• Choose a category
• All
• Classic-Fiction

By Root 20060 0

the Roman ritual were destined to salute the new calends of January with vows of public and private felicity; to indulge the pious remembrance of the dead and living; to ascertain the inviolable bounds of property; to hail, on the return of spring, the genial powers of fecundity; to perpetuate the two memorable areas of Rome, the foundation of the city and that of the republic, and to restore, during the humane license of the Saturnalia, the primitive equality of mankind. Some idea may be conceived of the abhorrence of the Christians for such impious ceremonies, by the scrupulous delicacy which they displayed on a much less alarming occasion. On days of general festivity, it was the custom of the ancients to adorn their doors with lamps and with branches of laurel, and to crown their heads with a garland of flowers. This innocent and elegant practice might perhaps have been tolerated as a mere civil institution. But it most unluckily happened that the doors were under the protection of the household gods, that the laurel was sacred to the lover of Daphne, and that garlands of flowers, though frequently worn as a symbol of joy or mourning, had been dedicated in their first origin to the service of superstition. The trembling Christians, who were persuaded in this instance to comply with the fashion of their country, and the commands of the magistrate, labored under the most gloomy apprehensions, from the reproaches of his own conscience, the censures of the church, and the denunciations of divine vengeance. ^50

[Footnote 49: Consult the most labored work of Ovid, his imperfect Fasti. He finished no more than the first six months of the year. The compilation of Macrobius is called the Saturnalia, but it is only a small part of the first book that bears any relation to the title.]

[Footnote 50: Tertullian has composed a defence, or rather panegyric, of the rash action of a Christian soldier, who, by throwing away his crown of laurel, had exposed himself and his brethren to the most imminent danger. By the mention of the emperors, (Severus and Caracalla,) it is evident, notwithstanding the wishes of M. de Tillemont, that Tertullian composed his treatise De Corona long before he was engaged in the errors of the Montanists. See Memoires Ecclesiastiques, tom. iii. p. 384. Note: The soldier did not tear off his crown to throw it down with contempt; he did not even throw it away; he held it in his hand, while others were it on their heads. Solus libero capite, ornamento in manu otioso. - G Note: Tertullian does not expressly name the two emperors, Severus and Caracalla: he speaks only of two emperors, and of a long peace which the church had enjoyed. It is generally agreed that Tertullian became a Montanist about the year 200: his work, de Corona Militis, appears to have been written, at the earliest about the year 202 before the persecution of Severus: it may be maintained, then, that it is subsequent to the Montanism of the author. See Mosheim, Diss. de Apol. Tertull. p. 53. Biblioth. Amsterd. tom. x. part ii. p. 292. Cave's Hist. Lit. p. 92, 93. - G.

The state of Tertullian's opinions at the particular period is almost an idle question. "The fiery African" is not at any time to be considered a fair representative of Christianity. - M.]

Such was the anxious diligence which was required to guard the chastity of the gospel from the infectious breath of idolatry. The superstitious observances of public or private rites were carelessly practised, from education and habit, by the followers of the established religion. But as often as they occurred, they afforded the Christians an opportunity of declaring and confirming their zealous opposition. By these frequent protestations their attachment to the faith was continually fortified; and in proportion to the increase of zeal, they combated with the more ardor and success in the holy war, which they had undertaken against the empire of the demons.

II. The writings of Cicero ^51 represent in the most lively colors the ignorance, the errors, and the uncertainty of the