• Choose a category
• All
• Classic-Fiction

By Root 21081 0

deeply wounded in the dishonor of their wives and daughters: ^22 they were equally oppressed by the arrogance of the nobles and the corruption of the magistrates; ^!! and the abuse of arms or of laws was the only circumstance that distinguished the lions from the dogs and serpents of the Capitol. These allegorical emblems were variously repeated in the pictures which Rienzi exhibited in the streets and churches; and while the spectators gazed with curious wonder, the bold and ready orator unfolded the meaning, applied the satire, inflamed their passions, and announced a distant hope of comfort and deliverance. The privileges of Rome, her eternal sovereignty over her princes and provinces, was the theme of his public and private discourse; and a monument of servitude became in his hands a title and incentive of liberty. The decree of the senate, which granted the most ample prerogatives to the emperor Vespasian, had been inscribed on a copper plate still extant in the choir of the church of St. John Lateran. ^23 A numerous assembly of nobles and plebeians was invited to this political lecture, and a convenient theatre was erected for their reception. The notary appeared in a magnificent and mysterious habit, explained the inscription by a version and commentary, ^24 and descanted with eloquence and zeal on the ancient glories of the senate and people, from whom all legal authority was derived. The supine ignorance of the nobles was incapable of discerning the serious tendency of such representations: they might sometimes chastise with words and blows the plebeian reformer; but he was often suffered in the Colonna palace to amuse the company with his threats and predictions; and the modern Brutus ^25 was concealed under the mask of folly and the character of a buffoon. While they indulged their contempt, the restoration of the good estate, his favorite expression, was entertained among the people as a desirable, a possible, and at length as an approaching, event; and while all had the disposition to applaud, some had the courage to assist, their promised deliverer.

[Footnote 20: The first and splendid period of Rienzi, his tribunitian government, is contained in the xviiith chapter of the Fragments, (p. 399 - 479,) which, in the new division, forms the iid book of the history in xxxviii. smaller chapters or sections.]

[Footnote !: But see in Dr. Papencordt's work, and in Rienzi's own words, his claim to be a bastard son of the emperor Henry the Seventh, whose intrigue with his mother Rienzi relates with a sort of proud shamelessness. Compare account by the editor of Dr. Papencordt's work in Quarterly Review vol. lxix. - M. 1845.]

[Footnote 21: The reader may be pleased with a specimen of the original idiom: Fo da soa juventutine nutricato di latte de eloquentia, bono gramatico, megliore rettuorico, autorista bravo.

Deh como et quanto era veloce leitore! moito usava Tito Livio, Seneca, et Tullio, et Balerio Massimo, moito li dilettava le magnificentie di Julio Cesare raccontare. Tutta la die se speculava negl' intagli di marmo lequali iaccio intorno Roma. Non era altri che esso, che sapesse lejere li antichi pataffii. Tutte scritture antiche vulgarizzava; quesse fiure di marmo justamente interpretava. On come spesso diceva, "Dove suono quelli buoni Romani? dove ene loro somma justitia? poleramme trovare in tempo che quessi fiuriano!"]

[Footnote *: Sir J. Hobhouse published (in his Illustrations of Childe Harold) Rienzi's joyful letter to the people of Rome on the apparently favorable termination of this mission. - M. 1845.]

[Footnote 22: Petrarch compares the jealousy of the Romans with the easy temper of the husbands of Avignon, (Memoires, tom. i. p. 330.)]

[Footnote !!: All this Rienzi, writing at a later period to the archbishop of Prague, attributed to the criminal abandonment of his flock by the supreme pontiff. See Urkunde apud Papencordt, p. xliv. Quarterly Review, p. 255. - M. 1845.]

[Footnote 23: The fragments of the Lex regia may be found in the Inscriptions of Gruter, tom. i. p.