The Handmaid's Tale - Margaret Atwood [61]
The difficulty is the Wife, as always. After dinner she goes to their bedroom, from where she could conceivably hear me as I sneak along the hall, although I take care to be very quiet. Or she stays in the sitting room, knitting away at her endless Angel scarves, turning out more and more yards of intricate and useless wool people: her form of procreation, it must be. The sitting room door is usually left ajar when she's in there, and I don't dare to go past it. When I've had the signal but can't make it, down the stairs or along the hall past the sitting room, the Commander understands. He knows my situation, none better. He knows all the rules.
Sometimes, however, Serena Joy is out, visiting another Commander's Wife, a sick one; that's the only place she could conceivably go, by herself, in the evenings. She takes food, a cake or pie or loaf of bread baked by Rita, or a jar of jelly, made from the mint leaves that grow in her garden. They get sick a lot, these Wives of the Commanders. It adds interest to their lives. As for us, the Handmaids and even the Marthas, we avoid illness. The Marthas don't want to be forced to retire, because who knows where they go? You don't see that many old women around anymore. And as for us, any real illness, anything lingering, weakening, a loss of flesh or appetite, a fall of hair, a failure of the glands, would be terminal. I remember Cora, earlier in the spring, staggering around even though she had the flu, holding on to the door frames when she thought no one was looking, being careful not to cough. A slight cold, she said when Serena asked her.
Serena herself sometimes takes a few days off, tucked up in bed. Then she's the one to get the company, the Wives rustling up the stairs, clucking and cheerful; she gets the cakes and pies, the jelly, the bouquets of flowers from their gardens.
They take turns. There is some sort of list, invisible, unspoken. Each is careful not to hog more than her share of the attention.
On the nights when Serena is due to be out, I'm sure to be summoned.
The first time, I was confused. His needs were obscure to me, and what I could perceive of them seemed to me ridiculous, laughable, like a fetish for lace-up shoes.
Also, there had been a letdown of sorts. What had I been expecting, behind that closed door, the first time? Something unspeakable, down on all fours perhaps, perversions, whips, mutilations? At the very least some minor sexual manipulation, some bygone peccadillo now denied him, prohibited by law and punishable by amputation. To be asked to play Scrabble, instead, as if we were an old married couple, or two children, seemed kinky in the extreme, a violation in its own way. As a request it was opaque.
So when I left the room, it still wasn't clear to me what he wanted, or why, or whether I could fulfill any of it for him. If there's to be a bargain, the terms of exchange must be set forth. This was something he certainly had not done. I thought he might be toying, some cat-and-mouse routine, but now I think that his motives and desires weren't obvious even to him. They had not yet reached the level of words.
The second evening began in the same way as the first. I went to the door, which was closed, knocked on it, was told to come in. Then followed the same two games, with the smooth beige counters. Prolix, quartz, quandary, sylph, rhythm, all the old tricks with consonants I could dream up or remember. My tongue felt thick with the effort of spelling. It was like using a language I'd once known but had nearly forgotten, a language having to do with customs that had long before passed out of the world: café au lait at an outdoor table, with a brioche, absinthe in a tall