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The History of the Decline and Fall of the Roman Empire - Edward Gibbon [2325]

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excused; but these Grecian sculptors should not have been removed above four hundred years from the age of Pericles to that of Tiberius; they should not have been transferred into two philosophers or magicians, whose nakedness was the symbol of truth or knowledge, who revealed to the emperor his most secret actions; and, after refusing all pecuniary recompense, solicited the honor of leaving this eternal monument of themselves. ^70 Thus awake to the power of magic, the Romans were insensible to the beauties of art: no more than five statues were visible to the eyes of Poggius; and of the multitudes which chance or design had buried under the ruins, the resurrection was fortunately delayed till a safer and more enlightened age. ^71 The Nile which now adorns the Vatican, had been explored by some laborers in digging a vineyard near the temple, or convent, of the Minerva; but the impatient proprietor, who was tormented by some visits of curiosity, restored the unprofitable marble to its former grave. ^72 The discovery of a statue of Pompey, ten feet in length, was the occasion of a lawsuit. It had been found under a partition wall: the equitable judge had pronounced, that the head should be separated from the body to satisfy the claims of the contiguous owners; and the sentence would have been executed, if the intercession of a cardinal, and the liberality of a pope, had not rescued the Roman hero from the hands of his barbarous countrymen. ^73

[Footnote 65: Yet the statutes of Rome (l. iii. c. 81, p. 182) impose a fine of 500 aurei on whosoever shall demolish any ancient edifice, ne ruinis civitas deformetur, et ut antiqua aedificia decorem urbis perpetuo representent.]

[Footnote 66: In his first visit to Rome (A.D. 1337. See Memoires sur Petrarque, tom. i. p. 322, &c.) Petrarch is struck mute miraculo rerumtantarum, et stuporis mole obrutus . . . . Praesentia vero, mirum dictu nihil imminuit: vere major fuit Roma majoresque sunt reliquiae quam rebar. Jam non orbem ab hac urbe domitum, sed tam sero domitum, miror, (Opp. p. 605, Familiares, ii. 14, Joanni Columnae.)]

[Footnote 67: He excepts and praises the rare knowledge of John Colonna. Qui enim hodie magis ignari rerum Romanarum, quam Romani cives! Invitus dico, nusquam minus Roma cognoscitur quam Romae.]

[Footnote 68: After the description of the Capitol, he adds, statuae erant quot sunt mundi provinciae; et habebat quaelibet tintinnabulum ad collum. Et erant ita per magicam artem dispositae, ut quando aliqua regio Romano Imperio rebellis erat, statim imago illius provinciae vertebat se contra illam; unde tintinnabulum resonabat quod pendebat ad collum; tuncque vates Capitolii qui erant custodes senatui, &c. He mentions an example of the Saxons and Suevi, who, after they had been subdued by Agrippa, again rebelled: tintinnabulum sonuit; sacerdos qui erat in speculo in hebdomada senatoribus nuntiavit: Agrippa marched back and reduced the - Persians, (Anonym. in Montfaucon, p. 297, 298.)]

[Footnote 69: The same writer affirms, that Virgil captus a Romanis invisibiliter exiit, ivitque Neapolim. A Roman magician, in the xith century, is introduced by William of Malmsbury, (de Gestis Regum Anglorum, l. ii. p. 86;) and in the time of Flaminius Vacca (No. 81, 103) it was the vulgar belief that the strangers (the Goths) invoked the daemons for the discovery of hidden treasures.]

[Footnote 70: Anonym. p. 289. Montfaucon (p. 191) justly observes, that if Alexander be represented, these statues cannot be the work of Phidias (Olympiad lxxxiii.) or Praxiteles, (Olympiad civ.,) who lived before that conqueror (Plin. Hist. Natur. xxxiv. 19.)]

[Footnote 71: William of Malmsbury (l. ii. p. 86, 87) relates a marvellous discovery (A.D. 1046) of Pallas the son of Evander, who had been slain by Turnus; the perpetual light in his sepulchre, a Latin epitaph, the corpse, yet entire, of a young giant, the enormous wound in his breast, (pectus perforat ingens,) &c. If this fable rests on the slightest foundation, we may pity the bodies, as well as the statues, that

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