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denoted the lofty greatness of the Colonna name: "Though sad, I am strong:" "Strong as I am great:" "If I fall," addressing himself to the spectators, "you fall with me;" - intimating (says the contemporary writer) that while the other families were the subjects of the Vatican, they alone were the supporters of the Capitol. The combats of the amphitheatre were dangerous and bloody. Every champion successively encountered a wild bull; and the victory may be ascribed to the quadrupeds, since no more than eleven were left on the field, with the loss of nine wounded and eighteen killed on the side of their adversaries. Some of the noblest families might mourn, but the pomp of the funerals, in the churches of St. John Lateran and St. Maria Maggiore, afforded a second holiday to the people. Doubtless it was not in such conflicts that the blood of the Romans should have been shed; yet, in blaming their rashness, we are compelled to applaud their gallantry; and the noble volunteers, who display their magnificence, and risk their lives, under the balconies of the fair, excite a more generous sympathy than the thousands of captives and malefactors who were reluctantly dragged to the scene of slaughter. ^59

[Footnote 54: Although the structure of the circus Agonalis be destroyed, it still retains its form and name, (Agona, Nagona, Navona;) and the interior space affords a sufficient level for the purpose of racing. But the Monte Testaceo, that strange pile of broken pottery, seems only adapted for the annual practice of hurling from top to bottom some wagon-loads of live hogs for the diversion of the populace, (Statuta Urbis Romae, p. 186.)]

[Footnote 55: See the Statuta Urbis Romae, l. iii. c. 87, 88, 89, p. 185, 186. I have already given an idea of this municipal code.

The races of Nagona and Monte Testaceo are likewise mentioned in the Diary of Peter Antonius from 1404 to 1417, (Muratori, Script. Rerum Italicarum, tom. xxiv. p. 1124.)]

[Footnote 56: The Pallium, which Menage so foolishly derives from Palmarius, is an easy extension of the idea and the words, from the robe or cloak, to the materials, and from thence to their application as a prize, (Muratori, dissert. xxxiii.)]

[Footnote 57: For these expenses, the Jews of Rome paid each year 1130 florins, of which the odd thirty represented the pieces of silver for which Judas had betrayed his Master to their ancestors. There was a foot-race of Jewish as well as of Christian youths, (Statuta Urbis, ibidem.)]

[Footnote 58: This extraordinary bull-feast in the Coliseum is described, from tradition rather than memory, by Ludovico Buonconte Monaldesco, on the most ancient fragments of Roman annals, (Muratori, Script Rerum Italicarum, tom. xii. p. 535, 536;) and however fanciful they may seem, they are deeply marked with the colors of truth and nature.]

[Footnote 59: Muratori has given a separate dissertation (the xxixth) to the games of the Italians in the Middle Ages.]

This use of the amphitheatre was a rare, perhaps a singular, festival: the demand for the materials was a daily and continual want which the citizens could gratify without restraint or remorse. In the fourteenth century, a scandalous act of concord secured to both factions the privilege of extracting stones from the free and common quarry of the Coliseum; ^60 and Poggius laments, that the greater part of these stones had been burnt to lime by the folly of the Romans. ^61 To check this abuse, and to prevent the nocturnal crimes that might be perpetrated in the vast and gloomy recess, Eugenius the Fourth surrounded it with a wall; and, by a charter long extant, granted both the ground and edifice to the monks of an adjacent convent. ^62 After his death, the wall was overthrown in a tumult of the people; and had they themselves respected the noblest monument of their fathers, they might have justified the resolve that it should never be degraded to private property. The inside was damaged: but in the middle of the sixteenth century, an aera of taste and learning, the exterior circumference