THE HISTORY [69]
pigs, form pigs of dough, which they bake and offer in sacrifice. To Bacchus, on the eve of his feast, every Egyptian sacrifices a hog before the door of his house, which is then given back to the swineherd by whom it was furnished, and by him carried away. In other respects the festival is celebrated almost exactly as Bacchic festivals are in Greece, excepting that the Egyptians have no choral dances. They also use instead of phalli another invention, consisting of images a cubit high, pulled by strings, which the women carry round to the villages. A piper goes in front, and the women follow, singing hymns in honour of Bacchus. They give a religious reason for the peculiarities of the image. Melampus, the son of Amytheon, cannot (I think) have been ignorant of this ceremony- nay, he must, I should conceive, have been well acquainted with it. He it was who introduced into Greece the name of Bacchus, the ceremonial of his worship, and the procession of the phallus. He did not, however, so completely apprehend the whole doctrine as to be able to communicate it entirely, but various sages since his time have carried out his teaching to greater perfection. Still it is certain that Melampus introduced the phallus, and that the Greeks learnt from him the ceremonies which they now practise. I therefore maintain that Melampus, who was a wise man, and had acquired the art of divination, having become acquainted with the worship of Bacchus through knowledge derived from Egypt, introduced it into Greece, with a few slight changes, at the same time that he brought in various other practices. For I can by no means allow that it is by mere coincidence that the Bacchic ceremonies in Greece are so nearly the same as the Egyptian- they would then have been more Greek in their character, and less recent in their origin. Much less can I admit that the Egyptians borrowed these customs, or any other, from the Greeks. My belief is that Melampus got his knowledge of them from Cadmus the Tyrian, and the followers whom he brought from Phoenicia into the country which is now called Boeotia. Almost all the names of the gods came into Greece from Egypt. My inquiries prove that they were all derived from a foreign source, and my opinion is that Egypt furnished the greater number. For with the exception of Neptune and the Dioscuri, whom I mentioned above, and Juno, Vesta, Themis, the Graces, and the Nereids, the other gods have been known from time immemorial in Egypt. This I assert on the authority of the Egyptians themselves. The gods, with whose names they profess themselves unacquainted, the Greeks received, I believe, from the Pelasgi, except Neptune. Of him they got their knowledge from the Libyans, by whom he has been always honoured, and who were anciently the only people that had a god of the name. The Egyptians differ from the Greeks also in paying no divine honours to heroes. Besides these which have been here mentioned, there are many other practices whereof I shall speak hereafter, which the Greeks have borrowed from Egypt. The peculiarity, however, which they observe in their statues of Mercury they did not derive from the Egyptians, but from the Pelasgi; from them the Athenians first adopted it, and afterwards it passed from the Athenians to the other Greeks. For just at the time when the Athenians were entering into the Hellenic body, the Pelasgi came to live with them in their country, whence it was that the latter came first to be regarded as Greeks. Whoever has been initiated into the mysteries of the Cabiri will understand what I mean. The Samothracians received these mysteries from the Pelasgi, who, before they went to live in Attica, were dwellers in Samothrace, and imparted their religious ceremonies to the inhabitants. The Athenians, then, who were the first of all the Greeks to make their statues of Mercury in this way, learnt the practice from the Pelasgians; and by this people a religious account of the matter is given, which is explained in the Samothracian mysteries. In early times the Pelasgi, as I know