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The Handmaid's Tale - Margaret Atwood [0]

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The Handmaid's Tale

Margaret Atwood

Table of Contents


Title Page

Table of Contents

...

Copyright

Epigraphy

Dedication

Contents

I. Night

1

II. Shopping

2

3

4

5

6

III. Night

7

IV. Waiting Room

8

9

10

11

12

V. Nap

13

VI. Household

14

15

16

17

VII. Night

18

VIII. Birth Day

19

20

21

22

23

IX. Night

24

X. Soul Scrolls

25

26

27

28

29

XI. Night

30

XII. Jezebel's

31

32

33

34

35

36

37

38

39

XIII. Night

40

XIV. Salvaging

41

42

43

44

45

XV. Night

46

Historical Notes

Historical Notes on The Handmaid's Tale

About the Author

HOUGHTON

MIFFLIN

COMPANY


BOSTON

Copyright © 1986 by O. W. Toad, Ltd.


All rights reserved. No part of this work may be reproduced

or transmitted in any form or by any means, electronic or

mechanical, including photocopying and recording, or by any

information storage or retrieval system, except as may

be expressly permitted by the 1976 Copyright Act or in

writing from the publisher. Requests for permission should

be addressed in writing to Houghton Mifflin Company,

2 Park Street, Boston, Massachusetts 02108.

Library of Congress Cataloging-in-Publication Data

Atwood, Margaret Eleanor, date.

The handmaid's tale.

I. Title.

PR9199.3.A8H3 1986 813'.54 85-21944

ISBN 0-395-40425-8

Printed in the United States of America

V 10 9 8 7 6 5 4 3

This is a work of fiction. Any resemblance to persons living

or dead is purely coincidental.

Lines from "Heartbreak Hotel" by Elvis Presley © 1956 Tree

Publishing Company, Inc. c/o Dunbar Music Canada Ltd. Reprinted

by permission.

The author would like to thank the D.A.A.D. in West Berlin

and the English department at the University of Alabama,

Tuscaloosa, for providing time and space.

And when Rachel saw that she bare Jacob no children, Rachel envied her sister; and said unto Jacob, Give me children, or else I die.

And Jacob's anger was kindled against Rachel; and he said, Am I in God's stead, who hath withheld from thee the fruit of the womb?

And she said, Behold my maid Bilhah, go in unto her; and she shall bear upon my knees, that I may also have children by her.

— Genesis 30:1–3

But as to myself, having been wearied out for many years with offering vain, idle, visionary thoughts, and at length utterly despairing of success, I fortunately fell upon this proposal...

— Jonathan Swift, A Modest Proposal

In the desert there is no sign that says, Thou shalt not eat stones.

— Sufi proverb

For

Mary Webster and Perry Miller

Contents


I Night [>]

II Shopping [>]

III Night [>]

IV Waiting Room [>]

V Nap [>]

VI Household [>]

VII Night [>]

VIII Birth Day [>]

IX Night [>]

X Soul Scrolls [>]

XI Night [>]

XII Jezebel's [>]

XIIINight [>]

XIV Salvaging [>]

XV Night [>]

Historical Notes [>]

I. Night

1


We slept in what had once been the gymnasium. The floor was of varnished wood, with stripes and circles painted on it, for the games that were formerly played there; the hoops for the basketball nets were still in place, though the nets were gone. A balcony ran around the room, for the spectators, and I thought I could smell, faintly like an afterimage, the pungent scent of sweat, shot through with the sweet taint of chewing gum and perfume from the watching girls, felt-skirted as I knew from pictures, later in miniskirts, then pants, then in one earring, spiky green-streaked hair. Dances would have been held there; the music lingered, a palimpsest of unheard sound, style upon style, an undercurrent of drums, a forlorn wail, garlands made of tissue-paper flowers, cardboard devils, a revolving ball of mirrors, powdering the dancers with a snow of light.

There was old sex in the room and loneliness, and expectation, of something without a shape or name. I remember that yearning, for something that was always about to happen and was never the same as the hands that were on us there and then, in the small of the back, or out back, in the parking lot, or in the television room with the sound turned down and only the pictures flickering over

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