The Heart is a Lonely Hunter - Carson McCullers [53]
After a long while he got up from his chair and stood in the middle of the room. He could hear his sister-in-law, Lucile, walking up and down the hall outside. A fat bee crawled across the top of the dresser, and adroitly Biff caught it in his hand and put it out the open window. He glanced at the dead face one more time, and then with widowed sedateness he opened the door mat led out into the hospital corridor.
Late the next morning he sat sewing in the room upstairs.
Why? Why was it that in cases of real love the one who is left does not more often follow the beloved by suicide? Only because the living must bury the dead? Because of the measured rites that must be fulfilled after a death? Because it is as though the one who is left steps for a time upon a stage and each second swells to an unlimited amount of time and he is watched by many eyes? Because there is a function he must carry out? Or perhaps, when there is love, the widowed must stay for the resurrection of the beloved--so that the one who has gone is not really dead, but grows and is created for a second time in the soul of the living? Why? Biff bent close over his sewing and meditated on many things.
He sewed skillfully, and the calluses on the tips of his fingers were so hard that he pushed the needle through the cloth without a thimble. Already the mourning bands had been sewn around the arms of two gray suits, and now he was on the last.
The day was bright and hot, and the first dead leaves of the new autumn scraped on the sidewalks. He had gone out early.
Each minute was very long. Before him there was infinite leisure. He had locked the door of the restaurant and hung on the outside a white wreath of lilies. To the funeral home he went first and looked carefully at the selection of caskets. He touched the materials of the linings and tested the strength of the frames.
‘What is the name of the crepe of this one--Georgette?’
The undertaker answered his questions in an oily, unctuous voice.
‘And what is the percentage of cremations in your business?’
Out on the street again Biff walked with measured formality.
From the west there was a warm wind and the sun was very bright. His watch had stopped, so he turned down toward the street where Wilbur Kelly had recently put out his sign as watchmaker. Kelly was sitting at his bench in a patched bathrobe. His shop was also a bedroom, and the baby Mick pulled around with her in a wagon sat quietly on a pallet on the floor. Each minute was so long that in it there was ample time for contemplation and enquiry. He asked Kelly to explain the exact use of jewels in a watch. He noted the distorted look of Kelly’s right eye as it appeared through his watchmaker’s loupe. They talked for a while about Chamberlain and Munich. Then as the time was still early he decided to go up to the mute’s room.
Singer was dressing for work. Last night there had come from him a letter of condolence. He was to be a pallbearer at the funeral. Biff sat on the bed and they smoked a cigarette together. Singer looked at him now and then with his green observant eyes. He offered him a drink of coffee. Biff did not talk, and once the mute stopped to pat him on the shoulder and look for a second into his face. When Singer was dressed they went out together.
Biff bought the black ribbon at the store and saw the preacher of Alice’s church. When all was arranged he came back home.
To put things in order--that was the thought in his mind. He bundled up Alice’s clothes and personal possessions to give to Lucile. He thoroughly cleaned and straightened the bureau drawers. He even rearranged the shelves of the kitchen downstairs and removed the gaily colored crepe streamers from the electric fans. Then when this was done he sat in the tub and bathed himself all over. And the morning was done.
Biff bit the thread and smoothed the black band on the sleeve of his coat. By now Lucile