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6. The columns of Trajan and Antonine were still erect; but the Egyptian obelisks were broken or buried. A people of gods and heroes, the workmanship of art, was reduced to one equestrian figure of gilt brass, and to five marble statues, of which the most conspicuous were the two horses of Phidias and Praxiteles. 7. The two mausoleums or sepulchres of Augustus and Hadrian could not totally be lost: but the former was only visible as a mound of earth; and the latter, the castle of St. Angelo, had acquired the name and appearance of a modern fortress. With the addition of some separate and nameless columns, such were the remains of the ancient city; for the marks of a more recent structure might be detected in the walls, which formed a circumference of ten miles, included three hundred and seventy-nine turrets, and opened into the country by thirteen gates.

[Footnote 5: See Poggius, p. 8 - 22.]

[Footnote *: One was in the Via Nomentana; est alter praetevea Gallieno principi dicatus, ut superscriptio indicat, Via Nomentana. Hobhouse, p. 154. Poggio likewise mentions the building which Gibbon ambiguously says be "might have overlooked." - M.]

This melancholy picture was drawn above nine hundred years after the fall of the Western empire, and even of the Gothic kingdom of Italy. A long period of distress and anarchy, in which empire, and arts, and riches had migrated from the banks of the Tyber, was incapable of restoring or adorning the city; and, as all that is human must retrograde if it do not advance, every successive age must have hastened the ruin of the works of antiquity. To measure the progress of decay, and to ascertain, at each aera, the state of each edifice, would be an endless and a useless labor; and I shall content myself with two observations, which will introduce a short inquiry into the general causes and effects. 1. Two hundred years before the eloquent complaint of Poggius, an anonymous writer composed a description of Rome. ^6 His ignorance may repeat the same objects under strange and fabulous names. Yet this barbarous topographer had eyes and ears; he could observe the visible remains; he could listen to the tradition of the people; and he distinctly enumerates seven theatres, eleven baths, twelve arches, and eighteen palaces, of which many had disappeared before the time of Poggius. It is apparent, that many stately monuments of antiquity survived till a late period, ^7 and that the principles of destruction acted with vigorous and increasing energy in the thirteenth and fourteenth centuries. 2. The same reflection must be applied to the three last ages; and we should vainly seek the Septizonium of Severus; ^8 which is celebrated by Petrarch and the antiquarians of the sixteenth century. While the Roman edifices were still entire, the first blows, however weighty and impetuous, were resisted by the solidity of the mass and the harmony of the parts; but the slightest touch would precipitate the fragments of arches and columns, that already nodded to their fall.

[Footnote 6: Liber de Mirabilibus Romae ex Registro Nicolai Cardinalis de Amagonia in Bibliotheca St. Isidori Armario IV., No. 69. This treatise, with some short but pertinent notes, has been published by Montfaucon, (Diarium Italicum, p. 283 - 301,) who thus delivers his own critical opinion: Scriptor xiiimi. circiter saeculi, ut ibidem notatur; antiquariae rei imperitus et, ut ab illo aevo, nugis et anilibus fabellis refertus: sed, quia monumenta, quae iis temporibus Romae supererant pro modulo recenset, non parum inde lucis mutuabitur qu Romanis antiquitatibus indagandis operam navabit, (p. 283.)]

[Footnote 7: The Pere Mabillon (Analecta, tom. iv. p. 502) has published an anonymous pilgrim of the ixth century, who, in his visit round the churches and holy places at Rome, touches on several buildings, especially porticos, which had disappeared before the xiiith century.]

[Footnote 8: On the Septizonium, see the Memoires sur Petrarque, (tom. i. p. 325,) Donatus, (p. 338,) and Nardini, (p. 117, 414.)]

After a diligent