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The Hare With Amber Eyes - Edmund de Waal [52]

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von Hofmannsthal, and the playwright Arthur Schnitzler. The poet Peter Altenberg had his post delivered to his table. There were mountains of newspapers and a complete run of Meyers Konversations-Lexicon, Germany’s answer to the Encyclopaedia Britannica, to provoke or answer arguments or fuel journalistic copy. You could spend your whole day here, nursing a single cup of coffee under the high vaulted ceilings, writing, not-writing, reading the morning newspaper – Die Neue Freie Presse – while waiting for the afternoon edition. Theodor Herzl, the paper’s Paris correspondent with his apartment in the rue de Monceau, used to write here and argue his absurd idea of a Jewish state. Even the waiters were rumoured to join in the conversations around the huge circular tables. It was, in a memorable phrase of the satirist Karl Kraus, ‘an experimental station for the end of the world’.

In a café you could adopt an attitude of melancholic separation. This was an attitude shared by many of Viktor’s friends, the sons of other wealthy Jewish bankers and industrialists, other members of the generation that had grown up in the marble Palais of the Ringstrasse. Their fathers had financed cities and railways, made fortunes, moved their families across continents. It was so difficult to live up to the Gründer that the most one could be expected to do was talk.

These sons had a common anxiety about their futures, lives set out in front of them on dynastic tram-lines, family expectations driving them forward. It meant a life lived under the gilded ceilings of their parents’ homes, marriage to a financier’s daughter, endless dances, years in business unspooling in front of them. It meant Ringstrassenstil – Ringstrasse-style – pomposity, over-confidence, the parvenu. It meant billiards in the billiard-room with your father’s friends after dinner, a life immured in marble, watched over by putti.

These young men were seen as either Jewish or Viennese. It doesn’t matter that they may have been born in the city: Jews had an unfair advantage over the natural-born Viennese, who had gifted liberty to these Semitic newcomers. As the English writer Henry Wickham Steed said, this was:


Liberty for the clever, quick-witted, indefatigable Jew to prey upon a public and a political world totally unfit for defence against or competition with him. Fresh from Talmud and synagogue, and consequently trained to conjure with the law and skilled in intrigue, the invading Semite arrived from Galicia or Hungary and carried everything before him. Unknown and therefore unchecked by public opinion, without any ‘stake in the country’ and therefore reckless, he sought only to gratify his insatiable appetite for wealth and power . . .

The Jews’ insatiability was a common theme. They simply did not know their limits. Anti-Semitism was part of common day-today life. The flavour of Viennese anti-Semitism was different from Parisian anti-Semitism. In both places it happened both overtly and covertly. But in Vienna you could expect to have your hat knocked off your head on the Ringstrasse for looking Jewish (Schnitzler’s Ehrenberg in The Way into the Open, Freud’s father in The Interpretation of Dreams), be abused as a dirty Jew for opening a window in a train carriage (Freud), be snubbed at a meeting of a charity committee (Emilie Ephrussi), have your lectures at the university disrupted by cries of ‘Juden hinaus’ – ‘Jews out’ – until every Jewish student had picked up his books and left.

Abuse also came in more generalised ways. You could read the latest pronouncements by Vienna’s own version of Edouard Drumont in Paris, Georg von Schönerer, or hear his thuggish demonstrations churning their way along the Ring under your window. Schönerer came to prominence as the founder of the Austrian Reform Meeting, declaiming against ‘the Jew, the sucking vampire . . . that knocks . . . at the narrow-windowed house of the German farmer and craftsman’. He promised in the Reichsrat that if his movement did not succeed now, ‘the avengers will arise from our bones’ and ‘to the terror of

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