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The Hard Way Up - A. Bertram Chandler [22]

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room. There was no need for him to sit, but he did so, in an astonishingly human posture. Perhaps, thought Grimes, he could sense that his hosts would feel more comfortable if something that looked like an attenuated knight in armor were not looming tall behind them, peering over their shoulders. His face was expressionless—it was a dull-gleaming ovoid with no features to be expressive with—but it seemed to Grimes that there was the faintest flicker of luminosity behind the eye lenses that could betoken interest. His voice, when he spoke, came from a diaphragm set in his throat.

He was speaking now. "This has been very interesting, Captain. And now, I take it, we are on trajectory for Delacron." His voice was a pleasant enough baritone, not quite mechanical.

"Yes, Mr. Adam. That is the Delacron sun there, at three o'clock from the center of the cartwheel sight."

"And that odd distortion, of course, is the resultant of the temporal precession field of your Drive . . ." He hummed quietly to himself for a few seconds. "Interesting."

"You must have seen the same sort of thing on your way out to Lindisfarne from Earth."

"No, Captain. I was not a guest, ever, in the control room of the cruiser in which I was transported." The shrug of his gleaming, metal shoulders was almost human. "I . . . I don't think that Captain Grisby trusted me."

That, thought Grimes, was rather an odd way of putting it. But he knew Grisby, had served under him. Grisby, as a naval officer of an earlier age, on Earth's seas, would have pined for the good old days of sail, of wooden ships and iron men-—and by "iron men" he would not have meant anything like this Mr. Adam . . .

"Yes," the robot went on musingly, "I find this not only interesting, but amazing . . ."

"How so?" asked Grimes.

"It could all be done—the lift off, the setting of trajectory, the delicate balance between acceleration and temporal precession—so much . . . faster by one like myself . . ."

You mean "better" rather than faster," thought Grimes, but you're too courteous to say it.

"And yet . . . and yet . . . You're flesh and blood creatures, Captain, evolved to suit the conditions of just one world out of all the billions of planets. Space is not your natural environment."

"We carry our environment around with us, Mr. Adam." Grimes noticed that the other officers in Control—Ensign von Tannenbaum, the Navigator, Ensign Beadle, the First Lieutenant, and Lieutenant Slovotny, the radio officer—were following the conversation closely and expectantly. He would have to be careful. Nonetheless, he had to keep his end up. He grinned. "And don't forget," he said, "that Man, himself, is a quite rugged, self-maintaining, self-reproducing, all-purpose robot."

"There are more ways than one of reproducing," said Mr. Adam quietly.

"I'll settle for the old-fashioned way!" broke in von Tannenbaum.

Grimes glared at the burly, flaxen-headed young man—but too late to stop Slovotny's laughter. Even Beadle smiled.

John Grimes allowed himself a severely rationed chuckle. Then: "The show's on the road, gentlemen. I'll leave her in your capable hands. Number One. Set Deep Space watches. Mr. Adam, it is usual at this juncture for me to invite any guests to my quarters for a drink and a yarn . . ."

Mr. Adam laughed. "Like yourself, Captain, I feel the occasional need for a lubricant. But I do not make a ritual of its application. I shall, however, be very pleased to talk with you while you drink."

"I'll lead the way," said Grimes resignedly.

In a small ship passengers can make their contribution to the quiet pleasures of the voyage, or they can be a pain in the neck. Mr. Adam, at first, seemed pathetically eager to prove that he could be a good shipmate. He could talk—and he did talk, on anything and everything. Mr. Beadle remarked about him that he must have swallowed an encyclopedia. Mr. McCloud, the Engineering Officer, corrected this statement, saying that he must have been built around one. And Mr. Adam could listen. That was worse than his talking—one always had the impression of invisible

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