties of the kitchen, the house, and the family, but she worked in the big fields and attended the plot beside the house as well. It was a few days after my grandmother died that my mother was sent away.

Fetching water had been my only chore. I had gone to the village well with my mother every day. Now she was gone. I was greeted with taunts. The women all cackled and laughed at me. They told me my father was going to take a second wife. That was why my father had sent her out of the village, to spare himself her anger and humiliation. Soon my playmates joined in the chorus of taunts and some threw stones at me.

I saw my father taking his morning stroll to the coffeehouse, which was owned by him and my Uncle Farouk and which was where he spent most of his day. I ran up to him and cried about what was happening. As usual, he brushed me aside harshly, walking on. I ran after him and tugged at his coat, a tug barely strong enough to demand his attention. As he turned I threw my little fist at him and said I hated him.

My father grabbed me by the arm and shook me so violently I thought I would faint. Then he tossed me like garbage, so that I landed in the open sewer that ran down from the top of the village.

There I was, dressed as a girl, shrieking at the top of my lungs. I could feel salt from my tears and snot from my nose dripping into my mouth. I shrieked in desperation, for even at that age I realized there was nothing I could do about my situation. There was no way to either rebel or protest.

I have seen that little boy over and over again in refugee camps playing in garbage

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