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THE HISTORY [206]

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by the struggle with the Boeotians, the Eginetans in their ships of war made descents upon Attica, plundered Phalerum, and ravaged a vast number of the townships upon the sea-board, whereby the Athenians suffered very grievous damage. The ancient feud between the Eginetans and Athenians arose out of the following circumstances. Once upon a time the land of Epidaurus would bear no crops; and the Epidaurians sent to consult the oracle of Delphi concerning their affliction. The answer bade them set up the images of Damia and Auxesia, and promised them better fortune when that should be done. "Shall the images be made of bronze or stone?" the Epidaurians asked; but the Pythoness replied, "Of neither: but let them be made of the garden olive." Then the Epidaurians sent to Athens and asked leave to cut olive wood in Attica, believing the Athenian olives to be the holiest; or, according to others, because there were no olives at that time anywhere else in all the world but at Athens.' The Athenians answered that they would give them leave, but on condition of their bringing offerings year by year to Minerva Polias and to Erechtheus. The Epidaurians agreed, and having obtained what they wanted, made the images of olive wood, and set them up in their own country. Henceforth their land bore its crops; and they duly paid the Athenians what had been agreed upon. Anciently, and even down to the time when this took place, the Eginetans were in all things subject to the Epidaurians, and had to cross over to Epidaurus for the trial of all suits in which they were engaged one with another. After this, however, the Eginetans built themselves ships, and, growing proud, revolted from the Epidaurians. Having thus come to be at enmity with them, the Eginetans, who were masters of the sea, ravaged Epidaurus, and even carried off these very images of Damia and Auxesia, which they set up in their own country, in the interior, at a place called Oea, about twenty furlongs from their city. This done, they fixed a worship for the images, which consisted in part of sacrifices, in part of female satiric choruses; while at the same time they appointed certain men to furnish the choruses, ten for each goddess. These choruses did not abuse men, but only the women of the country. Holy orgies of a similar kind were in use also among the Epidaurians, and likewise another sort of holy orgies, whereof it is not lawful to speak. After the robbery of the images the Epidaurians ceased to make the stipulated payments to the Athenians, wherefore the Athenians sent to Epidaurus to remonstrate. But the Epidaurians proved to them that they were not guilty of any wrong:-"While the images continued in their country," they said, "they had duly paid the offerings according to the agreement; now that the images had been taken from them, they were no longer under any obligation to pay: the Athenians should make their demand of the Eginetans, in whose possession the figures now were." Upon this the Athenians sent to Egina, and demanded the images back; but the Eginetans answered that the Athenians had nothing whatever to do with them. After this the Athenians relate that they sent a trireme to Egina with certain citizens on board, and that these men, who bore commission from the state, landed in Egina, and sought to take the images away, considering them to be their own, inasmuch as they were made of their wood. And first they endeavoured to wrench them from their pedestals, and so carry them off; but failing herein, they in the next place tied ropes to them, and set to work to try if they could haul them down. In the midst of their hauling suddenly there was a thunderclap, and with the thunderclap an earthquake; and the crew of the trireme were forthwith seized with madness, and, like enemies, began to kill one another; until at last there was but one left, who returned alone to Phalerum. Such is the account given by the Athenians. The Eginetans deny that there was only a single vessel- "Had there been only one," they say, "or no more than a few, they would
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