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"Godawful," she says. She grins at me. "You look like the Whore of Babylon."

"Isn't that what I'm supposed to look like?" I say. "You look like something the cat dragged in."

"Yes," she says, pulling up her front, "not my style and this thing is about to fall to shreds. I wish they'd dredge up someone who still knows how to make them. Then I could get something halfway decent."

"You pick that out?" I say. I wonder if maybe she'd chosen it, out of the others, because it was less garish. At least it's only black and white.

"Hell no," she says. "Government issue. I guess they thought it was me."

I still can't believe it's her. I touch her arm again. Then I begin to cry.

"Don't do that," she says. "Your eyes'll run. Anyway there isn't time. Shove over." This she says to the two women on the sofa, her usual peremptory rough-cut slapdash manner, and as usual she gets away with it.

"My break's up anyway," says one woman, who's wearing a baby-blue laced-up Merry Widow and white stockings. She stands up, shakes my hand. "Welcome," she says.

The other woman obligingly moves over, and Moira and I sit down. The first thing we do is take off our shoes.

"What the hell are you doing here?" Moira says then. "Not that it isn't great to see you. But it's not so great for you. What'd you do wrong? Laugh at his dick?"

I look up at the ceiling. "Is it bugged?" I say. I wipe around my eyes, gingerly, with my fingertips. Black comes off.

"Probably," says Moira. "You want a cig?"

"I'd love one," I say.

"Here," she says to the woman next to her. "Lend me one, will you?"

The woman hands over, ungrudging. Moira is still a skillful borrower. I smile at that.

"On the other hand, it might not be," says Moira. "I can't imagine they'd care about anything we have to say. They've already heard most of it, and anyway nobody gets out of here except in a black van. But you must know that, if you're here."

I pull her head over so I can whisper in her ear. "I'm temporary," I tell her. "It's just tonight. I'm not supposed to be here at all. He smuggled me in."

"Who?" she whispers back. "That shit you're with? I've had him, he's the pits."

"He's my Commander," I say.

She nods. "Some of them do that, they get a kick out of it. It's like screwing on the altar or something: your gang are supposed to be such chaste vessels. They like to see you all painted up. Just another crummy power trip."

This interpretation hasn't occurred to me. I apply it to the Commander, but it seems too simple for him, too crude. Surely his motivations are more delicate than that. But it may only be vanity that prompts me to think so.

"We don't have much time left," I say. "Tell me everything."

Moira shrugs. "What's the point?" she says. But she knows there is a point, so she does.

This is what she says, whispers, more or less. I can't remember exactly, because I had no way of writing it down. I've filled it out for her as much as I can: we didn't have much time so she just gave the outlines. Also she told me this in two sessions, we managed a second break together. I've tried to make it sound as much like her as I can. It's a way of keeping her alive.

"I left that old hag Aunt Elizabeth tied up like a Christmas turkey behind the furnace. I wanted to kill her, I really felt like it, but now I'm just as glad I didn't or things would be a lot worse for me. I couldn't believe how easy it was to get out of the Center. In that brown outfit I just walked right through. I kept on going as if I knew where I was heading, till I was out of sight. I didn't have any great plan; it wasn't an organized thing, like they thought, though when they were trying to get it out of me I made up a lot of stuff. You do that, when they use the electrodes and the other things. You don't care what you say.

"I kept my shoulders back and chin up and marched along, trying to think of what to do next. When they busted the press they'd picked up a lot of the women I knew, and I thought they'd most likely have the rest by now. I was